***SPOILERS**** Totally bazaar movie about this creepy Croation hit-man, George Shevtsov,given a job by an sweaty looking Australian bar owner Slim Walding,Paul Holmes,to do in a scuzzy and greasy looking auto mechanic Rusty Sapp,Bob Newman, for welshing on a debt that he owned him. With the job complete and and Rusty having his brains blown out the Croation leaves the murder weapon at the scene of the crime so the police can find it and frame Walding, whom the gun belonged to, for the murder! There's just on problem in all this is that as the Croatian was making his getaway he hit and fatally injured biker Joe Travis,Andy Barclay, wrecking his car and leaving him out in the cold.The Croatian looking for a place to stay for the evening finds this house that waitress Marilyn Burns,Georgina Haig, was living in with her boyfriend who just happened to be Joe Travis the person that the Croatian ran down and left for dead. Desperate to check out of the area before the police arrive the Croatian ties up Marilyn and at the same time goes back to the accident site and murders the brain dead Travis to cover his tracks and leave no witnesses to his crime. There's also Slim after finding out that his gun is missing and the Croatian stole it to use to murder Rusty and as insurance frame him for it. Slim after taking a brake in the action and having a game of "The Crawl" with his other waitress Holly,Lauren Dillon,whom he ends up spanking black & blue then goes to Marilyn place, thinking that his gun was there, only to end up getting axed to death by the Croation who was there waiting for him!****SPOILERS**** The films ends with Marilyn getting the upper hand on the Croatian who's too clumsy and uncoordinated, due to the injury he suffered in his car accident,to finish her off. Off beat movie with long stretches of almost no talking at all as the Croatian bumbles his way through the house after Marilyn slipping and falling in his effort to get and kill her. As for Marilyn she was lucky that the Croatian seemed to have taken a liking to her and let her escape when she was helplessly tied up and ended up doing the wild and crazy guy in. That after the Croatian had so many chances to kill her and let just her slip away from him.

Some Hitchcock elements here too. but overplayed.Pause and silence on of the powerful tools in movies but both overdone.And one of the slowest movies I have ever seen,... very little intrigue,...action seems to get started but each time momentum dies off with long boring sequences.So "Crawl" refers to how time crawls in this movie.Do yourself a favor, keep your remote handy and your finger on the fast forward button,...one sure sign of whether a movie is good is if you would like to see it again - this is a definite no.Ram

If you read the online comments on various internet message boards, you'll see phrases like 'a thinking man's horror film' and 'highly atmospheric.' Then, when people - sadly, like me - who simply describe the film as 'boring,' we get criticised for 'only liking the lowest form of film' and 'not appreciating it.' It's about a seedy bar-owner who hires a mysterious hit-man to do away with an out-of-favour colleague. However, things go wrong and the hit-man ends up stalking a hapless (and overly-perfect, in my opinion) barmaid who works at the bar.I'm afraid, for all the high-brow talk about Crawl, I just found it dull. There are long periods where there's no talking. And, in an attempt to 'create tension,' the same three chords are played endlessly on a cello. These scenes repeat at various intervals all the way through the film and you're just as well fast forwarding them and watching the speeded-up version (as you'll see what's happening at a fraction of the screen-time).I don't just watch Michael Bay films and movies filled with endless car chases. I do watch other movies where I also have to (occasionally) use my head to figure things out. However, I just couldn't help but get bored with this.Obviously, judging by the amount of positive praise there is out there for this film, then it has found an audience out there somewhere - I'm just one of those philistines who didn't appreciate it. Sorry! On the plus side, it's short!

The unwritten but relentless rule: "be wary of unknown movies that put all sorts of meaningless awards and praising quotes on the poster/DVD cover" once again proves itself to be very accurate and reliable. The poster image for "Crawl" spawns a whole miscellany of glorifying words and an accumulation of prizes won at random international festivals, but – as secretly feared – the movie itself eventually turned out a terrible disappointment. I don't know what kind of jury hands over these awards, but I bet they think of themselves as important and knowledgeable cinema experts. I can name a whole lot of things wrong about "Crawl", but most important key errors would definitely be boredom and pretension. "Crawl" isn't a so-called slow burner; it's a dead waste! Some quotes claim that the China brothers (Paul and Benjamin) are as talented as the Coen brothers, but I feel they're just lame wannabe copycats. The Chinas are probably even less talented than the Coen brothers' most distant cousins from their father's side of the family and "Crawl" can't hold a candle to their amazing debut "Blood Simple" and most certainly not against their widely acclaimed masterpiece "No Country for Old Men". The rudimentary plot, simply summarized as 'man hires eccentric killer and complications arise', is hugely unoriginal and even then it's full of dumbness and holes. Even more annoying, however, is Paul China's complete lack of knowledge on how to build atmosphere and/or generate suspense. You don't create tension just by stretching every scene five times longer than necessary. You don't necessarily make your pivot characters more mysterious by revealing absolutely nothing about them. Aborting sub plots all of a sudden does not make your movie artistic. Planting a silent Croatian killer (with a cowboy hat) in an Aussie setting doesn't qualify as black humor! The more I think back about my "Crawl" viewing experience, the more frustrated I get. It's just a downright inept movie with a retarded plot, and I will illustrate this through three simple bullet points: 1) the events take place in a remote and incredibly small town community. The local bar owner hires someone to kill the local gas station owner. First of all, what kind of pathetic vendetta could they possibly have? An unpaid bill for about $50, perhaps? And secondly, how does the bartender ever think he will get away with conspiracy to murder in a small community where every inhabitant knows about your quarrel with the victim? 2) Nobody, and I really do mean nobody, walks around his/her own house or work place at such slow pace as the people here. Nobody reaches for a light switch or a doorknob in slow-motion, neither. 3) If your car breaks down at approximately five minutes walking distance from your destination, you don't aimlessly hang around and throw yourself in front of another car hoping the driver will help! You just walk home through the corn field and call a mechanic from home. This way you don't get run over and killed, you stupid moron! Truly retarded movie; the only two stars go out to lead actresses Georgina Haig and Lauren Dillon for being so cute.