This is one of my favourite films of all time. It has such a feel good factor that I get it out and watch it at least three times a year and have done since I was kid, surfing with my friends in Cornwall in the early eighties. Following the lives of three friends from 1962 to the "great swell" of 1974, this is a beautifully shot movie with warm characters that you grow to really care about. From the opening credits with, believe it or not, the wonderfully mellow voice-over provided by Robert England, to the final mega surfing scene the story pulls you in with it's glorious scenery, great acting and superbly shot surfing scenes. Based around Milius's own experiences this is a classic and in my opinion, the best surfing film ever made.

This movie is it all; everything; it has something for everyone, including a tanned and toned Young Michael Vincent. There is action, a romance, funny moments, some action, good script and stunning surfing footage, as well as plenty of action, but not too much. Yes, Big Wednesday is a classic 'coming out age' story set in Vietnam era America involving a group of school friends who love to surf. As is typical of these types of films we get a group of friends on the verge of growing up, setting off on their own path, possibly parting ways, and having one last kick ass summer. It reminds me of my own last kick ass summer with my friends. There was me, Neville, Bobert, Shawsy, Wee Scott, Bunter, Fitz, Simon, Murph, Stoat, Biggles, Rodger, as well as a few girls like Jem, Lee, Gree, Corky and of course my little brother Andy tried to tag along. That fool Brendan and his scumbag mates tried to spoil it on us, wherever we went, he was there to, looking at us with his eyes. Sure enough the exams were done, we knew that we would all be getting jobs or going off to university, or being mauled by bears, or moving away. None of us were going to fight in Vietnam (though Neville claimed he had already been and would have frequent flashbacks), and none of us were into surfing, but you can see the comparison.Jan Michael and Co- they just wanted to ride one last big wave, but the real wave (the Tsunami of life) was washing towards them at an unstoppable rate, unavoidable and inevitable. Crazy Gary Busey also stars in this Milius film (Milius would go onto wide spread acclaim and fame with Knightriders, having already made a name writing The Godfather), and Vincent would go off to become TV's biggest star in Airwoof. The army comes to town to draft any young, fit men into the army- any injured or crazy types had to stay at home (this is based on actual events) so Busey stayed and got a job stealing motorcycles, all the smart guys could go to college or become a military strategist. The remainder of the gang, including Vincent go off to War and experience some terrifying events- being locked in cages filled with water and rats, but no surfboards, and being forced to play Vietnam Roulette with each other. The game is thus: 5 cups are presented, each filled with same coloured liquid. The treat is that one of the liquids is actually so disease filled that as soon as it is swallowed the drinker begins to convulse, blood pours from every orifice and they eventually melt. Later they escape and before they go home they ask one request of one of their friends (a young Freddy Kruegger) who has now become their commanding officer- will you surf before we go home. He has however succumbed to the madness of war, wishes to stay, and heart breakingly replies 'Charlie Don't Surf!' This proved to be one of the pivotal moments in 70s cinema, and indeed in American History, signifying loss of innocence, tainting The American Dream, and squirting out the final puff from the spliff of the Hippy Movement and Freedom.I was fortunate enough to go off to University and subsequently get a 6 figure salary, some of my friends came along too, more went further afield, or stayed at home and began to fade away, losing the beautiful fire of youth that once burned ever so brightly. I sometimes wander through my home town now, and occasionally see one of the old gang across the street. I wave to them, but time and circumstance has been unkind to us, fate conspiring to gouge an impenetrable void between us. They don't wave; they barely look; in fact, they don't even recognise me. Who would have though that all those jokes we shared, all those lazy days walking through the forests together, all the sunsets we watched and the nights we hoped would never end, all those great times which would never come round again; who would have thought that now it is as if they have never happened at all? I refuse to give up though- I still chat with a few of them, those who made it. Some are married, heck- some even have kids! I know when we have a few drinks, I see the old glint in their eyes that our youth is still alive and well inside, it's just having a lie down. Sure I have new friends now, but it's our oldest ones that count most, those we shared our defining moments with. We don't say anything; we don't need to. We may have lost some along they way, but as long as there is at least one of us, we know we'll be okay.Best Scene: The flashback to the group of friends hugging and laughing- when times were good. The slow motion, the smiles, the memories, the music. It is my life. I wish I could jump in, take off my shirt, and hug them too.

