This movie was beset by corporate problems which may account for its rough edges. Elmore Leonard is one of the best detective story writers today, but even as a co-script writer, he couldn't do much with this confusing picture, made from one of his books (a terrific read, incidentally). .Aside from the beautiful art direction, an excellent Chick Correa score that's never gotten much play, and a nicely edgy appearance by the late Charles Durning, the poor man's Sidney Greenstreet, "Cat Chaser," set in the sultry, tropical Dominican Republic, is like wasting away in Margueritaville, sans Margueritas. .One saving grace is the dialogue -- vintage Elmore Leonard, especially the lines given to Charles Durning's character. Leonard is at the top of his game here and Durning's delivery, in his patented New York Irish accent, doesn't let him down. Peter Weller and Kelly McGillis are as unfetching a couple as possible. Director Abel Ferrara has done much better work elsewhere.

Of all the Leonard stories put to film, this to me is the best. The voice-over along with the visuals carry the book's feel, both plot and dialogue. Peter Weller has a subtleness that breaks through his seeming deadpan, and Charles Durning couldn't be better at ambiguity. Kelly McGillis is more than a pretty and sexy figure. All the characters are mixtures of good and not so good, and as typical Leonard characters they work out the balances of their desires. The direction is great. It keeps you moving, wondering, and figuring out the mystery. The story has several components that mix well as they are revealed. And there is the basis of reality to this film. It helps to recall the invasion of the Dominican Republic and the practices of torture attributed to the head of police at the time.One of this films wonderful attributes is the score by jazz pianist/composer Chick Corea. It surprises me that no one has mentioned it.And lastly, let me say that the film is exciting. Viewing after viewing it holds up well.

Could have been so much more, given the supporting cast and Elmore Leonard's script, but it's a flat beer of a movie. Maybe Ferrara got homesick, but the pacing and editing is unusually lethargic, so perhaps impending bankruptcy was driving the whole production into the throes of despair. The performances are so underwhelming as to be invisible. Weller is a B-movie actor. Robocop is still his finest hour. McGillis looks fairly lantern-jawed and mannish throughout. Was Ferrara taking the mickey by shooting her profile so often?. Tree-like in every scene, could anyone seriously find her charms so irresistible?The bogus history lessons and lightweight back story are dull as ditchwater. And the mushy love scenes between the two leads just don't cut it. A clunker for completists. Catch it on afternoon TV if you're paralysed from the neck up.Hard to believe that Ferrara had anything at all to do with this movie.

Strong performance from McGillis still doesn't help this confusing thriller from Abel Ferrera. In the unrated version, there is a scene with McGillis in bed where she is asked to strip down nude. When asked to lie down on the bed, her captor takes out a revolver and places it in a sensitive place. It's a horrific image to imagine what could happen but Ferera is known for pushing the envelope.