...from people who likely don't know any better, and even more likely don't care one way or the other, "Dear God No!" can't help but live up to its name in any discerning viewer's mind. Ostensibly an homage to 70s grindhouse features, this bit of pitiable excess fails to show any genuine respect for the genre or for filmmaking in general. Wooden non- actors swell the cast while reciting lines that might impress middle- schoolers with IQs in the room temperature range. The camera-work is---to be kind---in focus (well, usually), and the rest of the production values aren't much better. Costuming (and the lack thereof for most of the females) is probably the film's only strong point.Needless to say, the script is abysmal, direction is non-existent, and did I already mention that the actors can't express themselves out of a paper bag? The corpse of Ted Sturgeon is shaking its head in despair. This one's a time-waster only, kiddies; not even the rampant nudity can recommend it. You've been warned.

Dear God No! is a perverse and fascinating distillation of subjects extracted from the best exploitation cinema of the '70s. This is what directors Quentin Tarantino and Robert Rodriguez attempted to do in Death Proof and Machete (respectively); however, Dear God No! is the genuine article, and the result is a gem full of bad taste and depravity made with minimum money and null influence from Hollywood.The exploitation cinema has become a popular model to modern filmmakers, not only because of its implicit nostalgia, but also because it can work as a justification of the lack of talent and low production values we can find in some independent movies. Many directors and screenwriters think that their ineptitude and mistakes could seem intentional if they decide to make a "retro" film. However, that's absolutely wrong. Films like Hobo With a Shotgun, The House of the Devil and Dear God No! prove that genuine talent is needed in order to make a good film with those characteristics, and that the "old film" filters and the period costumes aren't enough in order to get an interesting and entertaining narrative. Dear God No! possesses enough energy and dramatic conviction in order to capture us into the action and keep us on suspense, while making us laugh with its stupidity and ridiculous characters. Sounds contradictory, but it works brilliantly well for those of us who appreciate this underrated cinematographic style.On the negative side of Dear God No!, some performances from the supporting cast feel too rigid. Nevertheless, the experience of watching this film was so amusing, perverse and energetic that I can enthusiastically recommend Dear God No! to the followers of exploitation cinema who want to watch something close in spirit to gems such as Ilsa: She Wolf of the SS or Thriller: A Cruel Picture. And to the casual spectators, I have to warn that there's quite extreme and offensive material in this film, so proceed with caution. You may end up feeling disgusted...or becoming an addict to a hated and occasionally censored cinematographic stratum. I can assure you it's not an easy-to-satisfy addiction.

I'm sure if you sat down with a group of buddies who all have bad taste and like nasty things then you would definitely laugh out loud at this movie and come away with some good one liners but any one with any taste would think your facked up for even knowing this movie exists. This week must be the week of sh!+ movies cuz heres another stinker. This movie has huge potential is out weighed by the garbage cinematography, garbage acting, and the worst practical effects I've ever seen. I understand that they made this movie crappy on purpose but that just seems to be an excuse for having no talent. Everyone involved in this movie has no talent and this movie wreaks of it. Anytime something bloody happens you can clearly see a hose spraying blood or someone grabs their neck and blood sprays from behind their back. They pretend to do a burnout on a nun and it just looks stupid because they cant even act like they are doing in it. It looks like a bunch of buddies got together and made a movie they thought would be funny and then decided hey maybe other people would like this. Even when they are drinking something we are suppose to think is a dirty tampon it doesn't even gross me out because they cant even act like they are drinking tampon juice. One area that this movie does succeed on however is the dialogue. There are plenty of hilarious one liners, they are just coming out of the wrong people who cant do them justice, tiss a shame. Also the ideas they had for how to push the limits of sleaze are great in theory but don't have the skill to pull them off effectively. I personally love the movies that this movie tries to be but it fails and the only scene that is effective is the rapist orgy where i got so sick of the screaming women that i turned this garbage off. Lets put a little more effort in next time boys and maybe hire some people with talent.

this has to be the worst film i have ever had the displeasure of laying my eyes on. should you watch it? the title says it all.... I am a big Fan of the grind house genre but this was just BAD. Bad acting, bad script, bad film.. enough said. i really cant see why its getting so many good reviews, it's just terrible. and before every one starts giving out to me, i know every one is entitled to their opinion and this is just my opinion, but i just couldn't see any good in it. my friend(who loves this genre more than me) and i sat down to watch it and neither of us could believe what we were watching, especially the last scene, any one who has seen it will know what I'm talking about, i felt cheated because the trailer made it look really good. i would feel bad if i recommended this tripe to anyone. i consider this to be an honest review, please don't have it removed again, whats wrong with having your own opinion, i paid to see this film, i didn't like it, no spoilers, just pure honesty.