Ah how to begin.First its too long at 129 minutes but thats the only real negative along with being subtitled.Its a love set in Taiwan between a Japanese advance girl coming to set up a beach front performance by a Japanese male singer but she needs a local opening band act.However if you get through the standard "The Commitments"and "The Full Monty"early sort of storyline.AND that is an improbable love story superimposed over a lost one 60 years earlier with tinges of Casablanca thrown in,another film reviewed here prior, but in reverse.You have to see it to get it.So its worth the time even if it seems silly and obnoxious in the beginning. Oh and the piano music"1945"is as good as that music from"Cairo Time"

Cape No. 7 is a beautiful romance base on real life actual scenario although the actual story was just the letter came from Japan seeking an old address and the rest was fiction but this shows how great the director were able to transform a simple romance into colorful tear dropping romance movie.At 2008 when I first saw this movie I brought a DVD version for my friend back in South Africa with English Subtitle. He was able to understand most of the movie and translate only few subtitle he could not make any sense (Those were you have to be native speaker to understand)By KDGonK

The title is what I believe after I saw this movie.Cape No.7 is a great movie and a humble self-introduction of Taiwan. Few that live in mainland China know the real Taiwan. What are the people like? How is their life there? These questions are not merely out of our curiosity; it's more because we care.Movie has always been a good way of knowing other peoples and cultures. I've always been wanting to know Taiwan through their movies, but the fact is movie industry of Taiwan hasn't been doing well for a long time. If you go to a DVD shop(not to mention cinema) and look for Taiwan movies, mostly, you'll find, or the owner will recommend to you stupid little romances with good-looking faces or extremely low-key boring meaningless experiments(usually in experiments' disguise making erotic stuff), but what we wanna see and the filmmakers in Taiwan should show us is a real Taiwan, a real life of the people. Unlike most other Taiwan movies you can easily find, Cape No.7 is not only a 100% percent authentic Taiwan movie, encouragingly, it's honest and humble too, in order that a real Taiwan will be demonstrated to everyone, including Taiwan natives.And the effort paid off. We see the beauty of the island, and the beauty of its people. You may think of another movie that is like a place's self-introduction, The Barber of Siberia. Critics say Russia in The Barber of Siberia is not the real Russia, which is not that good in fact. You might feel Taiwan in Cape No.7 is not the real Taiwan either; you might think Taiwan could never be such a nice place. Truthfully, Taiwan has its good and bad things, if there is nothing good in Taiwan and the movie tells you it's good then that's called fake; if there are good things and people, and the movie shows the good to us, why should we say it's not real? There is a time to reveal bad and ugly and there is a time to show good and beauty. Same reasoning with The Barber of Siberia. At this moment, why don't we enjoy seeing a good, beautiful and true Taiwan and hope there are more and more movies like Cape No.7.

By the time I watched this film, it has broken Taiwan's all time box-office record. Taiwan has no Hollywood, but for decades until recent years, it has produced dozens of movies every year. It's been the hub of Chinese-speaking film making industry and nurtured internationally renowned directors such as Hsiao-hsien Hou, Edward Yang and, of course, Ang Lee. That's why it's a surprise to see what the film has achieved because, whichever way you look at it, it fell short of many high standards set by its predecessors. It's by no means a bad movie though. A warm story executed reasonably well. The elements of romance and certainly music (Taiwan's pop music industry is also well developed) added to its viewing pleasure. Beautiful photography gives extra charms to the tropical town in the southern tip of the island. Acting wise not overall brilliant, but some roles depicting typical local characteristics are particularly lovable. Old Mao is the best example.Perhaps the underlying reason for the film's popularity is something beyond its plot. Taiwan society, in recent years, has suffered from slow economy, isolation from the world as a result of "One China Policy", and especially the conflict between political parties within the island. People are tired. Tired of struggling to make a living in the big cities and tired of watching confrontations among politics everyday and night on TV. The simple small town lifestyle and good-willed characters demonstrated in the film remind people of the good old days. For two hours, it's like providing an escape for people who have long been trapped or bringing light to people who have long been live in dark. This film will represent Taiwan for the quest of Oscar's best foreign language film. It's not going to win. It's even unlikely to be nominated. But, maybe by accident, this film has achieved something that makes it bigger than winning prizes -- bringing hope to depressed souls!