Copyright 1959 by 20th Century-Fox Film Corp. U.S. release and New York opening (at the Paramount): 17 November 1959. U.K. release: January 1960. Australian release: 18 February 1960. Sydney opening at the Regent. 11,057 feet. 123 minutes.SYNOPSIS: "A soap opera about a Cinderella from London who came to Hollywood and took care of a noisy drunk." — Gregory Peck.NOTES: By late 1959 CinemaScope's box-office lure had so dramatically declined that Fox's publicity department offered a choice of advertising blocks — with or without the CinemaScope logo!COMMENT: Gregory Peck is certainly uncomfortable in the role of F. Scott Fitzgerald and doesn't sink himself into the character at all. It's just Gregory Peck reading lines — and reading them very badly. And Eddie Albert bears as much resemblance to Robert Benchley as I do to W.C. Fields. And there's a distasteful caricature of Alice Faye (played by Karin Booth) which is obviously so untrue (Faye must have been barely half the age at the time), it makes one suspicious of all the rest of the scenes in the film — though certainly the bit about Mankiewicz firing Fitz from "Three Comrades" is true enough, except for the fact that Herbert Rudley doesn't look a bit like Mankiewicz! Half-asleep direction by Henry King doesn't help this movie either!

Deborah Kerr and Gregory Peck are Sheilah Graham and F. Scott Fitzgerald in "Beloved Infidel," based on Sheilah Graham's autobiography. 20th Century Fox gave this a big, glossy production, with Henry King as director.In the movie, Sheilah goes to the set of In Old Chicago with one "Mr. Harris" (Zanuck) and we see an actual scene from the film re-enacted. Graham has apparently criticized the actress Jane Pierce (Alice Faye) and Miss Pierce isn't happy to see her. In the cafeteria, there is a large photo of Shirley Temple, and next to her is Tyrone Power. Yes, we're at Fox, all right.Graham is an aspiring writer looking for work, and at a party, she meets F. Scott Fitzgerald, who has come out to Hollywood and is writing screenplays. The two fall in love. Zelda, Scott's wife, has been institutionalized by then, and his daughter Francis is in school. Fitzgerald needs the film work to pay his bills.History tells us that Fitzgerald was a big flop writing for movies; most of his work is uncredited or just not used. His glorious prose did not translate to the screen. In this version of his story, he starts drinking heavily after he is fired from the studio. In reality he had been an alcoholic since college. The alcohol temporarily breaks them up.Certainly one of the most fascinating people who ever lived is F. Scott Fitzgerald, and Sheilah Graham pulled herself up from nothing to become an important columnist. But neither of these people come off as especially fascinating or interesting.For me, Gregory Peck was miscast as Fitzgerald, whom I believe was, for one thing, much less robust, had a weaker character, and was probably drunk most of the time. Peck does as well as he can, but I think he was smart enough to know there was no way he could convey the personality of the real Fitzgerald. It wasn't in the script. Deborah Kerr, in my opinion, was an underrated actress, and she gives a marvelous performance here. But she probably wasn't playing Sheilah Graham.The script simply isn't specific or detailed enough to give us an idea of who these people really were.People have speculated how much of this story is true. Most of it - Fitzgerald did move to Hollywood, he did flop out in movies, he did fall for Sheilah Graham, they did live together, he did start to write The Last Tycoon; the incident toward the end of the movie at the theater did happen, and the end of the film was basically correct. As far as what they were both like -- you'll have to find another source for that.

Poor Zelda. Pity their poor daughter as well. With parents such as F. Scott Fitzgerald and Zelda, what was to happen to this young lady?Gregory Peck was weak in the opening scenes. I love the way he pronounced Sheila,stressing the second part of her name. His voice sounded so different for this film. It is when he is drunk in the film, he is at his absolute best. He is truly believable when he allows liquor to insult and almost end his tempestuous relationship with Kerr.We're dealing basically with 2 very insecure people. Sheila Graham, coming from a very poor background, acted like a prima dona in comparison. Fitzgerald could not deal with disappointment and failure.Eddie Albert's role is also complex here. For one, he acts by giving advice similar to his Burt McGuire in 1955's "I'll Cry Tomorrow." Yet, in the following scene, he wants Kerr to get a detective to stop Peck's apparent harassment. Interesting that Peck and Albert had appeared together in 1953's "Roman Holiday," and that Kerr was married to Philip Ober in 1953's "From Here to Eternity." He played Kerr's editor here.I loved the beach scene in this film when Kerr literally lets her hair down and confesses to Peck regarding her humble beginnings. As they stretched out on the beach, I thought we'd have a replay of "From Here to Eternity." Debbie, you loved the beach, didn't you?

This film purports to be about the last years of F. Scott Fitzgerald and his life with his paramour Sheila Graham as seen through the eyes of Ms. Graham. Sorry, wrong number! Obviously, Ms. Graham remembers through rose colored glasses. Granted, she was there and we were not but this is a very sanitized version of life with a hopeless alcoholic, has-been. Fitzgerald was the darling of the jazz age who, with his unstable wife Zelda, ran rampant through life with a joy for living which set a standard for the time. But he dried up artistically, Zelda was committed to an institution and he took to the bottle with a vengeance. The film begins when he is on his last legs, trying to make it in Hollywood as a screen writer and having an affair with Ms. Graham, a Hollywood gossip columnist. Gregory Peck is just not believable as Fitzgerald. He is not gritty enough, not desperate enough and is just.....well, he is just Gregory Peck, not F. Scott Fitzgerald. Deborah Kerr is so wrong for this part that it is ludicrous. It appears that she was chosen for the role because she had an English accent as did Ms. Graham. Sheila Graham was a kick-ass opportunist (which she had to be to make it in the business) and Kerr is much too genteel and ladylike. I'm sure Ms. Graham loved her man and that her memories (at least some of them) were romantic and wonderful but it is just all too good to be true. Fitzgerald's last days are well known enough to make this film a saccharin fairy tale.