How does a slasher killer achieve his or her fame? What are the steps and rituals that must be adhered to? Why would they want to enter into a life of killing and being killed? And once you've been selected as their Final Girl, is there any way to break the cycle? These questions and more are raised and answered by this mockumentary. Taylor Gentry (Angela Goethals, Home Alone) and her two cameramen, Doug and Todd, have been allowed to document Leslie Vernon as he prepares to become a slasher killer. He already has his backstory prepared - he's based it on an urban legend of a boy who killed his family and was drowned by an angry mob.Vernon isn't even his real last name - it's Mancuso in a nod to Friday the 13th producer Frank Mancuso, Jr. He doesn't have any powers. But what he does have is a devotion to the methods, preparation and rituals needed to be a perfect killer.At first, the crew is totally behind Leslie, but as time goes on, the idea of luring teenagers to an abandoned house and killing them one by one seems morally wrong. They try to talk him out of it, but he will not be swayed. Kelly, his Final Girl, will define herself by facing him. However, she is anything but a virgin and has none of the qualities that make up this character archetype. And even more surprisingly, she quickly is killed.That's when Taylor realizes that she was the Final Girl all along and is as trapped by the plot as Leslie is. She is the last one alive and must kill him in the exact way he had planned, burning down a shed to stop him. However, throughout the film, we also learned that Leslie had been practicing playing dead and had flame-retardant gel all over his clothes. Is it a surprise when he sits up, very much alive on an autopsy table over the end credits?There are so many Easter Eggs in the film, from the car Sam Raimi uses in every one of his films to the Rabbit in Red Lounge, a Lament Configuration box, the song "Midnight, The Stars and You" from The Shining and the jump rope girls from A Nightmare on Elm Street. Genre vets Zelda Rubenstein and Kane Hodder turn up, as does Robert Englund as Doc Halloran, who is very much based on Dr. Loomis from Halloween. And Scott Wilson (The Ninth Configuration) plays Eugene, Leslie's mentor, who is really Billy from Black Christmas.It took me some time to get into this film. Leslie comes off like such a ridiculous Ryan Reynolds type at first and it seemed too goofy, but I'm glad I stuck with it, as it becomes a pretty enjoyable movie by the end.

Behind the Mask: Directed by Scott Glosserman and written by Scott Glosserman and David J Stieve.This is a movie that I have heard about for years singing its praises and it peaked my interest. I never took the time to actually watch it. I finally broke down and watched the film. Boy am I glad I did. This is a delight. This is a mockumentary that also works as a legit slasher film. It switches back and forth between the mockumentary and an atmospheric slasher film. This movie is really funny first and foremost. It's funny just all by itself. It's even more funny if you're familiar with horror slasher films. It takes place in a world where Freddy, Jason and Michael Myers are real and operate unhinged from the police. Leslie wants to model himself after them and so he goes about training for his night to make his legend alongside his heroes. A journalism student in an attempt to make a name for herself follows him along with her crew. It takes you through the ropes of him setting up a realistic way of doing slasher scenes. It shows you his mentor.But the movie moves past the jokes and takes you into the slasher world itself. The jovial, fun loving Leslie becomes slasher movie villain Leslie who flips around and has a terrifying demeanor. It plays with convention and it brings a smile to this horror fan's face. I would highly recommend this movie to anyone. Just a good movie to watch and enjoy. I give this film a B.

BEHIND THE MASK: THE RISE OF LESLIE VERNON is a nicely-judged slasher spoof with a modern spin. It's a found footage flick for the most part, following a documentary TV crew around as they interview a notorious serial killer as he goes about his business. From the outset, it's obvious that this film was made with a love of the 1980s slasher genre as there are references to all the greats of the genre and they even get incorporated into the story at times. The film's subtext is where the interest lies, gently spoofing and referencing the rules of the genre a la SCREAM. It's not quite as funny or successful as the Wes Craven hit, but the more you like slasher films, the more you'll enjoy this. The unknown cast do well with their roles and there are some fine cameos from genre players Scott Wilson (pre-Herschel), Robert Englund playing the good guy for a change, and the wonderful Zelda Rubinstein of POLTERGEIST fame.

Now this movie has quite a lot of tricks up it's sleeve. First of all it is darkly humored, second: it's scary scenes has layers more deeply disturbing and strangely moving. Third: It contains the kind of serial killer seen in films like "Silence of the lambs" and the novel "Red Dragon". Leslie is kind of a sad creation who wants to be somebody ( instead of a real nobody ....). Now actor playing Leslie has a lot of interesting layers and he succeeds in making all of them credible. Actually his last line sums of his whole magnificent performance but this is all really due to first of all the tight script and the firm direction and of cause his costars in particular the girl playing the journalist who is fascinated and disturbed by Leslie's actions. She has a superb moment when she realises that Leslie is smarter that she first realised...So, so, so: If you want the ordinary, dumb, effectsridden slasher, look somewhere else, but if you're looking for something truly original within the horror genre, something that will keep you guessing and on the edge of the seat for all the right reasons..THIS IS IT...ENYOY!