CHURCHILL'S LEOPARDS - great title, by the way - is yet another addition to the wave of WW2 flicks that emerged from Italy in the late 1960s after the initial enthusiasm for the spaghetti western genre had run dry. It's a very familiar tale about a group of soldiers on a mission to blow up a dam in Nazi-occupied France.What follows is routine in the extreme, a film with only a handful of memorable moments (like the bit where a crowd of collaborators are about to be executed, an exercise in tension). The action is sparse and when it comes it's a bit of a disappointment, but then director Maurizio Pradeaux had only made a couple of films previously so he was hardly a seasoned expert behind the camera.The most interesting thing about the film is the cast. American strongman Richard Harrison plays the dual role of a Nazi officer and his lookalike who's brought in to help the team, while Klaus Kinski is the nasty Nazi bad guy. Giacomo Rossi-Stuart has a supporting role as another hero, while Euro crumpet Helga Line shows up (and is welcome) and Spanish actor Frank Brana (RETURN OF THE EVIL DEAD) has a cameo.

This is a decent example of the Italian brand of war movies which, although they never quite reached the artistic heights or levels of influence which their peplums, giallos or Spaghetti Westerns had, frequently offer an offbeat, mildly diverting perspective on familiar historical events. This one here stars Richard Harrison (as an English agent posing as his dead German officer twin brother!) and Klaus Kinski as a sadistic SS official; the fetching female parts (on both sides of the fence, naturally) are personified by Pilar Velazquez and Helga Line', while Giacomo Rossi Stuart and Antonio Casas have key roles to play within the Resistance lines. There are no overwhelmingly spectacular action set-pieces or jaw-droppingly clever plot twists to speak of, but I found this to be an unassuming and adequately handled time-passer which, unlike some of its Italian war film contemporaries, does not heavily feature Hollywood has-beens in an attempt to pass for one of their productions and is, in any case, mercifully short.

One of the most average Italian war movies to emerge in the genre. A great cast and some decent photography highlight this otherwise mediocre entry.The plot is pretty straightforward and familiar: A British commando team heads into France to blow up a German-held dam, while a British agent infiltrates the German garrison to give inside help. The twist is the British officer is replacing his twin German brother (!) Giacomo Rossi-Stuart (The Greatest Battle), one of my favorite Eurowar co-stars, makes a pretty bland lead. He doesn't get to do too much, unfortunately. He is reduced to uttering boring dialog and leaves most of the real acting up to Richard Harrison (Thirty Six Hours of Hell), who plays both a German officer and his British twin. Klaus Kinski (The Liberators) has his usual glorified cameo role as a German officer, though his role lacks any of the weirdness which usually accompanies his part. He is a straightforward, evil SS type and nothing more. Unfortunately, he sports a dubbed English accent rather than a typically nasty, thick German voice. Pilar Velasquez (His Name was Holy Ghost) is the French resistance woman in love with Harrison. Finally, Antonio Casas (The Good, the Bad and the Ugly) has a glorified cameo as the genius leader of the French partisans. In support, Frank Brana (The War Devils) plays a French partisan, and Claudio Biava (Battle of the Damned) has a juicy role of a skeptical British commando. Look fast for Herb Andress (The Rangers) as a German officer, and Geoffredo Unger (Hornets' Nest) as a British commando. The whole course of the film is weighed down by some low production values that can easily kill a film. First of all, Vassili Koducharov's familiar score from Heroes in Hell, Thirty Six Hours of Hell and The Rangers is used once again. This piece of music is trash, and I don't get why so many films use it. The special effects are pretty bad, and one dam destruction sequence ranks as one of the worst miniature effects in film history. The movie is set in France in 1944, but looks like it was shot in an Italian rock quarry - maybe on some of the same locations as the earlier action flick Five for Hell. On the plus side, the cast all do excellently and seem to be having fun with their parts. The script is excellent, with an unexpected conclusion for one of the main characters. Maurizio Pradeaux keeps the action flowing whenever possible. When nobody is getting shot on screen, people are moving about and so is the camera. Close-ups, pans and zoom-ins rule for the duration of the movie. The final combat scene is excellently-shot and tightly edited, with some fine suspenseful moments.CHURCHIL'S LEOPARDS is a pretty average commando movie, with a good cast and fine camera-work but little else of value. It's an entertaining 90 minute piece, but no classic.RATING: 6/10

A routine Italian low budget war action movie about English dam busters working in occupied France. Best feature in the film is, obviously, the great Klaus Kinski whose SS captain brings a sinister edge to the final battle.All in all an interesting film that suffers from the same problem than most of its peers: lack of ambition. The only scene that stands out is the execution of the resistance leader (by Kinski's SS men), which makes one wonder why the rest of the film wasn't made with similar effort.