To all those who lashed out at the film here: yes, the film gives sometimes the impression of being a bit pretentious, but whoever comes with such harsh criticism should also provide his own scale of values. So what is yours? What do you consider to be a really good film? OK, I understand, their should be 10 lines of text, and some egos need a place to show off, but frankly, who cares? The further one goes into details, scrutinizing it, the more looses the good impression that the film leavesIn these times, when the world is invaded by Avatars, even this sentimental film is an achievement.dixi

Regarding 'Battle of the Brave', (for Francophone audiences; 'Nouvelle-France'), I fully understand the numerous comments concerning the film's lack of depicting Québec's most decisive battle between French & English forces on the Plains of Abraham, in close proximity to the fortress stone walls of Québec City, set during the French & Indian War in 1759.Half way through this picture I too wondered if the epic Canadian battle, which in effect greatly contributed to forever ending France's Canadian portion of her overseas empire of 'New France', as well as her vast American geographic holdings. The images of the great battle were depicted so quickly, due to drastic, misguided editing, which in retrospect was a major blunder, but then again, this film does have very redeeming & colourful period qualities, plus its core impassioned, adventurous essence throughout its entirety.Saying all that, if we view this story as what I real believe was the intended depiction, a romantic drama with a few comical overtones, yet very emotional & riveting love story involving the heart and soul of French Québec, the combination of the native Indians and the working French contrasted by the upper crust French set in the final days of the French and Indian wars, then this is a fine movie. The orchestral suite, coupled with the concluding song.For French speaking audiences, especially Québec's Québécois viewers, this climatic French love story, set during the final era of French control over the Provence of Québec as the historical background, really has a heart felt, far greater significance since the root of this story is their own ongoing history.This movie has a wonderful international cast, staring Noémie Godin-Vigneau as 'Marie-Loup Carignan', who was born in Hull, Québec.David La Haye, from Montréal, gets second billing as 'François le Gardeur', the freedom loving, patriotic lover of 'Marie-Loup'. François continues to seek justice for the people of 'Nouvelle-France' from the greedy French overlords. He is one of the real heroes of this picture.Another Québec native, Juliette Gosselin perfectly portrays the 10 year old France Carignan. Juliette has a great acting future! The back stabbing abuser of Marie-Loup is viciously portrayed by Sébastien Huberdeau, yet another rising star from Québec. This is one rat which is easy to despise. Real fine acting! The beautiful, dark-haired Swiss/French actress, Irène Jacob is the alluring, well kept, Angélique de Roquebrune. Prior to 'Battle of The Brave' a few of the movies Irène Jacob's played major roles included; 'U.S. Marshals', 'Incognito', 'Londinium', 'Letter from an Unknown Woman' & 'Spy Games'.The accomplished seasoned French actor Gérard Depardieu (Châteauroux, France) plays a rather torn Catholic priest, 'Le curé Thomas Blondeau' who attempts to do the right thing, however his guidance does not always assist the realities he tries to minister to. Some of Monsieur Depardieu's more recent films include 'Bon Voyage', Olé!, 'Last Holiday', Quand j'étais chanteur, & Boudu, plus this very busy actor has no less then ten other movies in the works, due for release in late 2007 and during 2008, including 'Public Enemy #1'(Ennemi public n° 1, L')as second billing 'Guido' which is the story of Jacques Mesrine, France's public enemy No. 1 during the 1970s. 'Disco' is another new movie which Gérard Depardieu got the leading role as 'François Jackson'.The rest of the cast is also excellent even if their parts are relatively brief such as Tim Roth as England's William Pitt able young politician and toward the conclusion of the American revolution he would serve as Prime Minister until his death in 1894. Jason Isaacs plays the stubbornly ultra-snooty British General James Wolfe, who in 'real' history dies of his wounds during the British victory on the Plains of Abraham against the very capable French commander of 'Nouvelle-France' General & Marquis de Montcalm who also dies in the same monumental battle, which is not shown in this movie. Even Benjamin Franklin (Colm Meaney) shows up serving as the official American colonial representative to the English Crown.The memorable, harmonious musical theme is done by noted Scottish composer Patrick Doyle, who also scored 'Gosford Park', 'Donnie Brasco','Great Expectations' & 'Carlito's Way' among other movie scores. At the conclusion of Battle of the Brave, Céline Dion's incredible moving voice sings a beautiful ending rendition of Mr. Doyle's very nice score.Please watch this film for what it is intended to be, a throughly well casted, dramatic, romantic period piece, with little touches of humour, shown in visually splendid cinematography, coupled with extremely well done mid-1700s French, English & Canadian Indian attire, especially the stark contrasts in clothing, contingent on ones particular economic class throughout this entire movie.The interiors of the early Canadian settlers are modest but functional houses, compared with the incredibly crème de la crème of French Canada's upper crust, and those shown in France along with British governmental & military cultured aristocracy.Although there are some acts of war shown in this movie, the real battles are the love-hate relationships. The title does tend to mislead people.

Much can usually be forgiven in period pieces that ask us to recall important historical events and spice them with enough love interest to keep the story going. BATTLE OF THE BRAVE tackles the 18th Century struggle for the control of Quebec (an all of Canada) between the British and the French with sidebars form the new America. It has the makings of a sweeping epic of fascination, but sadly in the hands of writer Pierre Billon (whose script deserves a Razzie award for worst of the season) and the scattered, unfocused, and confusing direction by Jean Beaudin this film is a dud - a two and a quarter hour tedious mess of a film.Even a cast a fine actors - pairing Noémie Godin-Vigneau as Marie-Loup Carignan with David La Haye as François le Gardeur, adding the lovely Bianca Gervais as Acoona , the venerable Gérard Depardieu as Le curé Thomas Blondeau, and the likes of Irène Jacob, Vincent Perez (ridiculous in period wigs), Tim Roth as William Pitt, Colm Meaney as Benjamin Franklin, and Jason Isaacs as Général James Wolfe - doesn't help. Veteran actors such as these must have cringed at the crude lines written for their characters! Cover the whole mess in a sappy musical score by Patrick Doyle and the result is a long film to be avoided. Sad to say such bad things about a costly project, but be warned....Grady Harp

This is the one major problem with this film, along with a good deal of québecois' biggest movies: Done in a pretentious way by pretentious people.It's really sad, but "big shots" movie makers (driving Dodge Stratus...) from this province believes They Got the Thruth, They Know What the Little People Like.We're not a rich province, every time a big movie like this (30 millions?!!?) is made, it's cutting off a lot of others who won't see their movie made because of lack of governmental help. So it generates mediocrity; only movies from "friends of the family" are going to be made.I sound angry and I am. I went see Nouvelle-France expecting a journey in the lives of my ancestors, but i found myself stuck in a pool of inconsistencies: french accent (we gotta please our cousins, so f*** our québecois' language)and lack of historical research is only a few. Add a campy love story and the same music score playing again and again and dumb québecois' viewer is gonna open up and ask for more. I'm glad this pretentious piece of s*** didn't do as planned by the Dodge stratus Big Shots... It's gonna help movie makers who aren't in the very restrained "movie business" of Québec.Rent Cruising Bar instead and have a real good time.PS: I'll never forgive them for ruining such an awesome title.