In some ways Peter Howitt's work of (undiluted) genius is a counterpart to Truffaut's "La Nuit Américaine", although it's kind of an updated version. Following the other reviewer's suggestion I would say it's the "Trainspotting" version of it. If there ever was a portrait of a filmmaker on film, this is it. This film should be required watching for everybody who loves films and who wants to know how it is to make one. And yet it's so much more. It's a huge portion of life squeezed into 110 minutes of yours. It's amazing, it's f.....g brilliant (as a German I'm hesitant to use swearwords, but hey) it's a ride-of-a-lifetime it's so much more than in my humble words I would ever be able to describe. I watched it in Tokyo on the film festival and one hour after I left the screening I started to cry, in the middle of a crowded street. Or no, I laughed and cried at the same time. Actually I thought they might arrest me, but nothing happened. Maybe they felt pity for me, or thought people do that in Europe - but what they didn't notice was, it was a GLORIOUS crying, because I realized, in an instant, how wonderful it is to be alive. What a film.

I have read the book after seeing the trailer for the movie and wasn't overawed by it, but last week saw the movie and I have to say that Mr Howitt has created a work of genius.He has managed to take all the tat out of the book and turn it into one fantastic movie. Admittedly it would be difficult to follow with the time flips if you hadn't read the book and the film is based in the UK as opposed to the US in the most part in the book.But what a movie. Shocked by the ending, but what a ride all the way there. It was a movie that stayed with me all day the next day after watching it - it made me laugh, cry and feel emotive towards Noah - the anti-hero.It will be the next Trainspotting for cult status. It was the only film in an awful long time that I wanted to watch again the next day to absorb everything that went on. Peter - you have managed to turn a good book into a wicked movie. I just cannot understand why it wasn't bigger, when you see the tat that the big studios release and earn millions - why was this not one of them? Wonders never cease.My name is my own!

What an unexpected Gem, British film making minus Danny Dyer minus Guy Ritchie minus Colin Firth = ' Excellent ' … Don't switch off after the first 5 minutes as this could be our typical British flop. Narration,, freeze frame ,, loser introspective rewind, loads of swearing, attitude, over use of flashback etc However the film draws you in . And succeeds through the bombastic central performance from its lead Peter Howit through the effective use of narration and non chronological story telling, all too often exploited in modern cinema On reflection this is a modern day shakespearean tragedy .. A triumph in modern cinema which succeeds in making you laugh whilst conveying a very sad and poignant message of one mans search for redemption With a raw honesty served on a plate of hilarious self destructive loathing the narrator introduces his world of drug fuelled decadence with at times hilarious results, before his admission to rehab in an effort to resurrect his life . The latter part of the film turns decidedly dark and is at times difficult viewing so be prepared for an emotional roller-coaster.. Try and imagine Ivan's XTC meets Trainspotting meets Witnail and I ? I !A MUST SEE

I must say that coming out of the screening for Dangerous Parking is one of the rare occasions where I have genuinely been 'moved' by a film, so I think that coming out saying "I really enjoyed it....It was a great movie....What a great performance etc etc" now seem like stock and clichéd responses to a film that deserves so much more.I find it hard for anybody who has lived, loved and lost, not to be profoundly moved and affected by Dangerous Parking. It is one of the most honest, real, raw and beautiful films that I have ever seen about the human condition, warts and all. Peter Howitt gave a performance that was, to most Oscar nominated male leads, what junior school nativities are to RSC performances. He gave a blistering, acerbic, and - in more ways than the literal - naked, performance. It demands to be noticed and acclaimed.