It's not often you see a Danish-Chinese movie production, and Kinamand is a gem. The acting is superb and the screen writing insightful. The ending was very heartbreaking, and I wish there was a different ending!Hopefully more Danish-Chinese co-productions can occur, perhaps a TV detective drama or something like that.

Normally I'm not a big fan of these "kitchen sink dramas" that I think Danish films has brought us a lot of. I tend to find them tedious and to be honest a bit boring, but there's just something about this story, its pace and the characters (especially the actors portraying them) that really captivated me.It's a very simple story, it's fairly slow paced and not much really happens but I think that's a strong point for the movie. For me it was easy to just sit through 1.5 hour of a well told story with characters I was invested in and enjoyed spending time with. Having an internationally acclaimed actress in the movie really helped giving it an international feel. Vivian Wu seemed very out of place and played her part convincingly. Bjarne Henrikensen gave a very subtle and believable performance and I really felt for his character that seemed lost in himself. Knowing too that Lin Kun Wu who played the restaurant owner hadn't had much experience prior to acting made me even more impressed by his performance, which was decent but I bought it. I will say though that I got kinda tired of hearing him saying "for fanden" all the time, that phrase got tiresome really quickly. All in all I think it's really well-crafted story with some compelling characters, I was captivated and moved by the tale. I'd definitely recommend it if you're in the mood for these types of stories that doesn't lean on a whole lot of drama and things happening all the time.

In watching this it occurred to me how undeliberative I have become in accepting quality movie workmanship. This small movie illustrates the point--it is so well done that I came to appreciate its technical qualitiesonly when I tried to come up with any negative comments.The movie details an event in the life of a Keld, a Danish plumber. That event is set in motion when Keld's wife leaves him. Keld is more of a reactive person than an active one and that is probably a reason his wife left him, although we don't get too many details on that. Bjarne Henriksen plays Keld with grace and gentleness in a captivating and nuanced performance--he can say a lot with facial expressions. I imagine that it is harder to play everyday people like Keld than bigger-than-life characters having big, dramatic scenes. Keld reacts to his new bachelorhood by frequenting a Chinese restaurant on a daily basis where he gets to know Feng, the owner (Lin Kun Wu). There is subtle humor--after running through all of the 21 selections on the menu in numeric order, Feng asks Keld what should be done next and, after some hesitation, Keld decides to start over. Feng, sensing that Keld is a kindly soul, asks him for a big favor--to marry is younger sister Ling (Vivian Wu) so that she can get Danish citizenship. The marriage is to be "pro forma," but in a sequence of beautifully filmed scenes, what does start out as "pro forma" turns into a delicate love. Maybe this story line is a bit predictable, but the relationship between Ling and Keld is developed so believably that it's hard not to be taken up with it. However, the ending is not predictable.When Keld's wife wants to come back, she is led to understand the meaning of the idiom, "Be careful what you wish for, lest it come true." She got her wished-for divorce, but that led to her being cut off from Keld later when she wanted him.The relationships between Feng and his son, and Keld and his son, offer commentary on the changing cultural dynamics of such relationships as experienced in a Chinese family contrasted with a Danish family. It is interesting to see the difference between Feng's extended family and Keld's rather lonely life.The score, while engaging, often seemed more lighthearted than what the story-line would call for.There are no villains in this vary human tale.

Somebody wrote in a film chat that Vivian Wu is the most beautiful woman in a Danish film ever. She surely is the most beautiful woman in this film, and once she figured on a list of some hundred most beautiful people in the world, though according to my Chinese friends she is not a beauty by Chinese standards. Her presence in this film however is unquestionably delightful. I ascribe this to the camera work, the way she is dressed up and, of course, her beauty. The way she dresses together with her cooking and decoration skills brings about a marvelous atmosphere enhanced further by the Deng Lijun songs from the early 80s like Yueliang daibiao wode xin and believe it or not Bjørn Tidemanns Lille Sommerfugl. It is not normal (realistic) to wear a qipao (traditional Chinese dress) every day or otherwise dress up for a party every day and the atmosphere is not realistic either. I guess Ling and the atmosphere around her should be seen as a symbol of the mystic and beautiful traditional Chinese culture on a trivial, gray, realistic, modern Copenhagen working class backdrop. Chinaman is clearly inspired by In the Mood for Love by Wong Karwai; a great choice for inspiration! This is seen in the mood created by slow pace takes of Ling's qipao swaying forth and back to her sensual body moves. In In the Mood for Love, which is also a film where love is implied rather than becoming fleshly, Maggie Cheung changes qipao about 50 times. In Chinaman the focus is on Ling's earrings on which, along with her hips and eyes, the camera lingers. Thereby we as well as Keld (Bjarne Henriksen) are seduced by female and Chinese mystery. I guess it is also for the good of mystery that the Chinese dialogs are not subtitled. It keeps the common Danish viewer just as uninformed as the Danish main character about what is going on.Chapter headings consisting of Chinese sentences for beginners relate by hint what we are going to see. Overall they seem stupid to me; an original idea that should have been killed, but then there is the mistake! There is a chapter heading that goes something like Will you marry me?, which is also written correctly in Chinese signs but the tape voice says "yi bi hao jiaoyi" - "a good deal". So this "mistake" made on purpose actually points out what the marriage between Keld and Ling is - business, which by the way is also what Keld calls all things he wants to avoid explaining to Ling.At one point in the film Keld's otherwise gentle temper blows and he delivers an outburst of angry complains that Ling can't speak Danish and other right-wing cliché attitudes. Anyway, Ling's reply in Chinese is much more to the point. She has been sweet and serving so when not appreciated she complains that he never does any house work and that her clothes are smelly from his smoking and that had it been her own house he would have had to smoke outside. Unfortunately he doesn't understand her words, but his next move is to learn to say sorry (duibuqi) which turns out to be important.Chinese culture is presented here as refined, superior, traditional and beautiful compared to the Danish plumper, his wife and their son. The film offers great respect to Chinese culture. Thanks!This is the first Chinese Danish film and it is a very good first! I have watched many Chinese Westerner films and I am sure Chinaman is one of the best. 8/10