For the most part, I do not like the movies of Cirio H. Santiago, even though they are exploitation movies. Though I love exploitation movies, I find Santiago's exploitation movies to be cheap and dull. To be fair, "Cover Girl Models" is a little slicker and more polished than what you usually get from Santiago. However, he was unable to pull off in the end fooling the audience to thinking the Filipino filming locations were actually Hong Kong locations. He does throw in some ample toplessness from the female cast, which is welcome. And the movie is well photographed, looking very nice on the DVD. But exploitation fans will probably fall asleep before the end because the movie, except for a couple of genuinely exciting kung fu sequences is extremely dull. If you want to see a good Santiago movie, watch "Eye Of The Eagle 3".

Enjoyable, brief 'n' breezy drive in fare from New World that serves as quite a good companion piece to "Fly Me". "Cover Girl Models" follows a trio of luscious young women - Barbara (Pat Anderson), Claire (Lindsay Bloom), and Mandy (Tara Strohmeier) - as they have misadventures funny, serious, trashy, and action packed. The difference is that in "Fly Me" the ladies were stewardesses; here they're fashion models. They travel with photographer Mark (John Kramer) to Asia for a series of shoots; the fun starts when a valuable roll of microfilm is secretly sewed inside one of their dresses. "Cover Girl Models", running a respectable 74 minutes, has all the ingredients to make it easily digestible stuff for exploitation fans. It's mostly effective as a showcase for the charms of these babes, as they strut their stuff and we get a good look at those bodies; there's a healthy dose of bare breasts. The screenplay is by Howard R. Cohen, whose other credits include "The Unholy Rollers", "The Young Nurses", "Saturday the 14th", and "Deathstalker", and prolific Cirio Santiago is the producer / director; he'd previously worked with actress Anderson on "Fly Me" and "T.N.T. Jackson". This being shot in the Philippines, there's naturally a role for the ever welcome Vic Diaz, and Ken Metcalfe, two guys familiar to fans of Filipino cinema. There's also a very nice cameo for Mary Woronov, appearing quickly early on and giving us an eyeful of some lovely legs. The music score by D'Amarillo is often extremely amusing and Santiago keeps the story moving along well, preventing it from ever getting boring and treating us to the usual not-terribly-well- staged fight scenes; the climactic shootout is a hoot. This is the kind of thing where it doesn't matter how forgettable it may be in the end, it's pretty fun for the duration. Seven out of 10.

Three beautiful American models -- chipper Barbara (lovely Pat Anderson), sweet Claire (the equally fetching Lindsay Bloom), and ditsy novice Mandy (the adorable Tara Strohmeier) -- find themselves in considerable jeopardy during a modeling assignment in Singapore after an invaluable roll of microfilm is sewed into one of their gowns. Director Cirio H. Santiago, working from a blithely inane script by Howard R. Cohen, relates the amiably silly story at a snappy pace, maintains a breezy'n'easy good-natured tone throughout, delivers a copious amount of tasty female nudity, and stages the occasional martial arts fight with an endearing ineptitude that's good for a few unintentional laughs. This movie is further energized by the spirited acting by a neat cast of familiar 70's exploitation cinema regulars: Bloom, Strohmeier, and Anderson are all comely, sexy, and charming as the titular trio, John Kramer contributes a solid performance as slick'n'smarmy photographer Mark, and the ubiquitous Vic Diaz excels in one of his trademark oily villain roles as the nefarious Kulik, plus there are amusing bits by Mary Woronov as uptight executive Diane and Rhonda Leigh Hopkins as the snippy and stuck-up Pamela. Felipe Sacdalan's sunny cinematography gives the picture an attractive bright look. D'Amarillo's bouncy'n'groovy score hits the right-on happening spot. Best of all, the tight 73 minute running time ensures that this flick never gets dull or overstays its welcome. A really enjoyable diversion.

*SPOILER ALERT* *SPOILER ALERT*I bought this one from Blockbuster for five bucks. Three models head off to Hong Kong for a photo shoot. They get involved with a spy ring and some other nonsense. They strike a pose and lose some clothes. Microfilms, revolutionaries and other misfits mix it up with the models. This was a typically brainless 70's exploitation movie. On the plus side, all the models get topless. But the spy storyline was completely inane. I guess I shouldn't have been surprised. Most of the movie is spent watching the models model. So we are treated to many fashion shoots. Excited yet? There is a big gun battle at the end but none of the models are topless during it.