I liked all of it: the babies, the betrayals, the big tantrums, and the mom who just wanted to take a nap. The postpartum depression angle worked for me. It started with something relatable and spun it into something completely bonkers. When Molly (Ashley Bell) shook the walls of her craftsman bungalow yelling "Will you stop trying to fix everything!!!" , it fixed the part of my soul that had forgotten how to have a good time. When Beth (Sara Rue) rolled her eyes and told Susan (Alex Essoe), "At least you gave her a rock," I spit out my Chex mix into my champagne and drank it anyway. This movie should win an Emmy for Best Performance by an Amethyst. Sure, there was an outdoor scene where everyone sounded like they were hanging out inside a seashell, but so what? If you go into this movie looking for realism, you will miss the fact that there is a club called "bumpers" or something where women put water balloons in their shirts and go out as pregnant ladies, although some prefer to use other materials. Why aren't more people talking about this? Personally, I love the psycho friend trope, and this is one of the best representations of the genre that I've seen in years.

This is one of those lifetime movies that isn't worth tuning into.Post partum depression is the subject here. Could have been very interesting if they had done it about how a crazy mother acts out and endangers loved ones including her baby. Instead it's about a depressed mother who meets a wacko who carries around a fake baby! Don't care for the motivations of the wacko played annoyingly by Sara Rue. The mother isn't that sympathetic either. The opening scene wacko freak out is badly directed too.Don't bother with this one. The cast isn't appealing and it's lazily written stuff.

Hey lifetime hire someone with lady parts to write your scripts. a monkey could have written a more insightful story about a barnacle. Besides be incredibly slow, the underlying misogyny oozing from every pore of this film was distressing. How could a channel meant for women make a film that was offensively ignorant of what being a mother, wife, woman, human, living creature be? I have never seen anything so insanely 2-dimensional and lacking in insight or even entertainment value. I felt very badly for the actresses who had to try to give life to this absolutely inane script. I hope lifetime learns a lesson from this - the lesson is simple. Women are people too.

In the opening minutes, we meet overly perky brunette Sara Rue (as Beth). Obviously pregnant, the ex-nurse visits an older couple. The man wants to stay with his wife, leaving Ms. Rue to struggle as a single mother. Rue furiously grabs a kitchen knife and goes "Lifetime TV movie" psycho. We don't know if she's going to slash her wrists, kill the prospective father, or plunge the knife into her own fetus. You'll have to see for yourself. The action quickly switches to wrung-out blonde Ashley Bell (as Molly). A new mother, Ms. Bell may be suffering from postpartum depression. After conferring with her hunky Los Angeles fireman husband Dean Geyer (as Brad), Bell decides to join an Internet support group for new mothers...Yep, Bell hooks up with perky mama Rue from the opening scene..."Don't Wake Mommy" is a routine entry in the psycho mother genre. Many scenes work, but there are major problems as characters move too quickly in the editing room. It gets difficult in the second half. At times, it seems like parts of the story are missing. Once, after a commercial break insert, a fairly large chunk of story appears to be missing. Characters move around illogically. One of the final scenes is mind-boggling as it suggests a character has completed an impossible crawl. Alex Essoe (as Susan Baxter) does well in the predictable best friend role and Mads Heldtberg's music is a strength. Alas, writer-director Chris Sivertson may not have had enough time or support to turn in a more acceptable product.*** Don't Wake Mommy (2015/11/09) Chris Sivertson ~ Ashley Bell, Sara Rue, Dean Geyer, Alex Essoe