Big Wednesday & Endless Summer. There is no real way to compare the two however since Endless Summer is a documentary that follows a couple of California surfers as they search out the perfect waves around the world. Big Wednesday is the story of 3 guys as they come of age together and culminates in an actual big wave day that happened at Malibu. The characters are guys almost any surfer from the late 60's and early 70's can relate to because of the bonding that would take place on the water. Back then surfing wasn't about the big buck tournaments they have now it was time well spent with your compadres and the film reflected that time. Remake this movie...I hope not because it captured the essence of the California beach scene then and William Katt, Gary Busey and Jan Michael Vincent portrayed 3 very typical California surfers of the time, and it would be almost impossible to capture that spirit again.

"Big Wednesday" (1978) is a film that was made for baby boomers. Writer/director John Milius was born in 1944 and the material draws on a ten year span of his life from the early 1960's to the early 1970's. Aside from needing a span of time to qualify as a coming-of-age saga, it was hoped that the long time span would enable it to connect with the entire range of boomers (birth dates from 1945-1963). Almost anyone born during those years will find things in the film they relate to-even shadow boomers with just the second-hand exposure provided by their older siblings. Younger viewers should enjoy the spectacular surfing sequences and might find the other stuff an interesting history lesson. Milius is one of the so-called young auteur directors of the 70's (Coppola, Lucus, Spielberg, Scorsese, De Palma). Unlike the others he did very little after 1984, the year he released "Red Dawn", an embarrassingly moronic and histrionic right-wing propaganda film that alerted an unsuspecting world to his extremist political views. Hollywood insiders already knew about this and the Coen Brothers would use him as a model for John Goodman's character in "The Big Lebowski". But "Big Wednesday" is his masterpiece and it is unlikely that any other writer/director could have brought this story to the screen this effectively. Unfortunately its surfer subject matter did not draw many non-enthusiasts to the theatre; even though the film is a lot more than surfing, containing a very original universal message about the process of living and changing. Low box office led to a re-edit for pay- television, with the more philosophical content was taken out. The current DVD and VHS are of this shorter version, so if you saw the "Big Wednesday" during its theatrical release you will be somewhat disappointed. Structured like a four act play with each transition moving the action ahead a couple of years, "Big Wednesday" follows three young surfers in the LA area (Jan-Michael Vincent, William Katt and Gary Busey). Each plays a talented surfer with Vincent's character approaching legendary status. Surfing plays a big part in their lives (Bruce Surtees' cinematography provides some of the most stunning views of the sport you are likely to ever see) but much of the film takes place away from the beach; with scenes of parties, the military induction center, Tijuana, family life, and romance (a full range of what growing up in southern California was all about). Milius' treatment of surfing is reverential and sometimes even mystical, with a sweeping musical score and a local character (Bear) who is a kind of guru for the sport. In a scene cut from the television version Bear explains the origin and significance of the "Big Wednesday" title. Somehow Milius gets all this right and the film transcends what might have been a pretentious exercise in sport glorification. Milius pays homages to John Ford, initially with the appearance of Ford regular "Hank Worden" as the shopping cart man. Later you see Ford's "The Searchers" (1956) reflected in the relationship between Jack and Peggy, including a scene where Peggy cradles Jack's army uniform in the same manner Martha cradled Ethan's coat. A man and a woman who have had to subordinate their love for each other because of an overriding loyalty.The final scene is truly special as the three main characters manage a convergence for a final day of surfing together, a scene that recalls the freedom and awe of their teenage years, contrasting it with how removed they have gotten from this former way of life. Anyone who has had to choke back their emotions after a nostalgic rush reminds them of what they will never have again, will be moved my this wonderful sequence. Then again, what do I know? I'm only a child.