I've always found the extreme American fraternity rules sickening, and this premise is taken to the extreme here. The film is about fraternity ideas gone all wrong, and the following bad choices made. Well, is this what happens when police is your worst "enemy"?A fraternity idea of making fake robberies of gas stations goes wrong when they go to the wrong gas station. There's a shootout, and much more I'm not willing to say.Directed by Will Canon, the film sets up an interesting premise, and quite effective acting by the youngsters, though the whole are put to some kind of extreme, it's interesting and exciting to watch. It forces you to participate and gets you occupied. Of course it's far fetched, and there's so many insane decisions, but still it makes out an interesting premise, when bad leadership and idiots mix up.It's a film high on tension and action, and there's a nest fun coming up all the time. It's not a pleasant watch, by no means. Rather unpleasant in all ways, but it keeps you seated. Forget the believability, just be along for the ride! Talented film making from those involved.

I didn't expect much out of this movie coming into it. It popped up on Netflix one night, and grabbed my attention because it was a "frat movie." I'm not in the Greek system myself, but I have many good friends who are, so the subject is of interest to me (also because they are so often misrepresented in the media, but that's a discussion for another day). I prepared myself for another overblown party movie, and ended up being served something completely different and far more impressive.What I ended up watching (instead of a fluff-piece on partying and sex) was a gripping, well-paced, superbly-acted and well-executed drama. Brotherhood is about more than "frat boys": it is about human motivation and decision making, it is about loyalty, and it shows how just one simple turn of events can change everything you had ever planned or expected.I know the plot description for this sounds cliché and awful. Trust me--I almost didn't watch it myself. But don't pass this one up. It is a truly engrossing ride from start to finish. I really wish this film were more well-known!

I was in a fraternity in college, so I enjoy watching movies about Greek life. Unfortunately, they all tend to be dumb slasher movies or cheesy sex comedies. I saw the description for Brotherhood and decided to watch it.From the beginning scene, I was sucked in. I won't go into plot details, but the story keeps you guessing and is engrossing. The acting from the unknown cast is excellent was well- Jon Foster is especially good as the head of the fraternity.And the twist at the end of the film was a great touch. The nice thing about the twist is that it's not easy to predict, but also did not feel forced.I wouldn't necessarily call this a movie about Greek life, but it's a terrific indie drama/thriller set in the world of fraternities.

Brotherhood is an astute; compelling; stripped down piece looking at the allure of one's need to feel superior as well as the periodic need for young men to feed their own egotisms. When a character in the film has been shot, and is taken to somebody's student accommodation so as to be treated, one of the tenants demands an onlooker heavily involved in the situation urgently do something – demands he rapidly rejects out of not wanting to look small; inferior, nor as if he takes orders, whilst in front of a handful of first-year kids he desires to look authoritarian in front of. Never mind all the alcohol, or periodic use of casual drugs if that is the case; these kids are near to the point of sheer madness and danger through being high on testosterone and arrogance. Young American filmmaker Will Canon's debut feature is a breath of fresh air; a ruby amidst the rough of the American independent scene of oft snow-set quirksome squalor and adult subject matter being distilled through a filter of mainstreamisation. Here is a film with a fair number of robbery sequences; characters charging around an intimate urban locale wielding guns as well as young men verbally clashing with one another over heated issues - and yet in spite of this, is actually about something: neither manifesting into an exploitative crime film nor descending into the doldrums of being a lecturous chore.The film follows that of Adam, a fresher (or freshman in the set-world of America) played by Trevor Morgan, whose on the cusp of starting at a university and must undergo an immediate process in these, the dying embers of summer before the academic year begins, that'll see him inducted into the realms of a domestic fraternity. In spite of this, the film is essentially the process Adam is inclined to go through so as to reject the egotistical driven schooling-set world of showmanship; peer-pressure and the proving of one's masculinity: drinking a lot of booze and coming into possession of a firearm, albeit on separate occasions, does not make one a "man". When we begin, we begin in the confines of a van doing the rounds at a number of convenience stores; convenience stores which it would appear are being held up by a number of freshmen whose inauguration is being undertaken. But it is a sham, and where the frat-leader Frank's (Foster) excessive use of profanity in both questioning and challenging that of the other's masculinity has us question the competence of the screenwriter/director in their ability to broaden dialogue, we are swiftly put in our place thereafter when it's revealed the whole thing is a scare mongering act for the others yet to 'rob' somewhere.Disaster strikes when one of the fraternity hopefuls does indeed hold up a store, when the collecting of a bag of money from an insider already there is what should have happened. In waiting outside the incorrect store, a fraternity member dooms Kevin (Taylor-Pucci) to being the hapless kid shot by a clerk, an event which kicks off all manner of strife for those involved and causes some serious headaches for these people early on in their scholarly life before term has even begun. In the panic, Kevin is taken the a proverbial fraternity headquarters; the large party unfolding cut short when a spiteful, narcissistic, evil individual suddenly finds himself hosting a GSW victim after having previously been limited to meticulously organising ill-judged pranks on that of people not wanting to drink the amounts of alcohol forced upon them and not wanting to have an act of sex go wrong which has been wholly planned to.In feeding off an approach to its thesis more broadly reminiscent of Scorsese's After Hours or a vastly underrated crime thriller from a few years ago in the form of Running Scared, the film plunges its characters into a causality driven Hell where the rejection of proper authorities as well as professional medical attention forces those involved through a series of bleak night-set altercations and interactions, all the while our anchor in Adam gluing proceedings as this first-year kid daring to challenging the patriarchy. Canon does a great job in moving things along, allowing the bluntness of the opening sequences on how the fraternity operate dissolve into this unglamorous procession of lies and amorality wholly brought about by their own egomaniacal agenda; using the item of the individual bleeding to death as a wonderful device to keep tensions and deadlines heightened.In feeding off the above approaches, the piece harks back to an era of twenty-or-so years ago when films such as Reservoir Dogs dominated the independent crime scene. Here, Kevin's blood soaked person held up in a dingy locale as those refusing to back down from one another over varying issues calls to mind that of Keitel's, Buscemi's and Penn's respective bickering as Roth lied spread eagle in the aforementioned example; while the presence of Mike (Escarpeta), the young clerk at the store, echoes that of a certain Marvin Nash as we follow his exasperated arrival in earnest via the rear of somebody's car, brought closer to the mayhem and hit upon by the crew when it's revealed he may prove a threat. Like Tarantino, Canon has made a film with a quaint ability to escalate issues and disagreements out of one routine catalyst; a thousand diamond store robberies have happened in a thousand films, likewise with a shooting that was never meant to have been, but the aftermath and the heightened tension born out of it as varying elements struggle for total control are what drives our growing interest and trepidation in both examples. Where not as good, and with the distinct sense of it being a debut feature from a filmmaker with-room-to-grow, Brotherhood more than fits the bill for what it is, in what is a gratifying observation on where the sorts of behaviour therein has one arrive.