Broadway to Cheyenne
Broadway to Cheyenne
G | 09 September 1932 (USA)
Broadway to Cheyenne Trailers

A cowboy detective goes up against a gang of big-city thugs trying to set up a protection racket out west.

Reviews
bkoganbing

Rex Bell who married Clara Bow and then went on to be Lt.Governor of Nevada after leaving the screen stars in this film with cowboys versus gangsters. This was done for Monogram Pictures with a minuscule budget and a lot of stock footage.Nevertheless the film has its interesting points concerning the cowboy and gangster culture clashing in the modern west of 1932.Bell's gone east to be a newspaper reporter and gets himself shot in the middle of a gang shootout. Rest is what the doctor prescribes and Bell goes back to his old ranch a little bit away from Cheyenne.Where he finds that the local Cattleman's Association is just a dressed up protection racket and run by one of the gangsters he left on Broadway. All I can say is that the ending clearly marks this as a pre-code picture. And look to the classic story in the many versions of The Virginian to see how things were handled.Bell's no great actor, but he looks good tall in the saddle. Clara Bow sure thought so. Preston Sturges regular Al Bridge is one of the gangsters and Gabby Hayes has a scraggly beard, but a huge walrus mustache and his character is named just that, Walrus.B western fans might like this.

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MartinHafer

This B-western stars Rex Bell--a man who made quite a few Bs and also married silent star, Clara Bow. For a very interesting account of this woman's life and her marriage to Bell, try reading "Clara Bow: Running Wild"--a very interesting biography.Now to the story. Like so many B-westerns of the era, this one is an odd combination of the old and new. The film is set in the present time and is about gangsters and the like in New York. When the mob tries to kill Breezy Kildaire (Bell), he hightails it back to his family ranch out west. From here on, the film is filled with cowboys and the like--things you'd expect to be seeing around the latter portion of the 19th century. This odd juxtaposition of the old and new is not uncommon in B-westerns. Heck, I remember seeing a Gene Autry film chock full of cowboys chasing pickup trucks on their horses as well as making phone calls! Odd, but not all that uncommon. It is also odd that these cowboys in "Broadway to Cheyenne" drink beer--it IS during prohibition. Talk about anachronistic! Once out west, Breezy learns of a 'protective association'--a group of mobsters selling 'protection'. In other words, if you don't pay them, then you can expect to have a life-threatening accident or have your cattle machine gunned!! This is all very modern and odd in such a western setting--and something you might expect to see in a Jimmy Cagney or Edward G. Robinson flick. I know I sure felt a might confused! So is the film worth seeing? Well, considering Hollywood made 1472950823 B-westerns, I don't think it's particularly good--especially for the casual viewer. Now if you are a huge B-western fan, it is probably worth seeing--even if Bell has a very stiff persona and the film has little to distinguish it from the crowd. Watchable but not particularly inspired or interesting.By the way, you may or may not recognize Gabby Hays in this film. In the early portion of the 1930s, he still hadn't perfected his old coot sidekick persona--and here he looks a bit like this guy but not quite as he's sporting a mustache instead of his usual beard. In fact, Hays played many different types of roles during this time in westerns--erudite gentlemen, crazy old coots, villains or whatever else was needed in the movies. Regardless, he's the best thing about this film--and is quite good in his small role.

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FightingWesterner

Detective Rex Bell is shot by gangsters in a New York nightclub. Coming home to his father's Wyoming ranch in order to recuperate, he trades his city-slicker outfit for a cowboy hat and jeans. Rex soon finds the gang that shot him, trying to muscle there way into new territory by selling "protection" to the local cattlemen.A fun little cowboys-versus-gangsters picture, this combines two of the nineteen-thirties most endearing B-movie genres into a neat little package. One scene has vengeful gangsters mowing down cattle with a Tommy-gun!The following year, Monogram Pictures and producer Paul Malvern launched a new line of B-westerns under the Lone Star moniker, featuring their new contract star John Wayne. Much in the same vein as the Wayne vehicles, Broadway To Cheyenne has some decent action scenes and appearances by western stars George "Gabby" Hayes and Earl Dwire.

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kidboots

This unintentionally funny (in parts) film would be classed as satire today but back in 1932, a scriptwriter thought it was probably a novel idea to combine gangsters and cowboys. Giving the West some topical problems New Yorkers were having.Rex Bell is the star. He was married to Clara Bow. Even though he loved the West, he wasn't a great actor and soon left films to become a rancher. He had a very likable screen presence and in this film played "Breezy" Kildare, a detective who is shot in a nightclub, in the middle of a gangland shooting. Gwen Lee is his date.He goes to his father's ranch in Cheyenne to recuperate and gets re-acquainted with Ruth (played by the very lovely Marceline Day), Joe Carter's daughter. At first they are hostile to him as he was instrumental in sending Joe to jail but he also petitioned to have him released (they didn't know about that) - so they soon become friends again. Joe runs the saloon, masquerading as a "soft drinks" counter where only beer and spirits seemed to be served and there is a very visible sign NO MINORS ALLOWED. Joe is in the hands of a bootlegger and fears for his life.The gangsters have already turned up and have started a cowboy and ranchers protection agency. For all the cattlemen who don't come across, the gangsters go riding around the countryside in a touring car, shooting up cowboys, cattle and anything that gets in their way - with a machine gun. It is hilarious. There is a scene - a hillside shoot out where "Breezy" gets the machine gun away from them and turns it on them. After killing "Breezy's" dad, the ringleader is captured but begs to be given a break. Gabby Hayes replies "you'll get a break - a rope and a tree that have never been used before".The end scene shows "Breezy" and Ruth planning to leave the West and go back to New York were life was simpler and good. It was a very enjoyable Western that I would watch again.

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