Murder and comedy do mix; We learned that through Philo Vance, Nick and Nora, and various other amateur detectives who sneaked their way into screwball comedy in the 1930's. So in this neat little Universal second feature, there's quite a bit of it around. The opening sequence shows the hateful radio show sponsor Caesar Kluck (a delightfully imperious Breton Churchill) keep putting his foot in it, abusing the staff, sexually harassing pretty Nan Grey and insulting the talent on the show he sponsors. So when he turns up deader than a decapitated chicken, nobody is surprised, but the death at first appears to be from natural causes, not aided along by man. Grey, along with sound engineer Donald Woods, takes charge of exposing the truth which reveals a lot of suspects and some surprising clues. Of course, he gets no help from equally imperious radio station owner Jed Prouty who ironically was nowhere to be seen in the early scenes while Churchill was around. Prouty is very funny in a scene where he tries to keep the press at bay, insisting that there's no poison in the station's air conditioning system while being surrounded by fans, humidifiers and anything else that would remove anything toxic.Moving along briskly with the frenetic surroundings of the radio station creating a lot of normal daily havoc in addition to the two murders which occur, this is a nice little surprise to find amongst the many mediocre low budge murder mysteries of the 1930's and 40's. Woods, a normally dull actor with little pizazz, adds some oomph to his sound engineer, getting in some good cracks at the expense of both Churchill and Prouty. Skeets Gallagher adds his usual plethora of subtle acidic comedy, while many other familiar faces (including a young Lee J. Cobb) pop up as well. There's even a Bing Crosby imitator thrown in for good measure. So while radio means very little to people today without cars, it once was the cheap way of receiving entertainment, and in this case, the Big Broadcast is a great way to spend an hour. You won't feel at all cheated.

In the 1930s and 40s, Hollywood made a ton of B-mystery movies. Some (such as most of the Charlie Chan flicks) were very good--many were, at best average. Among all these movies were also a series of so-called 'Crime Club Films' and "Danger on the Air" is the 4th of 11 in the series. While I haven't seen the others in the series, I'd place "Danger on the Air" in the category of below average--mostly because the premise is 100% illogical.The film is set at a radio station. One of the sponsors, Mr. Cluck (Berton Churchill), is a real jerk. Because of this, you know he'll be the one to be killed--and he soon was. Normally, when a murder is committed you'd contact the police or possibly the District Attorney's office. However, inexplicably, one of the network's radio engineers (Donald Woods) decides to investigate--and no one bothers to contact the police. Even odder, the newspapers hear about it and publish information about the death--yet still no cops appear!! Odder yet, someone tries to shoot a lady (Nan Grey)--yet it is never reported either!! Even more illogical is the very, very, very fanciful and silly means by which the murders were committed--so fanciful that it defied all logic.While the interplay between Woods and Nan Grey is nice, there really isn't a lot to recommend this Universal film. Logical errors abound and the film just made me annoyed that the writing was so sloppy.

Universal's Crime Club series lasted 7 films from 1937 to 1939, of which "Danger on the Air" was number 4, the last to co-star Donald Woods and Nan Grey, previously seen in the second, "The Black Doll" (also 1938). Lecherous sponsor Caesar Kluck (Berton Churchill) dies during a live radio broadcast, with hard working engineer Benjamin Franklin Butts (Woods) deducing murder from poison gas, and Kluck's physician, Leonard Sylvester (Edward Van Sloan), insisting it was a heart attack. The ventilating system has clearly been tampered with, and a persistent gangster (Joseph Downing) was also hanging around, plus the station janitor (Lee J. Cobb), who was angered by Kluck's advances toward his young daughter (Louise Stanley). The adorable and capable Nan Grey gets top billing over Donald Woods this time, but he again solves the case. Also on hand are William Lundigan, George Meeker, Tom Kennedy, and a young Peter Lind Hayes, future songwriter and TV personality, doing a variety of impressions like Bing Crosby (he also name drops Rudy Vallee). All of the Crime Clubs are quite entertaining, and the final three were included in the popular SHOCK! package of classic Universal horror films issued to television in the late 50's ("The Last Warning," "Mystery of the White Room," and "The Witness Vanishes"). Only "The Black Doll" and "Mystery of the White Room" were shown on Pittsburgh's Chiller Theater, so it was many years before I discovered the other five in the brief series, lesser known than the Inner Sanctums but in some ways superior. The next Crime Club would be "The Last Warning."

Universal put out a number of nifty mystery films in the 1930s and 1940s and this is one of the better ones. When a lecherous sponsor of a radio program gets bumped off there are no end to the suspects. Was it the lovely head of the ad agency? The young receptionist who had accepted the older mans expensive gifts? The inquisitive sound technician who is about ready to quit his job? The elevator operator with stars in his eyes? Or maybe the janitor who is worried about his daughters virtue? A great cast lead by beautiful Nan Grey who gives a surprisingly lively performance.