Bring Me the Head of Mavis Davis
Bring Me the Head of Mavis Davis
| 16 January 1997 (USA)
Bring Me the Head of Mavis Davis Trailers

Marla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined to arrange a similar fate for Marla, staging the perfect tragic demise. But he didn't count on Marla not being quite ready to go.

Reviews
Theo Robertson

Pop Svengali Marty Starr is in a little bit of trouble with shady American Bruce whose son has ambitions to be a pop star so Marty decides the best way to keep his kneecaps is to come up with a get rich quick scheme BRING ME THE HEAD OF MAVIS DAVIS has few fans and while it's not exactly consistently laugh out loud it's by the same token not a truly terrible British comedy , I did see THE WEDDING TACKLE the previous night so I know what an abysmal comedy from this small island looks like believe me Much of criticism may have to do with the casting of Rik Mayall as Marty , as everyone is keen to point out his character is very similar to Alan B'stard from THE NEW STATEMAN but dissimilar enough to make you notice that Marty is very much an inferior comic character to that of the Tory MP but any deficiencies are made up by the supporting cast especially Jane Horrocks and Marc Warren The script by Craig Strachen is slightly uneven containing mainly moments that are fairly predictable but one or two bits are very funny . Perhaps the script can be summed up where Marty goes to buy some drugs from a rent boy where the audience are one step ahead of the script ( You can guess what's gonna happen next ) but contains a misunderstanding at the police station where Marty's cell mate starts to pull his trousers downOften predictable , sometimes amusing and there's worst movies I've seen this week that were made in Britain

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sneakermusic

i really like rick mayall, drop dead Fred was great and when he's not doing his bottom and young ones style he can be charming/sly and a surprisingly good straight actor.....so all this is just me setting up an apology to him.rick 'im sorry'... this film suffers from the worst failing a film can have. it is so crushingly slow moving....no, sorry. its just plain boring. funny moments are negated by the whole thing being so drawn out. it has appalling pacing.There is also a weirdly misplaced 'accidental' outing that is just plain not funny, succeeds in just padding the film out. padding it really doesn't need. its fitting that in a film that deals with murder, the viewer is constantly losing the will to live.

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Paul Creeden

Rik Mayall won my sense of humor in the wonderful 80s Britcom, "The Young Ones", which I highly recommend to the uninitiated. Jane Horrocks is extremely talented and does a great job. Danny Aiello plays a wonderfully smart and silly Mafia don. The film is silly. But, I still think silly is funny, when it is done with some intelligence. The best part of this film for me was the sprinkling of fabulously absurd character roles throughout the story. Aiello's bodyguards, the puerile hit man, the insecure security supervisor. All very clever. Ronald Pickup as Mayall's competition is also very funny. If you like the slappy end of Brit comedy, I think this film will satisfy you quite nicely.

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stephen niz

I didn't plan to review BRING ME THE HEAD OF MAVIS DAVIS, much like I didn't plan to watch it. It was a Sunday night thing, you see. It is a sad consequence of the day of rest: you fill in time however you can, even watching awful films like this.The film tells the story of a scheming manager who plots to kill his faded pop star, and in doing so increase her album sales. Years ago, in a rush to complete a first-year Screenwriting assignment I hatched a similar, lazy plot.I never thought it was particularly astute, because everybody knows that the legends of rock stars are built on their deaths. The makers of this film think it IS astute, even if their execution is excruciatingly sloppy. Worse still, where I made the point in ten minutes, this film runs to ninety.Ninety minutes. Ninety horrible minutes. Ninety minutes, no jokes.I could hardly feel angry that I watched this film: it was on television and it was my own fault. I felt no malice or ill-will towards the cast and crew. I foresaw the inevitable lameness of their poorly-made product and yet I watched it anyway.In the end I just felt like a bit of a loser. Ninety minutes I could have spent stimulating my brain or collecting for the worlds poor, but no. I watched a bad film.Don't make the same mistake I did. But then again, Sundays make people do strange things.

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