Only reason to catch this soft-core sleaze is Lenny Bruce in a tough guy role. No effort here for the controversial comedian to be funny. Instead, he's sort of a third-rate George Raft. The dreadful effort at laughs comes instead from a guy mugging it up like Jerry Lewis's brain dead brother. I expect this barrel bottom showed in a grind house or two on the coasts, and may have made back it's dollar-seventy budget. It's like three unadorned sets and a dirty alley are there to confine viewers, along with the bare backs of well-fed "dance hall" girls. Just as skimpy is a plot having something to do with diamond smuggling run by the dance hall owner. But don't expect anything like suspense or even interest. No need to keep beating a dead horse. People don't watch such a title for artistic excellence. Apparently, this is what passed for skid-row titillation, 1953 style. So where was Ed Wood when we needed him.

Taking a look at a poll being held on IMDbs Classic Film board for the best movies of 1963,I noticed a fellow IMDber mention that they were interested in seeing stand up comedian Lenny Bruce's one & only movie.Taking a look around online,I was pleased to discover that the flick had come out on DVD as a double bill with Joe Sarno's (surviving) debut,which led to me getting ready to see Bruce cause a racket.The plot:Talking to a newspaper reporter,a police captain begins giving details on a case that they are currently investigating-Learning that a gangster who has kept his mouth shut (partly thanks to his tongue getting chopped off!) over where he has hidden a stash of stolen diamonds,is to be released,local leading gangster/dance hall owner Umberto Scalli tells all of his workers that they must put on a special show,so that he can find out where the diamonds are hidden.Following every order given by his boss,"Ice-Pick" Vincent keeps the girls in line whilst killing any clients who try and steal cash from the dance hall.Expecting Scalli to stick by his side,Vincent soon finds out that it is murder on the dance floor.View on the film:Filmed before he had settled on the stand up stage,the screenplay by writer/co-star Lenny Bruce (whose wife & mum also appear!) takes a sharp satirical shot at the dead end pit stops that he was working at,and also gives the title a Film Noir sheen.Sliding the title close to reality,Bruce paints a blunt picture of the dance hall as a place where everyone from the gangsters to the strippers can get pushed aside for some cold hard cash,which gives the title a chance to go down a very good Film Noir route,as Vincent discovers that loyalty means nothing.Despite the print sadly jumping when moments where the strippers show some skin have been cut,director Phil Tucker does very well at building a seedy atmosphere,where every killing that Vincent makes for Scalli ending in a raw short,sharp,shot,as "Ice Pick" Vincent chills the dance.

This film is an extra on the Alpha Video release of "Sin You Sinners". I am actually surprised, as "Dance Hall Racket" isn't even mentioned on the DVD cover--though it is clearly the better film ("Sin You Sinners" is REEEALLY bad). And, unlike "Sin You Sinners", a few of the 'dames' in "Dance Hall Racket" are actually nice looking ladies--whereas the ones in "Sin You Sinners" are enough to kill anyone's sex drive...permanently! Both films clearly earn scores of 1--though if I could give one lower to "Sin You Sinners", I would! Considering that this film stars Timothy Farrell, you can safely assume the film is crap. This 'actor' has the distinction of having appeared in such classics of dreck cinema as "Test Tube Babies", "The Violent Years" and Ed Wood's masterpieces "Jail Bait" and "Glen Or Glenda"! Surely this is a record for awfulness that few, if any, actors can match! And, watching his smooth yet sleazy character is pretty entertaining, as I am a bad movie aficionado.On top of Farrell, the film also is pretty weird because it was written by Lenny Bruce...and he even is one of the stars of this ultra-low budget movie! His wife, Honey, even got a starring role as a sexy B-girl. There is also a character named 'Punky' (Bernie Jones)--who might be one of the most obnoxious characters I've seen in many years. His routine is pretty sad--with a terrible fake Swedish accent, a goofy Pinky Lee-style hat and no discernible talent. He is meant as comic relief, but he's about as funny as watching a cat coughing up a hairball! He and most of the rest of the male actors are supposed to be sailors, but not a one of them looks or acts anything like you'd expect from such characters.The film is about a dance hall that is run by Farrell. It's a clip-joint where drunks are routinely robbed and drugs are sold by this mobster who is cleverly called 'Boss' throughout the film! Along the way, you see a bit of skin--hot stuff for 1953 but very, very, very tame when seen today.So with all these terrible actors and no budget whatsoever, is this movie any good? Well, no...but at least it's not 100% terrible--though this is hardly a glowing endorsement! The film was clearly meant as an exploitation movie--with cat-fights, skin, sleaze galore and dames...lots and lots of dames! And, if you like very bad exploitation films, it IS worth seeing--it IS fascinating viewing--sort of like a train wreck! However, for the average viewer, it's best to steer clear of this grade-z monstrosity--it's a real turkey.By the way, although I really have seen very, very little of Lenny Bruce on screen, this film and his short "Thank You Mask Man" are enough to make me doubt those who have proclaimed him as a misunderstood genius. I certainly haven't yet seen anything resembling genius from his films. Perhaps you just had to catch his infamous stand-up act.

Ultra-cheap flick from the Ed Wood school of film-making, this campy little gem will grow on you with repeated viewings. In addition to Lenny's wife Honey (the two of them get into a heated clinch at one point) the film also features Lenny's mother Sally Marr as the streetwise dance-hall veteran Maxine, who breaks out in a spirited Charleston dance at the climactic party scene. From the period when Lenny was working within the confines of traditional show biz, the film is sprinkled with funny ideas and characters (Icepick and Punchy). From the legendary Screen Classics production firm, which also gave the world Glen or Glenda, Test Tube Babies, and The Devil's Sleep. Well worth seeking out.