Countess Dracula
Countess Dracula
PG | 11 October 1972 (USA)
Countess Dracula Trailers

Hungary, XVII century. After being widowed, the old countess Elizabeth Nádasdy, of the Báthory lineage, fortunately discovers a way to become young again; but the price to be paid by those around her will be high and bloody.

Reviews
Smoreni Zmaj

The best of all Hammer movies I saw so far. Adaptation of legend of Countess Bathory, who bathed in the virgin's blood in order to preserve youth and beauty. There's no need to analyze particular elements of this movie cause it is great in every way. I have no objections at all.8/10

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Creepy-Suzie

"LAS VEGAS – With her smooth skin and wavy, honeyed hair, Elena Caro was celebrated as a beauty by her husband and teenage daughter, who often told her that she didn't need cosmetic surgery. But at 42, Caro wanted firmer skin and a younger figure, so she secretly booked an appointment with a medical office recommended by a close friend." –AP 4/11/11Elena Caro is now dead after a second rate botched procedure that resulted in the arrest of the unlicensed staff. The question becomes "How far would you go to regain the beauty of your youth?". In Elizabeth Nodosheen's case she was willing to kill for it. I would think that instantly looking like Ingrid Pitt would make bathing in blood tempting for any girl. Ah vanity, it's my favorite of the deadly sins.Astringent, mud mask, exfoliant, emollient, lotions, pore strips, foundations, and powders are just a few things we ladies use to tighten skin, reduce fine lines, fade scars or spots, plump wrinkles, diminish pores, and to attempt to steal back lost years, because no matter how old she is, every woman wants to be twenty, or at least look it. Elizabeth Nodosheen gets the ultimate makeover in Hammer's Countess Dracula, and all it required was just a bit of virgin blood.Virgin after virgin dies in this well made seventies horror film. Despite Hammer's reputation there was very limited nudity showcased in Countess Dracula, disappointingly enough. There was one lovely Ingrid Pitt milky breast with nipple erect fondled in a brisk love scene, and the bare backsides of three dead virgins piled upon each other in a wagon covered with casks, and of course, the alluring image above.I began to consider it somewhat wasteful killing the virgins outright. Why not just keep one alive and drain a pint or so every other day? She only needed enough to wash up with after all. This seemed plausible to me and I even began to empathize with Elizabeth Nodosheen after each successful transformation. To be converted from a sagging wretch to a vibrant, youthful beauty, the requirement certainly seemed justified, despite my better judgment. I understood how the opportunity to regain youth could be too exquisite to deny oneself.The twist came when a love triangle formed between Nodosheen with her crusty previous lover and supple boy toy. Jealousies rage, there are levels of deceit throughout the castle, and ultimately a flawed plan to wed leads to the demise of Elizabeth Nodosheen. I love her story, and this film is certainly a morality lesson regarding the price of vanity, but if this tale can't teach us, maybe Elena Caro's will.

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Spikeopath

Countess Dracula is directed by Peter Sasdy and written by Jeremy Paul. It stars Ingrid Pitt, Nigel Green, Sandor Eles, Maurice Denham, Patience Collier and Lesley-Anne Down. Out of Hammer Film Productions, music is by Harry Robertson and Eastmancolor cinematography by Kenneth Talbot.Why didn't they just call it Countess Bathory? Or just Elizabeth Bathory? Film has nothing to do with Dracula or Vampires, and is basically an interpretation of Madame Bathory, who back in olde Hungary killed any number of girls for kicks and a vain belief that bathing in virginal blood would keep her young. It's this last aspect that Hammer focus on, unfurling a story where the Countess strikes on the secret of eternal youth, and who then promptly has her daughter kidnapped and proceeds to impersonate her. Thus with that she gets to romance a young man, but of course as the bodies start to pile up, and the Countess' suitor and confidant's begin to get their noses pushed out of joint, things quickly go downhill fast.As a technical production it's good Hammer fare. Costuming, colour photography, set design and acting performances are perfectly pleasing. Unfortunately it's all very predictable, and worse still considering the plot points of interest, it's pretty bloodless, playing out as some sort of period based drama with the odd bit of dastard behaviour thrown in for good measure. Nothing really happens to perk up the story, and sadly the finale is something of a damp squib. The red blooded amongst us can't help but enjoy the twin lovelies of Pitt and Down, and the wonderful Nigel Green can't believe his luck as he gets to canoodle with our Ingrid! But all told it's not very sexy, not very horror and only works as a good period drama if you set expectation at that level. 6/10

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lastliberal

One only has to take a look at Ingrid Pitt as she changes from Countess Elisabeth Nodosheen to a nineteen old version to immediately know why she is the Most Beautiful Ghoul in the World.A retelling of the Elizabeth Bathory tale with the gorgeous Pitt is certainly one worth watching if not for her, for the ample flesh that is displayed as girls are murdered to keep her beautiful.Nigel Green is the unfortunate Captain Dobi, the Countess' lover, who is charged with providing girls to die for her, only to see her go after a much younger man.Elizabeth has her own daughter Ilona (Lesley-Anne Down) imprisoned so she could pretend to be her.It gets more horrible when it is found that only virgins will do, and you can imagine Ilona's eventual fate.An exciting tale with a beautiful woman who we lost just this week.

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