Translated from Japanese to English, Pyrokinesis is a fun little thriller film to watch at a party or sleepover. Pyro means fire in Latin; pyrokinesis literally translates to 'fires by force of the mind'. The film follows a woman with a strange ability with an unexplained cause; she can set fires with her mind... can set anyone on fire. After a brutal murder claims the life of one of her friends she becomes outraged when the law fails to help out. She uses her wild talents to go beyond the force of the law and becomes a vigilante with one thing on her mind... justice. Alright, admit it, the film DVD cover looks pretty cool. A woman on fire, coated in a sea of burning flames, the flames under her control! But all these films featuring humans with strange otherworldly powers end up the same. The production companies go out of their way to display a show of their CGI and SFX, showing these powers in an unrealistic way, showing off their film effects rather than work on the story itself. Let me see, I recall Village of the Damned (1995), Lucy (2014), Push (2009), Firestarter (1984), Akira (1988) and Carrie (1976). Each film does the same type of thing. Pyrokinesis is no exception, really. It's fun to watch but not really all that interesting. Expect some crazy light show of flames, it's full of 'em.

Hot on the heels of what was at the time his greatest film, the dark and beautiful Gamera 3, Kaneko took a breather from the world of kaiju, and directed and co-wrote this adaptation of a popular horror novel. In his own words he wanted to attempt something more focused on human drama.While it the script does occasionally meander, it is refreshingly free of the self consciousness which taints so many similar films, (such as the X-men movies) and its earnest take on the ethics of revenge is served with a fascinating dash of moral ambiguity. What's more, it has a surprisingly powerful emotional core, and one scene in particular was so unexpectedly touching that it brought tears to my eyes.The film's greatest strength is its character development. The heroine, Aoki Junko, is one of Kaneko's most compelling characters outside of the Death Note films. The fine details of her everyday life, -such as the precautions she has taken against her own powers- add greatly to her believability, and her development as a person in response to the plot's twists and turns gives the film its backbone. Her hesitant attempts to connect with other people after a life of solitude are very touching, and provide a poignant Yin to the Yang of the brutal action sequences. Actress Akiko Yada's portrayal of Junko is strong and subtle, wonderfully capturing her emotional torment and moral uncertainty. The secondary characters and are also given a nice degree of ambiguity and depth, and are nicely acted to boot. Of these, the standout is Kaori Momoi as Ishizu, a shrewd, cynically jovial and compassionate female detective. These three qualities are a hard act to balance, but Kaori and Kaneko pull it off nicely. What's more, she gets a ton of awesome lines, such as this gem to a male colleague, "Don't look at me like that, you remind me of my dog."Though the passionate enthusiasm he brought to GMK and the Gamera trilogy is noticeably absent, Kaneko's direction is solid nonetheless. While his pacing could use some tightening, his characteristic uses of crane shots and character mannerisms are effective, and as with his kaiju films, his artistic composition turns what could have been merely serviceable FX shots into beautiful works of art.Speaking of the special effects, they are very impressive. While a few of the death scenes are slightly cheesy and fake, the pyrotechnics are overall spectacular, and the marriage of digital and practical techniques is daring and competent. It may look slightly dated today, but for a relatively low budget film made in 2000, it's an admirable achievement.Sadly, the score by Ko Otani is rather weak. It adds little in the way of tension or drama, and is quite distracting at times. Furthermore, it's a serious disappointment given his usually very high standards, and the magnificence of his prior score for G3. Overall, Crossfire has some flaws, but also enough strong positives to outweigh them. It may not measure up to G3 or the Death Note films, but it's still a well made and entertaining fantasy film with a lot more emotional depth than most of its stable mates.

"Firestarter" we all know that one even if you haven't seen it. A girl who can control fire is used and persecuted because of her special powers. "ESPY"? That's an obscure one. It's a 1970's Japanese film about an elite team of telekinetics who fight an evil cult of telekinetics who are trying to enslave mankind. Shusuke Kaneko, who turned the laughable Gamera kaiju series into possibly the best giant monster movies ever made, reaches into the Japanese movie genre box and comes up with an entertaining if flawed "B" movie.Simply put, the plot involves a woman with pyrokinetic powers who is on a quest to destroy a gang of sociopaths who torture and kill young woman. She comes under the protection of a mysterious man with different telekinetic powers who receives orders from someone else. Along the way we follow two oddball police detectives as they try to capture the gang and figure out who is crisping the gang to death.Convoluted is a nice way to describe the twists and turns of the plot. There are a couple of scenes that don't make sense within the story. Some of the plot requires you to accept absurd coincidences and make ridiculous leaps of faith. The film "ESPY" had the same problems but as a movie it had a energy that made the problems go away while you watched it. Unfortunately, "Pyrokenesis" is not done that way, it's paced for a standard crime drama not a crazy action film. But overall it is very watchable.Why? The characters are almost all very interesting and the actors are all very good. The female detective is a funny character. You wouldn't think it but cramming a half a dozen different film genres into the film actually helps it. The special effects are mostly excellent. Kaneko really has a way with special effects and integrating them into his films. The only let downs are the human burning scenes that repeat the same kind of effects over and over. In "Firestarter" every bad guy got burned in a different way.It's entertaining, not great but fun.

Junko Aoki (Akiko Yada), is an average adopted shy young women, with one minor quirk: she can incinerate anyone in a ball of flame with but a thought. You see good old Junko was born with a certain brand of ESP called pyrokinesis. She falls for her co-worker Tada Kuzuki and feels a strong need to avenge the senseless death of Tada's younger sister when she's murdered by young street thugs. A chance encounter with a fellow ESPer, this one has telekinetic powers, an and offer to join a group of others called "The Guardians" starts a chain of events that will find poor Junko a target of the police. This film was like a Japanese version of "Firestarter", but a better and more mature take on the theme. VERY competently directed by Shusuke Kaneko and nicely acted, this rises above the source material to be an extremely enjoyable experience.My Grade: B+ DVD Extras: Intro & Subtitled Commentary with Director Shusuke Kaneko; 19 and a half minute Interview with Shusuke; a 17 minute Making of; 8 Theatrical Trailers; and Trailers for "Kunoichi: Lady Ninja", "Versus", "Pistol Opera", & "Samuri Fiction"