Charlie Chan on Broadway
Charlie Chan on Broadway
| 22 September 1937 (USA)
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Returning from European exile where she avoided testifying against her criminal associates, a former singer with a tell-all diary is murdered to insure her silence.

Reviews
Michael O'Keefe

The Oriental sleuth Charlie Chan(Warner Oland) rides a bumpy sea to attend a police testimonial in New York City. A wayward nightclub singer(Louise Henry)plans to collect a tidy sum of money by selling her diary that contains a wealth of information concerning previous criminal activities and naming names. When the chanteuse is murdered, Charlie and Number One Son Lee(Keye Luke)join Chief Inspector Nelson(Harold Huber)in piecing together clues to find the killer. An overzealous newspaper reporter (Donald Woods)and a spunky photojournalist (Joan Marsh) try to make the hunt easier...but do they? This film moves at a good pace and is typically true to the Charlie Chan formula. Other players: J. Edward Bromberg, Douglas Fowley and Joan Woodbury.

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ccthemovieman-1

The title of this Charlie Chan flick is a misnomer because Broadway doesn't play a part in this film. Yes, we are in New York City for part of the story, but the scene isn't Broadway but "The Hottentot Club."This Chan story has the normal assortment of interesting characters. It didn't think Charlie's proverbs were up to snuff in this one but his repartee with Number One Son (Keye Luke) was fun to hear, as always.Louise Henry, a woman who has a diary that everyone is after in this murder-mystery, has one of the prettiest faces I've seen in a Chan movie. However, on the opposite side, Harold Huber as "Inspector Nelson" is one of the more annoying ones I've seen.Overall: good, and another in the series that I am still hoping to see on DVD.

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Jim Tritten

Snappy Warner Oland as Charlie Chan murder mystery set at sea and in New York. Oland's slowness in this film is complemented by good direction from an old hand, a total of five writers, and a great supporting cast. Harold Huber, making his Chan debut, plays an active and effective police inspector that works with and not in parallel with Chan. Joan Marsh looks great and turns in a solid performance. Keye Luke is allowed to help rather than hinder the crime solution. I suppose that Joan Woodbury's dancing was all the rage at the time.Plot involves diary that if published will cause a great deal of harm to a lot of people: `No poison more deadly than ink.' Lots of misdirection with an obvious suspect and another who it appears will be actually guilty: `Murder case like revolving door, when one side close another side open.' In the end, the police and Chan trap the killer but not until Chan reveals clues that the viewer cannot have been aware. Racial slurs against Orientals remain in the series with the New York Police Band playing `Chinatown' in honor of Chan's arrival. Interesting use of `Candid Camera' theme at the Hottentot Club. One of the better Oland Chan films - recommended.

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pbalos

"excuse please," but this is a straight forward top notch mystery with no gimmicks involved. Much of the action takes place in the Hottentot Club and the only dance is of a tropical variety that is more reminiscent of Charlie Chan in Rio or Panama.Warner Oland is at the top of his game playing the famous Chinese detective. Keye Luke, as usual, is excellent. Harold Huber does a fine job as Inspector Nelson and proves less silly than we'd see in future films.This must be considered one of the best.

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