I like the settings and the characters. Its quite the complex part writing a thriller to give it a good "picture". But I can't take if they start punching loopholes into the story to accommodate the writing; I can't stand characters that seem to be three dimensional beings starting to act strangely to "fit" into schematic story development. But when you start to lower the expectations and give "into the flow", the result is quite entertaining. Harmon and the other cast deliver good performances for the "setting" and I have to admit, that the the showdown teared me more than I hoped. If you catch it on TV in the night and like to watch some easy schematic thrill with a little end surprise, you won't be disappointed - I have seen *much* worser. But I wouldn't take this out of a DVD-rental store... 5-6 Stars.

It appals me (having worked as a rewrite man at MGM back in the 60's) how some of today's films ever get produced. Poor scripts seem to be the rule, plus in the case of this disaster, poor direction, an unattractive and inept cast, and pacing that rivals a snail's pace. Dear Gussie, is it any wonder that many of us over-50's are staying home and reading a book instead of wasting time watching trashy contemporary attempts at film. There's only one blessing in this film: there are no special effects.

Predictable but fairly well-made battered wife movie. Mark Harmon has a nice touch of menace to his character. The beginning of the movie takes away all tension at the end by basically showing the results of the climatic scene. I liked Michael Beach as the cop. He just projected a very good-guy quality.

I don't want to spoil the ending so let's just say it borrows from many horror/slasher films we've all seen 1000 times. The set up was interesting and the acting was quite riveting at times but the inevitable culmination of the action sequences towards the end were predictable and unsatisfying. I don't know why you would make a film with so many loose ends unless you were too desperate to make any statement condemning spousal abuse. Straight-to-videos are prescreened for test audiences and don't get distributed for a reason.