Sergeant Tong Fei is a Hong Kong police officer and, as the story starts, he and his team are planning to arrest a senior gangster, Cheung Yat-tung. Unfortunately Cheung manages to escape; Tong and his colleague Sun give chase but it ends in tragedy; there is a car crash after which Cheung and his men steal a woman's car, Tong opens fire and the car crashes. When he gets to the car he finds Cheung seriously injured and blood dripping from the boot; he opens it and sees that there is a young girl inside… mortally wounded by the shots he fired into the car.A few months later Cheung wakes from his coma and the chief prosecutor wants him to be tried as soon as possible. There is a complication though; the woman's whose daughter was killed is the lawyer who will be leading the prosecution and Cheung has ordered the kidnap of her other daughter to force her to destroy the one piece of conclusive evidence against him. She is told not to tell the police but Tong was present when the girl was snatched so determines to save her before she is seriously harmed.When I picked up this film I knew almost nothing about it, just the blurb on the back of the DVD box, so assumed it might be exciting over-the-top action like many of the Hong Kong cop films I'd seen before… it does have plenty of moments of excitement and is very tense for most of its run-time but if you are expecting to see our hero dealing with hordes of bad guys you might be disappointed… if however you like the idea of a hero who is mostly acting alone searching for a single foe interesting then this might be the film for you. Nicholas Tse does a fine job as Tong and Nick Cheung impresses as his target; the killer hired by Cheung to kidnap the girl. This character could easily have been a pantomime villain but his back story, which we don't fully learn about till the end, makes him more human. The action scenes are pretty good; especially the car crash which is top notch. If this was a Hollywood film I'd have been sure that the kidnapped girl would be rescued but here I wasn't so sure and more than once thought something really bad could happen to her… this concern made things incredibly tense at times. Overall I'd certainly recommend this to anybody wanting a good tense cop-thriller.These comments are based on watching the film in Cantonese with English subtitles.

Tough cop Tong Fei (Nicholas Tse) seeks redemption for his accidental shooting of a little girl by trying to rescue her sister Ling (Suet-yin Wong) from the clutches of a desperate kidnapper/killer for hire (Nick Cheung).Dante Lam's crime thriller Beast Stalker offers up some superbly handled sequences, including an exciting car chase that culminates in a show-stopper of a slow-motion crash, several effective emotionally wrought scenes, and a real nail-biter of a finale. The characters are well drawn, with both cop and killer presented as real people rather than two dimensional caricatures.But as commendable as all of this is, I couldn't help but feel a little disappointed by the plot, which does little to elevate itself from countless other HK cop thrillers—I have the feeling that as much as I liked the film as it unfolded, it won't be long before I will have forgotten all about it. Lam's use of shaky cam can also get a little irritating at times, and the twist at the end (which reveals cop and killer to have crossed paths years before) is extremely contrived.

Another film that I enjoyed on the whole but couldn't help thinking that it was a great film hidden inside a lesser one. It's not only Hollywood films which suffer from excessive lengths and this could have been tauter and more exciting with some judicious editing.I found the car chase immensely frustrating. To start, the actual chase was very badly done with evidence of speeded up film and very close camera shots to hide how few cars and real situations were involved. But then we have one of the most spectacular crashes I have ever seen on film just in terms of the angles and details which you normally miss in high speed crashes. It really was an object lesson in how to film a crash. The crash also becomes central in that it is seen through different people's eyes as the film progresses rather in the manner of Pulp Fiction and the construction of the film around this event is handled very cleverly.The film also suffered excessively from Shaky Cam, often used for no discernible point and to bad effect. There's nothing wrong with Shaky Cam per se – it was used to great effect in the Bourne films for instance but don't do it for the sake of it or because everyone else does it.However, despite these faults, this is a well acted, well written and beautifully designed piece of cinema which is well worth your time seeing. I am always happy to see a film in which actions have consequences and this shows it very well indeed.

Tagline: Dante Lam is back in form… Review by Neo: Ever since directing Beast Cop, Dante Lam seems to have gone brainless, but with exactly a decade onwards, Lam is finally delivering in Beast Stalker. Although the material does not bombard anything about freshness, there is no reason to be negative, as there are plenty of moments of reasonable excitement to make it one of the better lights of 2008 HK Cinema. While Beast Stalker is by all means dark, it is also lighter than Beast Cops, especially when taken into account of the somewhat redeeming finale. A good film by all means, but on the scale of Lam's best efforts (Neo mentioning Beast Cop for X number of times), it pales. Luckily, the above is more of a positive comment than negative, as any film worthy of comparison with the aforementioned flick cannot be too bad.Even the current reviewer is annoyed by how many times, Neo have somewhat mentioned the word, Beast Cop. For god sake, this is not a promotional fest of former great movies, but rather looking at the future of HK cinema, with a view of the past. Years, ago back in Tiramisu, Nicholas Tse portrayed himself as a somewhat capable actor and from there, he has gone from worst to bad. Luckily, Tse has finally come of age and the result is showing in a somewhat pleasing display of serious acting chops. Still, there are a lot of cons that would require mentioning, like moments of Tse being angry or frustrated comes of more laughable than convincing. Without being a pessimist there is a lot to cheer about Tse's latest display and Neo can safely claim it as one of his best display since Goddess of Mercy.There is no question that Nick Cheung is one heck of an actor and his steer away from comedy is certainly one of the best career moves for Cheung. It has been noted, that Neo first realise his potential as a serious actor way back in 1998, when he was actively involved in TVB. His role as a good guy turned villain was menacing and in recent years, Cheung has shown that Neo was right about him. Here, his villainous turn is by no means the typical carbon copy, but rather multi-dimensional and the result is menacing, interesting and absolutely captivating. Cheung has come a long way and perhaps award recognition is just around the corner.There is a saying when all actors are in their best form, the film usually works. Well, to be honest, there is no such saying, but it does rings quite true. Luckily, good things usually come in three and surely one of the better actresses in recent years, Zhang Jing Chu (The Protégé), can do no wrong. After Neo acclaiming her as Best Actress for her immensely scene stealing role as a junkie mother in Protégé, Zhang does not disappoint and she handles her role with ease, While by no means on the same class as her performance in Protégé, it is still more than adequate enough to allow the audience to relate to her character. An actress to watch in years to come and the scene when she realise she has indirectly caused the death of her own child is just captivating to endure.Director Dante Lam loves brutal straight forward, fist to fist fights and he makes good use of this to further enhance the realism of the work. Beast Stalker works because; Dante Lam tries hard to focus on the characters and allows them to flourish. All in all, Beast Stalker is suitably dark, filled with three capable performances and a redeeming finale to round it out. While it is true that the film falls short of reaching the dazzling heights in Beast Cop, it is great news to announce that director Lam is back to what he does best and finally approaching the sort of form that seem to have eluded from his wane, for the last decade. Basically, cutting all the above crap, it really just requires the following line: a film that Neo recommends viewing … (Neo 2009) I rate it 8/10www.thehkneo.com