I liked the point of view of this movie more than the actual story itself. It isn't a typical women in prison movie, probably because the director is a woman herself. It focuses on a mainly African American female cast and the struggles of the women's prison they are in. I think my main criticism of the movie is that it feels a little too glossy. Even when terrible things are happening and we are supposed to be horrified at the conditions in this place, the tone is more like a Disney movie than a movie about cold hard reality. I would like to see more movies made by black women, but I would prefer one that has something authentic to say.
... View MoreThis is a typical time of movie. Prisoners pay their debt to society only to find out they're being used as a pawn to the corporation games? When the usual thing happens to offenders, they get arrested send to prison by the courts and do time. However, everything in prison isn't all what it's cracked up to be. When the prisoners lose their friend who was also pregnant, that's when actions take place. It goes to show in the movie that the real bad guys weren't the prisoners, it was the captain and the guards. When law, order and discipline is abused in prison, they will join the prisoners as well. For their part the prison was shut down, thanks to the efforts of a lawyer and a couple of inmates. It goes to show that to system isn't always what it used to be, you got to fight for your rights guilt or innocence isn't the key, right and wrong is. This movie is for guys, and I think is a keeper along with other blaxportation films as well.
... View MoreWomen In Prison films are standard fare for the entertainment of mainly boozed up, lurid male audiences, featuring (1) cat-fight; (2) almost nude gals in isolation; (3) sexual harassment of inmates; (4) brutal guards; (5) rape; (6) riot; (7) revenge on the (8) corrupt warden and superior officers. WIP are usually low budgeted, filmed with poorly paid crew and very small cast.Guess what? You've all the required items, the film was made on a stringy budget and a dozen actors, one of them doubling as stunt choreographer, who 'gets shot' without putting up a fight! So why is all the uproar? Plenty of (lurid?) viewers complaining that it's a BAD BAD FILM, and plenty of established critics complaining that it's a BAD BAD FILM...Because this film was made (as the director explains in detail in the voice on commentary in the DVD version) from a critical, very political view point, exposing as well as it can the link between Politics, Economics, and Prisons. Even without being corrupt, a prison's system exploited like a private business - as it is perfectly legal in some countries, like the U.S. of A. - may, and eventually does, as historic cases prove, end up in being a monstrous creation.That the director was naif, and tried to put to many ideas and characters in at the same time, ending with a couple of loose ends, it's a pity. DaBrat is not the best narrator to keep an audience interested, in a film with not much screen action; Tichina Arnold should be meaner as Aisha the bad girl, yet she provokes a good fight on the gravel yard of this urban prison; woman sarge Cervantes looks sexy enough to liven things up - but her character is underdeveloped in the (cut to 91m though R rated) DVD version; LisaRaye is OK as the taller new girl, but lacks experience, and it shows, in several crucial moments.The music is new, and at times inspired, by Mandrill. The exposé of established facts will be valuable for audiences who wish to get a larger view than the telly gives them. Supporting cast has good performances by Clifton Powell (justly awarded), Reed McCants, and best for last, the beautiful and definitely the best actress of the pen, N'Bushe Wright. (I'm closing this comment and go searching for other films with her.)
... View MoreCivil Brand is a mediocre prison film. It is trying to class up the much-maligned so called "Women in Prison" flick. This isn't like "Caged Heat" and "Chained Heat". Rather this is a drama about changing your life for the better.The redeeming parts of this film are: any scene with Warden Alan Deese (Clifton Powell) and Mos Def's character. Everything else is very clichéd and has no originality. All the prison stereotypes are in force. Also there are too many jump cuts and editing tricks. The acting for the most part is just a lot of yelling. On the downside, the ending feels a bit tacked-on. On the upside, Lark Voorhies of "Saved By the Bell" fame is in it.For more insanity, please visit: comeuppancereviews.com
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