It took me a few days to process the movie Copenhagen, which took home the Director's Choice Award for Best Feature – Drama from the Sedona International Film Festival. The movie held my interest and piqued my curiosity but left me feeling a little dirty.It tells its story from the perspective of 20-something American tourist William. After a buddy trip to Europe is sabotaged by his friend's manipulative girlfriend, he finds himself in the Danish capital alone and angry.There is only one thing on his "to-do" list – find his grandfather, about whom he knows nothing, and deliver a letter from his late father. It's not a done deal, either. All he has is a very old address.Played by British actor Gethin Anthony, William is not looking forward to this errand. For him, the trip always was about getting laid. While he stews in the hotel lobby, he spies a blonde walking outside. The next morning, she winds up being his waitress in the hotel café.Things get messy when she spills coffee on the envelope, blurring the address. He berates her until she says she got a look at the address and remembers it. Suddenly, he needs her help, but it's hard for him to shift gears from nasty to nice.He pays the price, as Effy (20-year-old Copenhagen native Frederikke Dahl Hansen) sends him on a wild goose chase. Later that day, he finds her hanging out near the hotel and confronts her. A bit sheepish, she says she'll take him to the correct address. When they get there, they find not William's grandfather but the man's brother.It's not a happy homecoming. Uncle Peter is hospitable enough but tells William that his grandfather was a terrible man – a Nazi collaborator who was imprisoned after the war and later disappeared. His wife, shunned in Danish society, had emigrated to America with her young son.The uncle gives William some black-and-white photos of his father as a boy. Over the next couple of days, Effy leads William to the places where the photos were taken, snapping pictures of him striking the same poses as his father. Over the course of the visits, we find out that William's father had abandoned his family when William was a boy.The Baby Elephant in the RoomHow does Effy find so much time for William? She describes her hotel job as a sort of internship, part of her school's curriculum. He assumes – or at least tells himself – that she is a college student, yet he doesn't try to bed her instantly as he has every other nubile woman since we met him.Despite her frequent claims that she needs to get home, she never actually goes. One starts to get a creepy feeling. Is she hiding from a hellish home life? Does she even have a home? (She never seems to change clothes.) She does make a vaguely negative reference to her mother's boyfriend; is he forcing himself on her or pimping her out?Eventually, she reveals that she's only 14 years old. That's when things get really creepy, because by this time moviegoers are invested in their developing relationship.Confronting RealityAround this time, the voice of reason arrives when William's erstwhile travel buddy, Jeremy (Sebastian Armesto), returns to Copenhagen, having been dumped by the girlfriend in London. The attention Effy gives to Jeremy makes William jealous, leading to an argument during which Jeremy learns the truth about Effy and calls them out.To William: "Nobody likes you. You connect with teenagers."To Effy: "He's that stranger you're not supposed to talk to."When the men start to scuffle, Effy flees. Jeremy storms off, leaving William alone once again.After a couple of pathetic conversations with Effy's voicemail, William heads out to a nightclub, where the film takes on a shadowy, race-against-the-night quality. He's about to score a threesome with two American girls – a home run for pre-Copenhagen William – when Effy turns up, having finally listened to his messages. He walks away from the Americans to focus on Effy. Is this a sign of progress for William?Some of the club staff greet Effy with familiarity, raising more questions about her lifestyle now that we know her age. Another man at the bar recognizes her and drags her out. William pursues and forces the man to let her go. As they flee, Effy tells William it was her mother's boyfriend.A brief stop at Effy's home to get her laptop reveals little, though the darkened apartment certainly doesn't convey a happy home life. Effy's mom emerges when her boyfriend arrives, but they are too focused on each other to notice Effy and William sneaking out.By this point, William and Effy have admitted their romantic feelings for each other. Back in his hotel room, they begin to act on their hormones.With a normal movie romance, the audience usually roots for the couple to … couple. But given the characters' ages, we are left to squirm as they start disrobing. Will they ignore the elephant in the room and consummate their fantasy relationship? Or will William acknowledge that, as the movie's website puts it: "When the girl of your dreams is half your age, it's time to grow up."There are two epilogues to Copenhagen, both of which take place in the light of day. William makes a final effort to locate his grandfather and learn why the males in his family are so screwed up. We see Effy, looking and behaving very much like a teenager, waiting in class to present a report including photos she took of William – and curling up with her mother on a couch at home.

When I picked up this movie, I thought how two different age people touring around Copenhagen looking for someone can be interesting for 90+ mins. However, I never felt bored with the whole movie. In fact, the movie draws my attention so deep that you feel you are in their situation. The movie also shows how truly beautiful Copenhagen is.True talents to both characters but the real gem is how the director/writer crafted those intriguing small talks between them. This movie is an art.

First of all, big ups to Mark Raso, a recent film-school grad, for not making his first feature about a quirky couple on a roadtrip or a guy getting over a breakup somewhere in the bowels of Brooklyn… In fact, he's taking a bit of a risk by making his protagonist a douchy American tourist, William, whose slightly grating accent goes well with his annoying snarkiness and abysmal outlook in general. Raso's on much solider ground with his female lead, Frederikke Dahl Hansen, who plays Effy, the gorgeous, precocious teenager who—after a meet-cute scene that really is pretty cute—joins William in his search for his Danish grandfather. This may sound implausible at first, since William seems like too basic a guy to have much interest in his family background—and the idea of a haunting family secret that dates back to WWII is indeed a movie cliché— but Raso makes it right by filling in a few details of the couple's personal history. William's American wingman and Effy's mother's sketchy boyfriend (plus a couple of drunken woo- woo girls from Jersey) turn up at intervals to keep things moving, but the developing relationship between the two leads gives the film some real momentum. This edgy romance between a messed-up boy-man and a precocious girl is very deftly handled, IMHO; I didn't find it the least bit cringey, as some reviewers have done. Something like "Before Sunrise," it's the story of a love affair that takes place a little outside of time, and it ends on a suitably wistful note. Dahl Hansen's expressive, unselfconscious performance—according to a disclaimer at the end of the credits she was "at least 18" when the film was made —is just about perfect. I wouldn't have spotted Gethin Anthony as a Brit (an Oxonian no less and an unsuccessful claimant to the throne of Westeros, Renly Baratheon, on "Game of Thrones"), and he does a fine job of sustaining our interest in this unlovable character. You may start to feel that there's some hope for him after all.

Copenhagen is the story William an American , William , who is on holiday in Europe and at the same time looking for the grandfather he had never met but he struggles because he has a terrible attitude problem , that is until he meets Effy a young woman who want's to help him. the problem is she's a lot younger than he thought. This is a pretty good indie film that covers a taboo subject very well . The acting is very good , especially from Frederikke Dahl Hansen and although you find yourself really not liking William you do admire the way he handles the predicament he is. It makes you think how you would handle the situation and shows how easy it can be to get in a lot of trouble.7 out of 10