Why the rating is so poor when "sex" is a positive religion. No mind thinks twice while sex, what is caste, religion, rich and poor. In my guess, all the reviews were based on Pakistan, these days India has hostile relation with Pakistan. The movie reflects the present situation of women in society, they face sexual harassment in every step. One scene makes my sight so cruel when the old woman and young girl stripped her dress.

Really hard to find such movie now a days, which can portray subject so beautifully ..Movie have successfully and strongly passed message to its audience. Its one of the best movie because..1) Unique story - during independence, where bureaucrats, politician, officers were busy in drawing the partition line, and public were busy in killing their own people in the name of religion. One brothel which somehow going through this line of partition stood up, and didn't allow to demolish it as long as they were alive.. 2) True mirror of society - People who do Hindu, Muslim, upper cast,lower cast, temple, mosque, they do visit brothel.. and do not give a damn.. if a prostitute belongs to a specific religion or cast.. In India.. not many such brothels exists openly.. but type of people shown in movie still exists in same way and are in majority.3 ) People playing social activist , have real face in background, looking for a chance.. to fetch a girl and sell outside... Police, bureaucrats & officers ..are regular visitor for gray market business.. but they enjoy as a free service... Same is happening now .. probably less in brothels..but for rest of the black business also. 4) These prostitutes , neither they were patriotic or religious, were staying in brothel as their own country.. with all freedom inside, and love and respect for each other, and great self esteem.. they died together to protect each other.. and to save their brothel... and outer world.. white color people.. fighting and killing each other for pity matters 5) Each actor have played their role best.. Vidya Balan was in her best.. many dialogues and scenes are mind blowing.. and will be remembered for long time.. 6) I salute and thank its director, producers and actors and all involved for creating such great movies...of course it will not be liked by many.. who want to see their own ugly face in mirror..

Begum Jaan is a film by Srijit Mukherji, which is a remake of his own Bengali film Rajkahini (2015). The film delves into one of the darkest phases of the partition of our country. The film does mention the tragedies which happened on either side of the border. Radcliffe Line is to be erected as the boundary between the newly formed nations of India and Pakistan. The officials face a challenge when they find a brothel which needs to be demolished to draw this boundary. Begum Jaan takes us through the journey of those 11 women and 2 men, the inhabitants of the brothel and the fights they put up for their rights to live in their house. Rajkahini is certainly more intense in comparison to Begum Jaan, but this film can't be just ignored or written off.The film begins with the narrative of Amitabh Bachchan. The opening scene in this Hindi version is different in comparison to that of Bengali version. When a scene from Manto's book of gang rape of a girl during partition times form the opening scene of Rajkahini, eve teasing and efforts to molest a girl in a bus in the year 2016, decades after independence, becomes the opening scene of Begum Jaan. Is this to tell the audience that years have gone by, certain things still remain the same – women becoming the victim of men's lust. Begum Jaan does focus on women's fight against many elements of our society: patriarchal system, the social stigma attached to sex workers, the hypocritical men and their double standards, the right to live, concepts of secularism etc. With the opening and closing scene of Begum Jaan, Srijit does talk about hard-hitting reality that even after decades of partition and independence, the fight against social injustice is not over. Begum Jaan does force us to question and rethink about our past as well as present. Begum Jaan (Vidya Balan) is the owner of a brothel, which has 13 inhabitants – 11 women and 2 men. Salim (Sumit Nijhawan) and Sujit (Pitobash Tripathy) are the two men in the brothel, Begum's bodyguard and caretaker respectively. Amma (Ila Arun) is the senior most person in the brothel, who keeps sharing stories of empowered females to Laadli (Gracy Goswai) who created history and left their mark in the world viz. Rani Lakshmi Bai, Meera, Raziya Sultan, Rani Padmavati etc. It does become part of plot development. Rest of the inhabitants are Rubina (Gauhar Khan), Gulabo (Pallavi Sharda), Jameela (Priyanka Setia), Amba (Ridheema Tiwary), Maina (Flora Saini), Lata (Raviza Chauahan), Rani (Poonam Rajput), Mishti aka Indrani Chakraborty (Shabnam). Master and Party worker (Vivek Mushran) is a regular visitor to the brothel and keeps showering them with gifts. These women are all victims of abuse, violence, rape and these traumas become the connecting thread amongst them. All they have is their togetherness. Freedom means nothing for Begum Jaan.The officials chosen for execution of border construction from either side are Iliyas (Rajit Kapoor) and Harshvardhan (Ashish Vidyarthi). Through their characters, many intricate facts are conveyed, be it the relationship getting sour between childhood friends, plight / ordeal of people on either side of the border etc. There are shots where only half of their faces are shown on screen – a metaphor of aftermath of partition, how incomplete people might have felt losing their possessions, family in spite of freedom being restored.Other characters Raja Ji (Naseerudin Shah), Inspector Shyam (Rajesh Sharma) and Kabir (Chunky Pandey) become an important part of the film.Feisty Begum Jaan and other inhabitants of the brothel are not ready to pay heed to notices issued to her to vacate 'Kotha'. They are very loud and clear that it is their house. How they all put up brave fight forms the rest of the story. There are many dialogues in the film which hits one hard. Music is also good.Srijit through his film Begum Jaan does talk about hard-hitting reality that even after decades of partition and independence, the fight against social injustice is not over. Rajkahini, the original version, is certainly more intense in comparison to Begum Jaan, but this film can't be just ignored or written off.

Visually, Begum Jaan is a beautiful movie. Shot almost entirely in an old haveli in Jharkhand that lends it a real period flavor, the movie has great locales. In my mind, that's a major plus point since these days movies seem to shot mostly in touristy locales outside India (usually as part of a promotional effort by the country's tourist board). The other great thing about this movie is its ensemble cast. Such a pleasure to watch stalwarts Naseeruddin Shah, Ila Arun, Ashish Vidyarthi, Vivek Mushran, Chunkey Pandey and Ranjit Kappor again after all this time. They've all changed so much, but are still very watchable in this film. Begum Jaan has a story that makes for melodrama and the director hasn't tried to steer away from it. It's over the top in places, but hey, if you're telling a story of prostitutes caught up in the partition saga, it's allowed. I went to see it on a Thursday, the last day before it made way for new releases, and the hall was fairly full. Encouraging. Hope we get more movies like this in the future.