"Johnny Hawks" (Chester Morris ) is an extremely talented football star at a college out west who all the young ladies adore--to include one particularly rich and attractive heiress named "Alison Corning" (Thelma Todd). Yet even so, she thinks he is terribly unsophisticated and because of that asks her father "Steve" (Emmett Corrigan) to give him a job in a corporate office at the New York Stock Exchange. Unfortunately, he is fired a year later because he refuses to lower his ethical standards. Needless to say, this angers Johnny and because of that he decides to set out on his own and prove to Steve the error of his ways. To do this he comes up with a plan to hijack ships carrying illegal alcohol and reselling it in a legal manner--to Alison's father. But his profession is a dangerous one and it's only a matter of time before his luck runs out--and Alison just happens to be there when it does. Now rather than reveal any more I will just say that I thought that this was an incredibly interesting film from a unique period in American history. Admittedly, the script was rather weak and the camera work could have used some improvement. But even so this film still manages to entertain quite nicely and I have rated it accordingly. Above average.

(Contains spoiler info) Definitely not a 21st century movie. The female lead is out to catch a man any way she can. Her men are either overtly dominant and aggressive to her, in a way that no (few) modern women would accept, or else they are entirely passive and destined to be passed over.The male lead becomes a pirate, which is OK with the film's audience because he's stealing from a 'bad guy'. One of his men gets killed when the screen villain double-crosses him, and nary a word is said about it.Drunks are 'funny.' No one goes to AA :) .I enjoyed the movie, but it's a fantasy that no modern audience would accept.

The early moments of Corsair offer a big buildup for our first look at Alison Loyd: we can hear her conversation with dance partner Frank McHugh, but our only view is of the back of her head. A moment later she is introduced to football hero Chester Morris, and again, she speaks unseen….until finally, in close up, her big smile flashes onto the screen. –Of course, it's Thelma Todd's smile. This big introduction apparently aims at establishing Todd as a mysterious and glamorous figure; presumably, this is why Todd is billed as "Alison Loyd" for the first and (I think) only time—to differentiate her "new" persona from the light comic actress Thelma Todd had been (and would continue to be, thank heavens!).Unfortunately, the plot and dialog of Corsair offer Todd/Loyd little else to do besides smile and act alternately spoiled and silly. Her character is a major motivator to the actions of other characters—but she really does little and develops less herself. Which is too bad! Director Roland West didn't do Thelma justice by setting her up as a dangerous female and then giving her practically no depth, surprises or even decent lines to speak.Chester Morris comes off better as a football hero turned banker turned pirate. Fired from his broker job for being unwilling to steal a little old lady's savings, he sets out to prove the boss banker wrong in his assertion that Morris doesn't have the nerve to be successful. Nerve? Morris sets up a booze pirating operation that is daring, dangerous and profitable…and sells the banker liquor by the boatload. The middle section of the movie builds tension around Morris's organization and the danger he faces as his victims—a gang of smugglers themselves—eventually catch on to his operation and hatch plans to capture and wipe him out. Indeed, it turns into a pretty good adventure movie once it gets rolling.Frank McHugh adds liveliness in his role as Morris's right hand man. Fred Kohler is appropriately menacing as "Big John" the smuggler. Morris, a solid lead, gives an excellent performance as a man who chooses and sticks to his own unique code of conduct.The scenes between Morris and Todd ought to be the highlights of a film like this….but it's just the opposite. They speak so slowly…how do you make Chester Morris and Thelma Todd into slow talkers? –It's not just a function of the movie being an early talkie, either; there's a deliberateness to these scenes apparently meant to be serious and dramatic—and instead, all it does is drag. As an adventure, it's not bad. But darn, in the "dramatic" sections, this is a movie in bad need of some zippy dialog.

The film begins with a big college football game. Although the score is tied, in true Hollywood fashion, the game is an upset win the last seconds. The hero of the game, Chester Morris, is invited to a swanky party where he meets the slightly stuck up rich girl, Thelma Todd. However, when she learns he is poor, she is at first uninterested. Then, on a lark, she gets him a job with her unscrupulous father on Wall Street--maybe if Morris is rich and successful, she can still have him for her own.In the meantime, she leaves for Europe and won't return for a year. In the meantime, Morris tries his best but because he's ethical, he just can't bring himself to push junk bonds for his sleazy boss. Now here's where it gets strange, as he's very ethical and can't hurt poor shmoes, when he's fired, he decides to become very, very crooked but instead target rich jerks! His plan is to hijack shipments of high-quality mob liquor that are being held offshore (due to Prohibition).Now that Morris is finally somebody (yeah, a crook), Todd returns from her trip and is immediately taken with him. After all, being rich and powerful seems to be all that Todd cares about in a man! Well, what happens next is something you'll just have to see for yourself.The film does have some decent action scenes, though the plot, at times, is very far-fetched (especially towards the end). For example, once Morris does hijack the booze, he allows the people he just robbed to live--and they would certainly eventually take revenge on him for his villainy--after all, they are mobsters. In addition, he also retires after this one and only holdup--it seems this whole stunt was done to teach his future father-in-law a lesson AND get the girl!(?) Kinda weird, huh--especially when the father-in-law then hires Morris to work for him--even though it turned out that the shipment of booze actually belonged to Todd's father!! Huh?! Because the film kind of made my head hurt at the end (and it should because I made the mistake of thinking), it drops the overall score to 5--a time-passer but not much more.