Most people know Lew Wallace's tale of Ben Hur mostly from the movie starring Charlton Heston, but there are other versions out there too, several of them considerably older. This one here may be the first and it was released shortly after the death of the aforementioned author almost 110 years ago. Unfortunately, if you don't know the story, you will have absolutely no clue what is going on. It is a black-and-white silent film and intertitles are basically non-existent here, which makes it impossible to understand the plot. This is also why I cannot recommend this one. There are films from the 19th century that are considerably better than this one and the only area where it sort-of delivers are the costumes I guess. Thumbs down. Don't watch.

It's true that watching this, the first version of Lew Wallace's monumental tome is a bit like watching one of those 5-minute condensed versions of the entire Star Wars saga acted out by enthusiastic amateurs in their mum and dad's back garden, but complaining about how amateurish it all is seems a bit churlish to me.Sidney Olcott, who like the rest of the film-making community, was still feeling his way back in 1907, would go on to better things, but it's clear that he still has no real idea of how to handle such a massive challenge. Panning shots and close-ups had already been found in films before 1907, but neither are to be found here, which is a shame because you get the feeling that the filmmakers here are trying to create a spectacle of sorts. Even then, they were starting to realise that audiences were growing more discerning and didn't want to see endless variations on the same theme every time they sat in front of a screen.To give the filmmakers credit, the sets are quite extravagant for the time. It's not exactly clear what's going on a lot of the time, even with titles explaining each piece of action that is about to take place, but a lot of the cast seem to spend a lot of their time raising their arms. Sometimes you can tell they're doing it on cue because every arm goes up at the same time. The big chariot race is something of a let-down: the camera focuses on the crowd (about 12 of them) while every now and then we see the occasional chariot go flashing past. You've got to wonder whether Olcott watched this in his later years and rued the opportunity that he missed.Incidentally, this film was the subject of a landmark legal case when the estate of the late Lew Wallace took Kalem Pictures, the makers of the film, to court for failing to get permission from the copyright holder to film the story. Kalem, I believe, claimed it was based on the stage play (which also boasted a live chariot race with the horses running on a treadmill), but to no avail...

Silly short silent is NOT "Ben-Hur". It's highlights from the book with cards filling in the (many) gaps. The sets are cardboard cut-outs (pretty obviously), ALL the acting is bad and the "direction" is virtually nonexistent. I suppose it's got some historical value as the very first version of the story but is totally lacking in entertainment value. See it for laughs only.

I saw the first (1907) Ben Hur about 25 years ago in a film society back to back double feature with the Charlton Heston version. My memories are therefore fragmentary.The film should be called "Illustrated scenes from the life of Ben Hur" as it really doesn't try to tell the story in the time available. If you hadn't read the book you wouldn't know what was going on. One of my recollections is my wife nudging me and saying "there's the tile that's going to fall". Above the rather pathetic and bored looking extras (showing off their knees in Roman army costume) one roof tile was very different from the rest - it wasn't painted onto the set!! Sure enough, Ben Hur leaned rather obviously on this brick.The chariot race sticks in my mind too. A bunch of extras starts jumping up and down and two chariots race by the camera. The extras calm down and look bored for a while then start jumping up and down for the next rapid pass of two chariots. I can't remember how many times this was repeated, we were all laughing so hard that tears were running down my face.It is mercifully short, and interesting to compare with the 1925 big budget spectacular (also silent of course) which foreshadows the third version with amazing special effects.