In Japan, this film is given the title Psycho 2001. The cover of the DVD shows a writhing figure in a bloody bathtub, apparently boiling in a stew of guts and organs after ritual disembowelment.No such scene exists in the film. This title and cover seem to be one more chapter in the harsh treatment this film has suffered at the hands of distributors.And it is undeserved treatment. This is a classy thriller, Johnny Lee Millar giving his trademark performance in moral ambiguity as a clapped-out journalist looking to break a huge scoop on government conspiracy. As he digs deeper, he finds the story becoming less about the wicked ways of the world, and more about the murky secrets of his own past.The Highland locations are well used in sweeping helicopter shots, the pacing swift as journo Cameron moves through a sea of bodies, a mysterious Deep Throat figure keeping him one step behind the bad guy(s). Brian Cox is as solid as ever, rehearsing his bad-ass law enforcer routine before Bourne. Millar stands up to a demanding role, especially in the final third when all his chickens come home to roost, and regret, anguish, atonement, cynicism and hope are all required to be shown.Complicity appears to have been overlooked by most theatres, distributors, award-givers and reviewers. A shame really, much worse British films have travelled abroad in recent years. Complicity is fraught, character-driven, quirky, kinky and pays off at the end. Well worth checking out.

We were rather suspicious of this movie when we first sat down to watch it. My husband and I had both read the book and liked it very much, and since we hadn't heard of the adaptation before we suspected that it probably wouldn't be much good.Boy, were we ever wrong.The movie is slightly too gory at times for my personal taste, but then, so is the book. And it's hard not to be, in a story about the hunt for a mad but incredibly clever serial killer. The setting is just right, and the casting as well, and the story unfolds at a pace that just allows you to understand what's going on before the next twist to the plot.Very highly recommended.

A film based on the Iain Banks novel with the same name. As a major Iain Banks fan I decided to read the book before I watched the film, I'm sure glad I did. The book is very good (like all Banks's novels), unnerving, exciting and very well written. However, in the film the director have managed to exclude the good things about the book, resulting in a depressing, unthrilling thriller without bite. Only watch this if you're bored, actually don't, read the book instead!

I am a great Banks' fan, and was awaiting this film eagerly. I am quite disappointed, though the film would presumably, if taken at face value and not compared to the novel, be OK.[Further text might constitute mild spoilers to some readers]The first thing one notices is that most material from the book is somehow stuffed into the film (with notable exception of Cameron's cancer and Basra Road episode - sorry for referring to the novel). The result is rapid succession of events that get barely touched, not leaving room for atmosphere or, paradoxically, even decent suspense to develop. There isn't a trace of suffocating mood of the novel. Events follow each other at the pace that does not allow them to evolve and to give viewer chance to absorb them. I think that Millar and Elsley would have done much better job if given (the superb BBC TV mini-series, also after Banks) The Crow Road format.Otherwise, the film is technically good. Casting and acting is very good, with one crucial exception: IMHO, Cameron is too young, far too cheerful and devoid of air of impeding doom around him.And BTW, DVD producers should have included, under excuse of doing that for the benefit of hearing impaired, English subtitles (Scottish accent is quite difficult for non-native speakers). I plan to watch the film one or two times more to see whether my opinion will improve by simply catching more of what was said :)