In Los Angeles, the young Jenny (Kaye Lu) has a nice childhood with her Korean parents Joanne (Christina Ma) and David Kim (Philip Moon). However, after the divorce of her parents, the judge gives her custody to her selfish mother that neglects Jenny while the disappointed David returns to Seoul. Six years later, Jenny (Annie Lee) is a troubled and reckless teenager expelled from the public school that has easy sex and uses drugs and booze, and her best friend is the orphan drug dealer Becky (Faleena Hopkins). The lawyer Elliot Krasner (Jeff Fahey) decides to call his former friend David to tell him about the self-destructive behavior of Jenny, and David returns to Los Angeles. He brings Jenny to live with him and support her, but the lack of emotional structure of Jenny imposes tough difficulties for their relationship."Close Call" is a dramatic coming-to-age story of a girl completely lost with a broken family after a divorce process. The plot is not so deep like, for example, "Christiane F. - Wir Kinder Vom Bahnhof Zoo" or "Engel & Joe", and in some corny moments it seems to be a soap-opera with optimistic conclusion. However, the gorgeous and sexy Annie Lee has a magnificent performance in her debut, making this movie worthwhile. My vote is six.Title (Brazil): "No Limite" ("In the Limit")

Without getting to in depth into the the plot this well thought out drama rises on the performance of Annie Lee. She steels the movie form all her costars and puts on an excellent performance playing the gritty angst filled teen. I sometimes found the movie going from theatre quality when she's in the scenes to afterschool special when she wasn't in the scenes, but inspite of this minor setback the story is well thought out and it paints a vivid picture about kids nowadays, and how easily their whole lives can spin out of control. This isn't a movie for the weak of heart as it pulls no punches, and I love the smashmouth reality this movie reveals. I hope to see more movies starring Annie, and Close Call is well worth the watch.

Now, when I say that this is an educational video, I mean that it resembles those god-awful videos that they make kids watch in sex education or in the classroom portion of driver's training, where everything is packaged and contrived in order to illustrate a specific point. Nobody cares if you signal 100 feet or 120 feet or 80 feet before a turn, as long as you do it safely. Nor is any police officer on earth going to pull you over because you turned your brights off 447 feet away from an oncoming car rather than the required 500. Similarly, no kid on earth is going to be at a party with his high school buddies and respond with, "No, I'd better not. It's bad for my health, and I don't want to get involved in any kind of trouble," when his friends say to him, "Say, Jim, wouldn't it just be swell if we passed around a marijuana cigarette or two?"Unfortunately, this movie doesn't know any of that, and it's horribly misguided cast and crew think that they can string together a horizonless array of similar claptrap and pass it off as a lesson on family values and proper child-rearing. Every single scene is ridiculously manufactured, so the movie falls flat on its face because it doesn't ever display the flimsiest scrap of realism. Consider one scene in the film where Jenny and her friends are lounging around on the benches in a local shopping mall, and just before her father walks up to the group and demands to know what is going on, Jenny stonily says, "I am sooo stoned..." When I was in high school, I was a troubled kid, too. I ditched school and drank and smoked and got arrested a bunch of times and hung out with exactly the kinds of kids that are portrayed in this movie. I don't say that because it's cool, just because it happened. And let me tell you this if nothing else, those kinds of kids would not be caught dead in a shopping mall, that's exactly the kind of conformity that they think they are cleverly and originally rebelling against, and is a perfect illustration of how much about troubled kids this movie simply doesn't know. There are countless realistic films that deal with exactly the same subject matter and succeed brilliantly, because the people involved in their productions have lived those kinds of lives and learned the lessons that the accompanying trouble and mistakes carry (see SLC Punk). Consider this, no matter how screwed up your teenage daughter is, she will never ever ever ever fall asleep with potato chips spread all over her face, but this happened in this movie, I suppose in order to illustrate a deepening sense of disconnection and lack of interest in responsibility, not to mention personal hygiene. I point out these specific scenes because they exemplify how every single scene is artificially put on, designed with the heavy and obvious hand of grown adults who see strange behavior in kids and immediately assume the worst. In the false world in which this movie lives, any kid who gets caught with cigarettes or fights with their parents is also having orgies with their drugged out friends, who go on to stash tens of thousands of dollars in heroin in their purse before getting stabbed by some junkie in an alleyway, continuing a chain of events that will lead to attempted suicide. This is exactly the kind of thinking that makes parents and teenagers unable to communicate, because the parents are stupid, just like both of Jenny's are. All of Jenny's mothers lines in the film can be interchanged with "Stop being exactly like me!" and the movie would start making more sense. Secondly, Jenny's behavior is unbelievably erratic. It's not the behavior of a troubled teenager, but a psychotic one. And I don't mean uncontrollable-rebellious-teen psychotic, I mean schizophrenic psychotic. Her behavior changes back and forth so fast from polar extremes that the multiple personalities are clear as day. I have studied abnormal psychology, and I've seen this exact behavior in videos of schizophrenic patients. If you were to take the time to watch the several short video clips that are included on the DVD, you will witness Jenny Lee giving an interview in which she cheerfully reveals that she knows nothing about the lifestyle that she portrayed. She did, in fact, "try beer" in preparation for her role, because she "didn't even know what it was like to be buzzed." Now, if you were to wonder how someone so completely and utterly unqualified for this role managed to be cast, you need only learn that the film was directed by her father, who also horribly miscast his other daughter in the film as Jenny's counselor, and also involved other talentless family members, such as the writer, the equally oblivious Jimmy Lee.That being said, consider the scene where Jenny and her friend decide out of the blue that they like each other's t-shirts, so they decide, in another spectacularly phony display, to strip them off and trade right in front of a bunch of boys in a crowded club, I suppose of the variety that let's in 16- year-old girls, as long as they go topless at some point during their stay. Realistic, right? Or consider the scene where she and her friend (or friends, I forget how many there were) have a sweaty orgy with a bunch of boys (Jenny's line in this scene? "Come on, let's rape these guys!!"). Or how about the one where her counselor (her real life sister, you remember) tells her what an "asian hottie" she is, and that maybe she might do a little porn. Yeah, that's her father behind the camera. The man trying to teach you about family values.

Above-average to talented performances are marred by a repetitive script and ponderous pacing and editing. What could have been an interesting hour long after-school special (or, considering its occasionally graphic sex and violence scenes, hour-long cable movie) gets padded with too many of the same reminders that Jenny is a troubled teenager or that David really wants his daughter to succeed in school. Kudos to writer/director Jimmy Lee and his vision to bring his story to the screen, but ninety-four minutes feels a hundred minutes longer. Maybe changes can be made before DVD release to better realize the story.Shining spot: Annie Lee's engaging portrayal of a girl with no sense of direction or goals.