Charlie Chan (Sidney Toler) investigates the murder of a scientist in a spooky mansion. This is one of the better Chan films made at Monogram. There's plenty of atmosphere and the claustrophobic setting of the mansion helps keep the suspense up.Thankfully, Mantan Moreland's Birmingham Brown character doesn't louse it all up with his fear of spooks and bug-eyed double takes. He's actually kind of subdued in this one, which I appreciated. No Benson Fong as Tommy Chan here (yay!) but also no Frances Chan (boo!). Instead, we get Eddie Chan (Edwin Luke). I forget what numbered son he is. He's about as exciting as watching paint dry. The part seems like it could have been pretty good with a better actor. Eddie's supposed to be a nerdy kid with long-winded textbook explanations for simple things. It could have been funny but in wooden Edwin Luke's hands, it's not. He recites a lot of his lines like he's reading them off of cue cards. Anyway, despite the presence of Eddie and Birmingham , it's still a watchable and often enjoyable Chan film. There's no jade mask anywhere in the movie, though.

"The Jade Mask" was made in 1945 and, as was often the case during the war years Charlie Chan movies, there's a McGuffin, some formula or process that will help the war effort. Here, the nutty inventor is paranoid about security so no one in his household knows anything. When he's killed, Chan is brought in, his number four son (Edwin Luke) dragging along behind him.This film moves slowly, but is brightened by some good dialogue from Sidney Toler and Mantan Moreland, who was always a riot. I know his is a stereotyped character in a way, but in another way, it isn't, as he is treated as an equal by Chan. Frankly without Moreland, a good many of these films would be very boring.

This is my ninth review of a Charlie Chan movie in series chronological order on these consecutive days. In this one, a scientist working for the government is murdered in his house. As usual, Charlie rounds up the suspects there...Instead of his usual "No. 2 Son" Jimmy, Chan has "No. 4 Son" Eddie (or Edward as he prefers to be called) on board assisting him. He is played by Edwin Luke, younger brother of "No. 1 Son" Lee who was played by Keye Luke in the earlier Warner Oland entries. Unlike the other Chan sons, this one is not so bumbling since he wears glasses and is a bit intellectual though he's also not as charismatic. Good thing there's still Mantan Moreland's Birmingham Brown to provide the charms especially since his "scared stiff" stereotyped role is a little subdued though he does provide a quite funny ending due to that. Another funny comic relief character is provided by the slow talking Sheriff Mack who provides his own wisecracks when talking to Chan and is played by Alan Bridges who I just found out here is another player from my favorite movie, It's a Wonderful Life, as he played another sheriff that was supposed to arrest George Bailey. Anyway, I very much liked this Chan entry, even the reveal of the murderer at the end, so on that note, I highly recommend The Jade Mask.

A marvelously spooky beginning, with a shadowy figure in black, stealthily approaching a mansion in the fog, sets the tone for this odd, but entertaining Charlie Chan adventure. A secretive butler, a sarcastic lab assistant, various disgruntled relatives, and unknown suspects are all candidates for the murder of a scientist working on a secret formula for the war effort.Charlie is called in to investigate and finds himself in a house full of strange devices and stranger characters. Well meaning assistance is provided by nervous chauffeur Birmingham and son Eddie Chan, the formal, intellectual member of the family. The slow talking but sharp witted Sheriff Mack is played delightfully by well known character actor Alan Bridge, who engages in friendly banter with Charlie and is only too glad to let him do most of the investigating.There are some clever twists and unexpected angles that make the increasingly improbable story a lot of fun, even if it gets a little far fetched at the end.The film is no masterpiece, but is thoroughly entertaining, with a kind of naive charm so often found in old movies.