What a beautiful movie. I will admit that when I was younger I may not have seen this for the gem it really is. However, it is a winner.After years of mourning her husband, a successful and beautiful young woman develops a friendship, in the oddest of ways, with a rather ordinary looking, balding, clumsy and unambitious man who is a bit older than her. Her friends are chic and successful and they find it an odd and discomfiting match, but her beloved grandmother sees the truth... that her granddaughter has found a wonderful and honest, loving friend...In only having lived a life with many ups and downs, will the truth of loving someone who is kind and generous, honest and honourable, rather than dashing and handsome and rich and ambitious have real meaning for you. I'm so glad someone made this lovely film.

"Delicacy" works because Audrey Tautou is so amazing to watch. From the moment the film zoomed in on her pitch perfect classical pretty look, the film set its tone. However the part of the film that made it spectacularly brilliant is the final quadrant. Just when you feel the film moves toward melodrama, it turns over in full circle and finally laughter filled the cinema screening. The awkward moments became funny spots and the effortless unlikely romantic companion in Swedish François Damiens is as funny as Hong Kong's iconic Lam Suet. "Delicacy" is film that starts off sweetly, then bitterly and in the end unlikely and delightfully.Audrey Tautou is simply stunning to watch. Not unlike Audrey Hepburn, they can do nothing and just frankly filled with close up shots and you will still be captivated. Her ability to own the screen is simply a pleasure to watch. Whether she is sad, happy, shocked or even random, Audrey can seamlessly connects with the audience at its very core. Equal to the task is the scene stealing Swedish co-worker François Damiens. Their romantic chemistry does not crash any computer screen, but there is something about them that makes then a couple to root for. His comedic timing is just absolutely "laugh out loud" moments. In fact, there was a time in the film when I uncontrollably laughed out loud and resulted in several turning heads and looks. However it was all worth it.All in all, "Delicacy" is really one of the lightest hearted melodramatic yet romantic comedies of the year. It is one of those delightful films that are best served after a long day at work where you can sit back and appreciate the beauty of Paris and Ms Audrey Tautou. Ever since Woody Allen's "Midnight in Paris", I have placed the city on top of my list and after "Delicacy", I can only say that love is not just a four letter word. A highly enjoyable bittersweet rom-com…Neo rates it 8.5/10 www.thehkneo.com

Expectations can be such a bitch, when pre-conceived notions formed by others become shattered when reality dawns upon them. It can apply to many areas, but in a romantic comedy, it almost certainly applies to how one perceives the other half that a friend had chosen. And I suppose for the girls if their friend's new beau doesn't come tall, dark and handsome, but balding, goofy and awkward, then there will be bewilderment that will take on a life of its own around the gossip mills.The debut feature of directors David and Stephane Foenkinos, adapting from the former's novel, Delicacy turned out to be not what one expected, with scenes played out in rather individualistic fashion, and ultimately never finding a natural rhythm of pacing. It's a classic case where the sum of all its parts turned out to be rather rote and hardly surpassing the brilliance of ideas injected into individual episodes, making it a rather rough ride where you'd constantly wonder just where the story is heading.The draw here is of course Audrey Tautou, playing yet another strong female character whose whirlwind romance with Francois (Pio Marmai) comes to a full stop when the inevitable happens, in a scene where I was expecting a vehicle to hit Francois on the screen from right to left. Well that wish got unfulfilled, but Francois does succumb to injuries and Tautou's Nathalie Kerr becomes a widow, devoting herself to her work for the next three years, before discovering opportunities for a fresh love life comes knocking on her door again. And all these serving as the prologue, while being really inconsequential to everything else that came after, and could have sped up the pacing to get to the crux of the story instead.And that's the new chapter of her life predominantly set in her workplace, where her boss Charles (Bruno Todeschini) tried to hit on her, and her fellow work group mate Markus Lundl (Francois Damiens) becomes comically attracted to her because of her sudden and unexpected, one off advances where she kisses him out of the blue. The rest of the film deals with their romantic dalliances, with some nice touches to dialogues given Markus' deadpan humorous streak, and self-deprecating jokes that gets delivered with a straight face. But it's true, I suppose for those who don't have what it takes on the outside, being a funny man definitely works wonders, and Markus soon has Nathalie eating out of his hand, not that he could handle the attention anyhow.While the romance doesn't really work out that well, what did work are the little background events that anyone working in an office will encounter from time to time, and these are the most fun, with gossips spreading like wildfire, and how sometimes we get easily offended by others who tend to be quick to pass judgement on who we are from glimpses on the outside. Audrey Tautou is at her pixie best in a role somewhat failed to challenge the actress, with Francois Damiens upstaging her in almost every aspect and scene, thanks to having portray a more interesting character complete with insecurities and quirks that is easily identified with by anyone - you will feel his pain when being compared with the Ideal, Perfect Man, who exists only in minds and not in real life, and being quite the good sport and feeling quite comfortable with himself when his shortcomings are mocked at.Delicacy turned out to be a rather choppy ride, with a rather erratic pacing and structure that seemed to branch off and take on a life of its own, rather than to be in sync to form a more coherent narrative. Still, it's down to the chemistry of the leads when playing the unlikeliest of couples both in social standing, looks and attitudes, without whom this delicacy would have turned out to be a bland affair.

In retrospect Amelie was probably something of a mixed blessing in the career of Audrey Tautou. Prior to that breakthrough role she was getting decent roles in quality movies such as Tonie Marshall's Venus Beaute where she could coast in the wake of a heavy hitter like Nathalie Baye and let her carry the movie. After Amalie it was of course Tautou herself who had to pick up the ball and run with it and the results have been mixed at best and along the way she has had to watch as others - Isobel Carre for example, in Romantics Anonymous - have excelled in roles tailor-made for Tautou. Delicacy helps restore the balance and despite the inexperience of a first-time director there is still sufficient charm on hand to lift it out of the run-of-the-mill and it does no harm at all to have Ariane Ascaride along for the ride albeit wasted and underused at one and the same time. As time-passers go and antidotes to the cgi fodder this is as good as any and better than most.