Danny Devlin (Fahey) and his buddy Ziggy Rotella (Russo) are in a small-time gang, and they decide to rob 1.2 million dollars from mob boss Gianni Grasso (Miano). However, Mo (Busey), who works for Grasso, double-crosses him by talking to Danny and Ziggy. Grasso's men go after them, and eventually Danny, Ziggy, and Gillette (Williams), the third gang member, end up in small-town Rosalia, where Danny grew up. It turns out his mother died and left him the family dairy farm, and it's in her will that he must tend to it. While back in his old stomping grounds, he reconnects with past family members such as Mel (Thomerson), Daniella (Wood), and his brother Burl (Madsen), who is the sheriff in town. Will Danny go straight, or will the temptation of future heists and crimes be too strong? When we first saw that there was a movie that had this amazing cast, obviously we were intrigued. And the icing on the cake comes when you're watching the opening credits, and after the extensive list of familiar names, the final credit is "Directed by Joey Travolta!" (I added the exclamation point. Sadly that's not on his actual screen credit). You'd think, "how could this possibly go wrong?" Well, unfortunately, Detour falls prey to Lone Tiger (1999) Syndrome, which we've talked about before, which means that just because a movie has an impressive cast, doesn't mean the movie itself is going to be any good. Sometimes it's even a substitute for good writing and direction, and they hope the audience won't notice.Joey Travolta seems to be more talented in front of the camera than behind it, as evidenced by his role in Wilding: The Children Of Violence (1991). Disappointingly, Detour is just one of many 90's Tarantino knockoffs. It tries too hard to be cool, and every other scene has some annoying "alt-rock" song of the time on the soundtrack. No one in the cast of fan favorites can save the uninspired writing. Busey and Madsen come off best, however - Busey slightly more low-key by his standards, and Madsen does what Madsen does, that is, look bored and contemptuous of even having to be there. But somehow when he does it, it totally works. Fahey goes a bit over the top at times, and even though this is supposedly an action movie of some kind, there are scenes of farm work - yes, FARM WORK - when other stuff should be going on to capture the viewers' interest and imagination.The movie also falls prey to some other common DTV pitfalls, such as the fact that many scenes are underlit and it's too dark to see anything. That just adds to an overall junky look and feel. But on the bright side, Gary Busey wears pajamas the whole time, and James Russo has an evil hat. Take for instance a scene in a kitchen where Fahey and Thomerson are talking. On top of the refrigerator, there is a can of a Mr. Peanut product that we think are called "Zonks", but it's too dark to really tell. This can of Mr. Peanut Zonks (?) steals focus from the supposed drama going on. "Does that really say 'Zonks'?" "I don't know, I can't read it...I hope it says Zonks...but I've never heard of Zonks..." "Maybe they're only sold in Canada." "Who is a better mascot, Mr. Peanut or the Pringles man?" "Mr. Peanut, because he has a top hat, a monocle, cuffs, a cane, and can do things, like dance around. All the Pringles guy has is a mustache". That's OUR dialogue, not from the movie. In other words, Mr. Peanut out-acts some of our favorite people this time around.An amazing, once-in-a-lifetime cast is squandered because they didn't have good material to work with. Ultimately, this is wasteful of the talented cast, so avoid this Detour into lameness.For more action insanity, please visit: www.comeuppancereviews.com

I thought this was just going to be a macho movie full of shooting, explosions, cursing and loud music. But when Danny returned to his hometown for what waitress Inga said was the first time in 10 years, the movie went in a whole new direction (temporarily). The music became more mellow though not necessarily my taste. The pace of the movie became more comfortable and I found myself starting to enjoy it.After a big robbery in New York City, with the usual action,it is not clear just who has the money. Mo tells Ziggy on the phone that Danny must have it, though Mo is the one having sex on a big pile of cash. Ziggy comes to Danny's town, and he is soon followed by the boys that Grasso sent. Eventually, Grasso has to come himself, in a great big limo.Danny, meanwhile, has to deal with the death of his mother (although he didn't get the message, his return came, coincidentally, just in time for the funeral). He is left to run the family farm and the family's dairy business (he doesn't want to do either). His former girlfriend Britt has married Danny's stepbrother Burl, who is the bumbling sheriff.There is quite a bit of comedy in the second half. Ziggy and his friend are staying with Danny, but they must wake up bright and early after Mel, whose only way of making a living is running Danny's farm, is promised that Ziggy will help out. Burl also must deal with an emergency after he has decided to turn off his police radio, so the dispatcher uses a bullhorn (not realizing Burl is standing right in front of him). Mo was also funny with his date. And Grasso and his boys seem to have little conscience when they kill people. A lot of the comedy is associated with the emergency Burl had to respond to.I liked the scenes with Danny and Britt the best, as well as scenes where Danny spent time with his niece Daniella. There was also a parade near the end where Inga and Daniella were beauty queens, and that was fun too (in this type of movie, though, do you think a parade will go smoothly?). And while I didn't like most of the music, I think the music will be a highlight for a lot of people.

A bunch of cool gangsters are robbing a suitcase full of money from an Italian mafia bosses' headquarter and leaving for the country side for another big coup, but the Italian mob is already hunting them for bloody revenge... that's the whole plot of this hardcore action b-movie flick by Joey Travolta, the little brother of big John.Travolta wants to direct like his big idols - Quentin Tarantino, Robert Rodriguez, Martin Scorsese, Brian de Palma, Walter Hill, Sam Peckinpah, John Woo and the Die Hard movies... but Travolta is none of the above but only a b-movie director which you can see in every single second of this film! The story is to flat and often-told, the dialogues are bland and not witty at all, and the actors seem partially comatose... nobody here really seemed to be too enthusiastic about his job.Although Joey Travolta collected a lot of second-league stars of hard-boiled undergound and action movie fame around like Jeff Fahey, Michael Madsen, James Russo and Gary Busey, even those rather good actors can't add any quality to this trash. Even the shootings and showdowns are rather boring, and too many slow motions rather serve to say good night to the viewer instead of taking his breath away. This film is alright for two hours of mindless action fun after midnight, but I recommend to choose the originals instead!

Being a giant fan of Fahey and Busey I found this impossible not to miss.The film itself has many bad qualities. The sound is all over the place. The levels peak mid shot and the mics pick up annoying chunks so sound, like Fahey leather jacket making that leather-jacket-sort-of-noise. The amount of footaged re-used is amazing. I can think of a least 5 glaring examples.However, then there is the cast and plot. Fahey (who supports the film perfectly) is great is a role that he can play in his sleep. Busey limited usage shows and his pyjamas are exceptional. Russo really only shines in the action sequences. Madsen give a good as he wants (which I don't believe is very much) as the charater has very little to do and didn't require someone like Madsen to play it.If you can manage to endure the technical problems this turns out to be a fairly enjoyable waste of time.