Werner (James Spader) is a resident at a large city hospital. He's just learning about the politics behind the supposed goal of saving lives, something his colleague, Stella (Helen Mirren) is already savvy on. This is especially true when Werner meets a beautiful young model (Kyra Sedgwick) whose father is a comatose patient at the hospital. It is the model's opinion that her father should be taken off life support; her sister insists that the father communicates with her (by squeezing her hand) and that he can recover. Although the model seems sincere in her concern for her father's state, it turns out that she will inherit a large sum of money upon his death. Which way will the winds blow through the halls of the hospital? This is an awful movie, just awful. For those attracted to the smiling Spader and Sedgwick on the video's cover, get over it. Although the actors are not the film's weakest point, they do an I'm-working-for-a-paycheck job at best. (How they convinced Mirren to join the film, I'll never know). And, there is absolutely no comedy in the film at all, just one depressing scene after another. Lumet, despite his reputation, is to be faulted mightily for the poor direction, and the script is beyond abysmal. Do not waste your time with this movie, unless you just want to see what a film "bomb" really is. It is a failure, and not even an interesting one, at that.

Sidney Lumet shows why he is a unique voice in the American cinema with his take on the state of medicine in this country. Mr. Lumet, working on the screen play by Steven Schwartz, based on Richard Dooling's excellent book, presents us a story about what's wrong with our health care system. His acerbic take on the way some physicians conduct themselves goes underneath the surface as he explores what happens when there's a complication as a young doctor is drawn into a family drama that involves the hospital where he is an intern.If you haven't seen the film, maybe you would like to stop reading.We are taken to an new intensive care unit of a big hospital. Everything is so impersonal that one doesn't get any feeling of warmth in the way the people are seen in their beds, as they are being treated from different ailments. Young doctor Ernst is an intern assigned to that area. He shows signs of fatigue because of his long hours on duty.Our attention is directed to the patient on Bed 5, an older man who is comatose. His younger daughter, dressed to the nines, comes to pay a visit that seems more of an excuse to flirt with the doctor, rather than her concern about the state of her own father who doesn't show any signs of life. Dr. Ernst is dazzled by the beautiful Felicia. When he asks her to go to dinner, she accepts all too readily.At the same time we are introduced to the head nurse of that area, Stella, a woman who has seen suffering and death frequently. She goes to assist Bed 2, a young black man who has a kidney problem. All this patient wants is to die. Who can blame him? His parents, on the other hand, have a different idea. This man is visited by a sinister figure who stands, as a devil figure. Stella wants to help, but she her hands are tied.Young Dr. Ernst has his own troubles. He works for a doctor that keeps paging him, but when he goes to his office, the man, doesn't even remember calling him. This man is suffering from a loss of memory caused by his heavy drinking. Dr. Butz is the worst nightmare as the head of the department. All he cares is about if the patient has an insurance policy that will pay whatever he, and the hospital will demand. Bed 5, alone, has been billed for more than a hundred thousand dollars!Dr. Werner Ernst in a moment of carelessness falls for Felicia's charms. Little does he knows that she is using him for her own greedy purposes. Felicia, and her sister Connie, are battling because of the clause in their Bed 5 father's will. A lot of money is at stake; each woman is fighting for it in their own dirty way. Dr. Ernst has an epiphany when the nun-like figure comes into Bed 5's room and confronts the doctor with some facts that resonate in the young doctor.Finally, everything comes to a head as the two sisters bring law suits against the hospital. This is when the legal system comes into play. We see the ugly faces of all the different factions. In a great confrontation at the end of the film, we see all different lawyers and doctors as they prepare to fight. Dr. Ernst, in a daring moment gets the warring parties together.James Spader, as Dr. Ernst, is nothing short of perfection. His take on this young intern, in the middle of the mess that has been created around him, is amazing. Helen Mirren, as Stella, the kind nurse makes another invaluable contribution to the film. Kyra Sedgwick, is Felicia, the pretty young daughter who doesn't care about the dying father. Margot Martindale plays Connie, the other sister. Jeffrey Wright is the patient Bed 2 in a great performance. The surprise of the film though, is Albert Brooks, whose Dr. Butz is one of the best characters of his career. The rest of the cast is first rate.Sidney Lumet is to the congratulated for tackling this thorny issue about what's wrong in the country in the fields of medicine, law, and insurance.

A very sarcastic film, and quite an entertaining one, too. Although (or maybe because) many of the truths about the American medical system presented seem to have been taken directly from Samuel Shem's novels, and despite the hard to believe ending, this movie is fun to watch. Its relatively low imdb rating is prove for the relatively low level of humor that most people share. I recommend this movie to any medical student, trust me- you will enjoy it.

This film takes its place beside many comedy/dramas touching on the inadequacies of the medical profession, such as Otto Preminger's "Such Good Friends (1971)" and Arthur Hiller's "The Hospital (1971)." Though the comedy here is not as "black" as those films, which concentrated more on the incompetencies of some doctors and nurses, "Critical Care" finds its humor in the insurance-driven medical profession today. Albert Brooks is absolutely wonderful as the epitome of a doctor caring only about the bottom line. His only concern is whether or not a prospective patient has medical insurance, and his decision to keep a comatose patient with no chance of recovery alive is based solely on the fact that the insurance company pays $9,500 per week ("cold cash") if he's alive, and zilch if he dies. Conversely, an emergency patient has very little priority if he has no medical insurance. The reason to see the film is Albert Brooks, in a much different role than he usually plays.The setup is a bit contrived, but is easily forgiven. I also enjoyed the brief roles of Wallace Shawn as the devil (called "furnaceman" in the credits) and Anne Bancroft as sort of an angel in a nun's habit.