While some of the sketches have dated badly, and others lack the invention of the best, this is the only way to see a version of the 4 man theatrical revue 'Beyond the Fringe' which has got some inspired pieces of absurdity and satirical lunacy. A huge success in the early 60s, 'Fringe' had a major influence on Monty Python, and by extension much of modern comedy. A very young Peter Cook and Dudley Moore teamed up with leading British playwright and screenwriter to be Alan Bennett, and Jonathan Miller, who went on to, among other things, produce and direct some stunning versions of Shakespeare for the BBC. But here they playfully skewer many of societies sacred cows, with everything from a tremendously funny send up of Shakespeare, to Dudley Moore doing some amazing comic work at the piano, to a very, very funny interview piece with Moore interviewing Cook as a head of Scotland Yard about the Great Train Robbery. Cook is hysterical as the obviously incompetent official, and you can hear the kind of absurdist wordplay John Cleese or Graham Chapman would be doing as some officious character just a few years later. The DVD transfer of this black and white TV special is pretty awful, hard to see at times, clearly damaged at moments, sound levels all over, etc. But it's more than worth it for the brilliant wit on display, and the opportunity to see this piece of comedy history.

So after decades of reading about the comedy revue that jump-started the careers of the comic duo Peter Cook and Dudley Moore, I finally watched on DVD that revue that also featured Alan Bennett and Jonathan Miller: Beyond the Fringe. Not everything that was depicted in this now-legendary event was funny, in fact, many of the references to certain historical or cultural happenings were dated to me but there were still a few skits that were quite hilarious to me like the beginning one about America, "The Great Train Robbery" with Cook making it clear that it's not a reference to a train being stolen, another Cook sketch in which he's a coal miner who wanted to be a judge and who writes about nude women on the side, and then there's "One Leg Too Few" in which Cook interviews Moore jumping on one foot as he auditions for the role of Tarzan! That one I recognized immediately since I first watched this sketch on a rerun of "Saturday Night Live" that they hosted when I was a teen. Still quite hilarious to me. Also loved seeing Moore at the piano especially as he makes faces to us or when he performs a pretentious version of "The Colonel Bogey March". Bennett can be a bit droll here especially when he plays a vicar delivering a sermon about the part of a sardine can you can't reach into and Miller can occasionally amuse when he mugs furiously. So on that note, I'd recommend Beyond the Fringe for anyone who's into satire especially of the British kind.

Sketch comedy has a long history – beginning in this country with vaudeville and burlesque, and in England with the music hall ("vaudeville isn't dead; it just moved to England"). In the States, radio and television continued the earlier traditions because the people who first moved to the new mediums were old vaudevillians. The line is clear from vaudeville to Ernie Kovacs and Sid Caesar (among others) to Saturday Night Live, Mad TV, and their contemporaries and successors.In England, however, something happened in the middle of the last century that changed radically the course and character of the British comedy sketch. That "something" was "Beyond the Fringe". There the line travels to "At Last the 1948 Show" and its contemporaries, to Monty Python, and onward. Of course the mother country could scarcely fail to influence the colonies. After "The Kids in the Hall" influences tend to become confused and muddled. So today we will not move beyond "Beyond" – of which seminal production we luckily now have some wonderful remembrances in this recording of the final performance of the revue.The writers and stars – indeed, the entire cast – of Fringe were Alan Bennett, Peter Cook, Jonathan Miller, and Dudley Moore. They appear in this film uncannily resembling the Beatles at the start of their careers: wearing plain black suits. All of these talented gentlemen went on to considerable careers in stage and/or screen.Bennett has thus far written or co-written 27 films and appeared in 31. He is the author of the brilliant film (and its stage-play source), "The Madness of King George".Cook (deceased 1995) appeared in 44 films and wrote or co-wrote 17 – including the wonderful "Yellowbeard".Miller has been active in all facets of film, including direction of a number of Shakespeare's plays and production of a number of operas.Moore is the best-known of the quartet. He has appeared in roles in 49 films and TV series, and as himself in 58 others. He has composed 8 film scores, and so on. In Fringe his piano playing suggests talent of concert level, but the only way to be sure is to get his recording of the Grieg concerto.In a certain way Dudley Moore is the star of this show that really has no star. He performs some of its best material on the piano. His parody of Dame Clara Haskell (the Wanda Landowska of her day, but on the piano) is to die for – but it will be lost on today's audience, most of whom won't know who Landowska was, much less Haskell. In any event, it's a minor event and not the best piano-related gibe. Moore does satires of art songs, of which the finest is a direct hit on Schubert, "Die Flabbergast". The best item has no singing: a fantasia on the March from "Bridge on the River Kwai" in the style of Beethoven. Assuming Moore wrote the piece, his wit is as unerring as his pianism.Although Fringe had a core of material in more or less constant use, the show tended to mutate over time so that it consisted overall of about 40 or so segments. This version gives us 22 (+ 1 track that is not a sketch) . Among the best is "Aftermyth of War", a longish bit that has people reminiscing about WWII in an hilarious manner that must have seemed irreverent to the Brits, less than 20 years on. Of course, irreverence is the absolute hallmark of the best humor – and this revue is rife with it.Another hugely funny bit is "Sitting on the Bench", a monologue I've heard in other venues, and often known as "The Coal Miner's Tale". Here a coal miner bemoans his inability to pass the test to become a judge and had to take the coal miner's test instead. "There's only one question, 'What is your name?' I got 75% on that." Some of the best lines, such as the miner's rumination on the absence of falling coal in courtrooms, are missing here.At least one routine is not to be found on the DVD nor apparently on the available CDs. This concerns Britain being unable to use the U.S. Trident submarine and thus having no remote launch platforms for its nukes. One plan is to run at the Berlin Wall, put up ladders, climbing the ladders, and throwing the bombs over. But there are plenty of others, and the DVD is funny as the dickens.Cultural references being what they are, a good many viewers will find many of the sketches "dated". This means that they choose to blame the messengers instead of their own limitations in understanding the messages. Still, you needn't have lived through World War II to get some good laughs from "Aftermyth of War". And the good news is, there's 116 minutes of it.If you like this sort of thing, there's more on CD. The one to get is "Beyond the Fringe: Complete", which has 3 CDs. The others are single CDs, each of which offers a limited selection, mostly duplicating the DVD. The 3-CD set has 42 tracks, but there are some duplications so that the total of different ones is 38, including 14 not found on the DVD. Two sketches from the DVD aren't on the CDs ("T.E.Lawrence" and "Art Gallery Director"), so the total DVD + CDs = 40.Don't miss this opportunity to experience the great tap-root of the wonderful Pythons.

We saw a tape (in glorious Black and White) of the Closing Night of Beyond The Fringe (1964) at the New York Museum of Television and Radio. There was a remark in the Website that the full tape of this show is lost or erased but this tape was 2 hours long.Although the tape quality was not always good (especially the sound!) and the audience looked oddly wooden we so enjoyed seeing this. Dudley Moore was such a great Parodist and Musician. He does parodies of Brecht, Schubert and Britten (Britten's Little Miss Muffett was especially funny). How sad that both he and Peter Cook are now dead. We also enjoyed seeing Alan Bennett again doing his bit as the Vicar giving a long rambling sermon based on Ezra "My brother is a hairy man but I am a smooth man..." Was this once once broadcast on PBS?Could some industry executive PLEASE put this out on DVD as soon as possible!!! And while we're at it what about Bennett's Talking Heads? At present it is only available in the UK.