A purportedly "funny" short. It uses footage from the silent "Nosferatu", Universal's 1931 "Frankenstein" and "The Cat Creeps". It shows these various monsters terrifying people as they do things. The narration is lame...very VERY lame! It's all supposed to be funny but it's not. The lines are supposed to be humorous but they're downright embarrassing. There's not one even remotely funny joke here and they're taking vicious jabs at the monsters themselves. To make matters worse they are CONSTANTLY repeating the same footage again and again and AGAIN until you're ready to scream. Each time it's introduced with some more terribly unfunny jokes. This is real cringe-inducing that is just insulting to horror fans and painfully unfunny to everybody. Universal should have kept this buried in its vaults.

. . . knowing that with today's copyright laws designed to make rich people richer and put gazillions of bucks into lawyers' pockets from the scant savings of ordinary people and entrepreneurs, he could have SUED Universal Studios for COPYING HIS VOICE and speaking cadence in this 9 minute, 29.9-second horror movie spoof, BOO! (think an ancient template for the SCARY MOVIE franchise)? Under current law, anyone with the money for legal fees (think rich people and their corporations) can trademark catch phrases such as "Please!" or "Holy cow!" as well as ANY distinctive speech variation that deviates from a flat monotone as well as any jumble of letters forming a made-up syllable as well as any quirky body movement such as the "moonwalk" as well as any musical combination of two notes or more as well as most of the first names in the baby moniker tomes (think "Cher" or "Madonna") as well as any line of computer code AND SUE THE PANTS OFF any college kid's parents if the kid has any access to computers! Further, Hollywood has single-handedly gotten what was already an arguably too generous copyright period--originally 28 years--extended to 88 years and counting!! That's the irony of BOO!--Hollywood would not dare to make it today, due to its own crazy rules designed to terrorize the rest of us!

Whenever someone talks about horror movies of the 30s, the words "Universal Horror" always have to appear sometime during the conversation, as the importance of the movies done by Universal Studios in that decade is simply unquestionable. While Universal Horror was technically born in the 20s, it was in 1931 when it truly became a synonym of high quality fantasy stories, as it was in that year when the two first films of the "Golden Age" were released: Tod Browning's "Dracula" and James Whale's "Frankenstein". Based on classics of Gothic literature, both films became instant hits and transformed their lead actors (Bela Lugosi and Boris Karloff respectively) into legends. Due to their great success, the two films quickly entered our pop culture as the ultimate monster films. "Boo", a 1932 short comedy film produced by Universal, is an early example of this.In "Boo", a Man (Morton Lowry) is decided to have nightmares, so following the advice of the Narrator (possibly director Albert DeMond himself), he has a heavy dinner made of lobster and milk, and reads a horror novel before going to sleep. Our hero has read Bram Stoker's "Dracula", so as soon as he falls asleep, he begins to dream the horror of his lifetime. In his dream, he sees Dracula (archive footage of Max Schreck from 1922's "Nosferatu") preying on helpless humans and sucking their blood. To our hero's horror, Frankenstein's Monster (archive footage of Boris Karloff in 1931's "Frankenstein") also appears on his dream, and the Monster is willing to prey on humans too just as the vampire Count does. However, something is not right with these monsters, as their motifs seem rather dubious, or at least that's what the Narrator tries to explain.Written by Albert DeMond, "Boo" is nothing more than a series of clips from F.W. Murnau's silent classic, "Nosferatu", James Whale's "Frankenstein" and Rupert Julian's "The Cat Creeps", everything mixed but joined together by DeMond's tale of a poor man's nightmare. DeMond's story is merely an excuse to put the clips in funny ways, putting footage on a loop or adding wacky sounds to them. In his narration, DeMond makes fun about the congress and the economical situation of their time, as well as of horror movies in general. It's all in good fun, although certainly the jokes haven't really aged well and now may sound boring and unfunny. While this can be blamed on the fact that humor has changed, in all honestly the jokes weren't that funny to begin with, although some can still bring at least a smile.Where the movie shines is in it's use of clips from Universal horror films, as DeMond puts them out of context and makes some funny segments by playing with them. Interestingly, DeMond used Murnau's "Nosferatu" instead of Universal's own "Dracula", mainly because Lugosi's vampire was probably too elegant and good looking for his wacky spoof, so he used Max Schreck's interpretation as it was more of a monster. Of great interest is the fact that "Boo" contains what's probably the last surviving footage of Rupert Julian's 1930 horror classic, "The Cat Creeps", a movie that has been missing for years and that it's considered lost by many historians. While out of context and done for laughs, we can see bits of that now legendary film in this little short movie.While I wouldn't say that "Boo" is a great movie, it's an interesting oddity to fans of Universal's Golden Age of horror movies, as not only it offers the only way to see a slice of "The Cat Creeps", it also shows a different view of those classic movies and how strong was their impact in those early years. Sure, as a comedy it's pretty mediocre (even for laugh tracks standards), but like most of the horror movies done by Universal, this one has a strange charm that makes it special. Not exactly a good film, but definitely a must-see for Universal horror fans. 5/10

As time passes, it is easy to forget that films of the past were often accompanied by co-features, newsreels, cartoons and film shorts that added to the value of an evening out. Even if the main feature was a desultory effort, entertainment could be found within the accompanying program.Dating from 1932, Boo was a short film produced by Universal that used footage from their own Frankenstein adaption, as well as The Cat Creeps and the 1922 German version of Dracula entitled Nosferatu. With minimal new footage but clever editing, a modest yet enjoyable short was produced. Given that the film incorporates only around three minutes of new footage, production was likely limited to a single day.Clearly a product of its time (with brisk narration bemoaning the depression and Congress' failure to deal with it), this film was likely a tolerable indulgence for film goers of the time but has become an intriguing relic of its time for the modern viewer.On a side note, Nosferatu was ordered destroyed by Bram Stoker's widow shortly after its unauthorised production. Several prints survived and it is intriguing that a relatively clear one was available for the producers of Boo as early as 1932. With so much of film history prior to 1950 now lost to us, the survival of Boo and its public distribution with the Frankenstein DVD provide us with an item of historical and social interest. It provides an indication of how modest resources could be used to pad out a cinema program and perhaps more importantly shows the cultural impact of Frankenstein at that time. The monster was an easily recognisable figure already and would not have been included in the short had the public not been able to instantly identify him.Seeing a film like Boo is like opening a door to the past. Even after the door has closed the memories remain and new insight is gained by the viewer.