This is my vote for one of the all-time worst blaxsploitation films--this and "Sweet Sweetback's Baadasssss Song"--though they are very, very different movies within the same genre. "Darktown Strutters" is, apparently, supposed to be a comedy, however, and "Sweet Sweetback" simply defies description! The bottom line is that you just can't get much worse than these films and deciding which of the two is better is like deciding which you prefer--Ebola or the Bubonic Plague!!"Darktown" stars a group of ridiculously attired black motorcycle 'chicks' who have a series of banal adventures--most of which eventually involve some cops who have the intelligence of cheese. None of the jokes work, none of the film is engaging and I simply felt this was a giant waste of timed due to horrific writing, bad and very broad acting and a story that simply went nowhere. I really wish I could have the time back that this film stole from my life--it was that unfunny and stupid. Extremely poor in every of the way, this is the most amateurish and pointless films I've seen in ages. If you want to see a good black comedy of this time period, try "Car Wash" instead. While rough, at least this film has laughs....I counted none in "Darktown"!!

After many years of wanting to see this film, opportunity finally knocked when TCM aired it on December 18 2009. Did Christmas come early? Sadly, no, as Darktown Strutters is just a dreadful mess. There are some good elements here, from the music to the custom motor trikes, but it all adds up to very little. At best, serial vet William Witney directs the film as if it's a television situation comedy, but his efforts (such as they are) are consistently undermined by the uncharacteristically awful editing of Morton Tubor. Filled with jump cuts and unintentional visual non sequiturs, Darktown Strutters is also burdened with an incoherent screenplay from George Armitage. Even the presence of familiar faces like Sam Laws, Dick Miller, and Zara Cully (Mother Jefferson) doesn't move the film into positive territory, though a third act appearance by The Dramatics is a highlight. Perhaps the cast and crew indulged in one too many Pot-sicles whilst producing Darktown Strutters, but this is one bad trip indeed.

Once upon a time, back in the mid-1980s, I had a boyfriend who didn't own a television set. Often we would lay awake late into the night, listening to the stereo simulcast of a local "all-night movie" channel (XETV, Ch. 6)beamed from Mexico into our snug, San Diego homes. Imagine our surprise and delight upon the discovery of "Get Down and Boogie," A.K.A. Darktown Strutters! If you think WATCHING this flick is a surreal,disorienting experience, just imagine trying to decipher the plot without the visuals!!! Every since that fateful night back in 1988, i've been trying to procure my own copy of this flick, to no avail. (I got an incredibly sparse n' sleazy one-sheet for it one year @ The Comic-Con: "Get Down and Boogie --This movie will fry your eggs!")It seems to've lapsed into a "public domain" kinda thing, as the only 'official' release I can find is from East/West DVD,one of those 99-cent-store outfits, wholesale only. I do not own a credit card, which severely limits my options here... What's a blaxploitation-struck gal to do? ....March 2008 UPDATE: I FINALLY got myself a DVD copy o' this flick through Amazon.com!! Sure, it's just the $1-Store, edited for television version jacked up to $9 for a used copy, but it looks like this is the best/closest i'll ever get, and I am, for the moment, fulfilled!!! (Now if I could just get that copy of "Black Devil Doll From Hell"...

DARKTOWN STRUTTERS is pure soul-crazed 70s entertainment at its maximum! I strongly urge all archivists of blaxploitation cinema to go out and hunt down this one-of-a-kind rarity, a blaxplo-comedy-musical that knows no bounds when it comes to absolute weirdness. Everything from the opening sequence ("Any similarity between this true life adventure to the story Cinderella...IS BULLS--T!") to the rest is genuine cinematic trash, but it's well worth the agony! ALABAMA'S GHOST was just as weird! I'm not too crazy about comedies, but the erraticly innovative formula was far ahead of its time (for 1974). Still, this is a one-way ticket to Funkland Junction! Among the highlights you'll get to see are a police car with a gargantuan siren and a cloning machine, which are hard to believe. The oddball taste does appear to fit well in DARKTOWN STRUTTERS, making this an enjoyable trip through a time when fashion trends and moral values have gone through mass transition. It does contain a familiar musical number by The Dramatics, singing "What You See Is What You Get". It's more than just a classic TV sitcom taped in front of a live audience, it's a campy experience that has recently gone timeless while it improves with age. See this film only once in your life and your infatuation with CAR WASH will be all over! Too bad a lot of you have missed this one!