A man (Warner Baxter) is thrown from a speeding car and awakens with amnesia. He befriends a doctor and, when it appears his memory will never return, he begins a new life under the name of Robert Ordway. He trains to become a criminal psychologist and goes to works in a prison. Eventually his past comes to light. First and best in a series of films from Columbia, all starring Baxter. Ray Collins, who had previously played the Crime Doctor role on radio, plays his friend in this entry. Margaret Lindsay plays his love interest in this first film. One of the issues with the series was the lack of recurring supporting characters. None of the characters here return in later sequels, besides Ordway himself. Playing the bad guys here are Harold Huber, John Litel, and Don Costello. This is a good start to an enjoyable series, although it's not one of my favorites. You know from early on that this guy had a checkered past so there isn't much mystery to be had, which makes it more of a drama. On that front it's fine, with Baxter and the quality character actors he's working with all doing good jobs. It just doesn't have enough meat on the bone to stand up under comparison with the better movie detective series of the '30s and '40s.

... as well as the Great Depression as a two front war with everything at stake yields bigger fish to fry. This is what this first film in the Crime Doctor crime/mystery series represents in the person of Dr. Robert Ordway (Warner Baxter).The movie opens with a car speeding along the road with a sign referring to the presidential campaign of 1932. The car slows down and an unconscious man is dumped from the vehicle that then speeds off again. Next we see the man without an identity recovering in the hospital with no memory of who he was before. The nurses dub the mystery man Robert Ordway after the wing of the hospital in which he is staying. Kindly Dr. John Carey (Ray Collins) works with Ordway after he is discharged to help him recover his memory, but no association -not even going through the phone book name by name - yields results. A check of his fingerprints with police records also turns up nothing. Of course, all that proves is that Ordway was clever enough to never be arrested, not that he wasn't a criminal. With all of the time he's spent with the good doctor, Ordway has developed an interest in medicine, and with he and Dr. Carey agreeing that the unmasking of his identity is something that he should no longer hope to have solved in the near future, he decides to study medicine himself and specialize in psychiatry.So Ordway starts out as a freshman in college in his early 30's, with his studies requiring the next ten years of his life. The world changes a great deal in the next ten years - Prohibition ends, the Depression eases, and World War II begins. In all this time Ordway is no closer to recovering his identity. As he begins to practice medicine, he spends a great deal of time working with convicts at the prison. He's drawn here because he wants to do some good but also because he hopes that someone there will recognize him and help him reclaim his memory. In the back of his mind he's got to know that nobody gets dumped as he did from a speeding automobile in 1932 without the high probability that he was somehow mixed up in crime.There's a complicating factor too. Ordway has become involved with an attractive young woman who works with female ex-cons - Grace Fielding (Margaret Lindsay). At this point, Ordway doesn't even know if he has a wife out there somewhere, so he can't make plans with Grace until he knows his true marital status. How will all of this work out? Watch and find out.This first in the series was probably never intended to be anything other than just one film, so this movie wraps up in a self-contained kind of way that will leave you wondering what ever happened to this or that character if you watch the whole series. It was a big hit, so Columbia released a whole series featuring the Dr. Robert Ordway character, always starring Warner Baxter, over the next seven years. The rest of the series focuses not so much on Ordway's life as it does on some mystery Ordway has wandered into and how he solves it, but in this first film the mystery is Ordway himself. Who is he really? And if he recovers his memory and the news is bad - will remembering alone make him a criminal all over again? Does a man need a clean slate of a mind to really have a clean slate? Interesting material done in the quick spartan way required by poverty row Columbia's budget, but done well all the same.

I recently saw all of the Crime Doctor movies on Turner Classic Movies. I'd sure like to see these made available on DVD, but it doesn't seem that they're available on ANY medium yet. I rather enjoyed all of the movies of the "Crime Doctor" series. I have a particular affinity for detective stories and crime dramas from that time period, in both the movie and radio formats. I consider them to be at least the same caliber as the "Thin Man" series, although "Crime Doctor" tended to be more cerebral, while Nick Charles was rather more flamboyant and party-hardy, and I suspect that Asta was smarter than he was!If the Crime Doctor is made available on DVD, perhaps they might at least be released on CD as an audio series. Perhaps I might even be able to find some of the original issues from Detective Comics.

This was the opening chapter in the Crime Doctor series from Columbia, and as usual the first cut is the deepest. The other nine films veered from lightly sparkling to slightly insipid but all lovely to see - this one was strikingly thought provoking with many memorable scenes scattered throughout. Additionally the production values, acting and plots were of a consistently high standard, and basically Columbia allowed Warner Baxter a six year holiday with the filming of them to help him recover his dodgy health.A man is tossed out of a moving car as one dead in 1932, turns out an amnesiac who is nursed back to good health by a good doctor who encourages him to become a good friend, good citizen and ultimately a good psychiatrist. He achieves all this by 1943, by which time his shady past is starting to catch up with him, 3 dumb guys eager to reclaim USD 200,000 stolen in his previous life. How it all unfolds and is resolved is as ingenious as the b picture format and the Hays Office could allow. Favourite bits: The 4 of them sitting round the table in Frankie's, all wondering what was going off; Margaret Lindsay – almost too exquisite too watch here; Leon Ames, the violent patriot in prison for life then out in a twinkling; the trial of Phil Morgan and Robert Ordway.It should be an incredibly rewarding 65 minutes to fans of this genre of film, if you find yourself unmoved by it my advice is don't bother with the rest and do yourself and the fans a favour.