BAT WITHOUT WINGS is another convoluted tale from Shaw director Chor Yuen, very similar in terms of story to his other movies for the studio with one exception: the titular character. He's an anti-superhero of sorts, a crazed rapist who dons face paint to dress up as a member of KISS before going on a rampage of destruction. The heroic characters in the film proceed to track him down and try to figure out his identity, while being stalled by the usual complexities of the martial world, with various rivalry and treachery getting in the way. As is usual for a Chor Yuen film, the exemplary ensemble cast make it worth watching, although it does feel a bit tired plot-wise. Derek Yee is the erstwhile hero, backed up by a villainous Yuen Wah, a cameoing Jason Pai Piao, Chan Shen as a hellish fighter, Ku Feng as the title character, and Ai Fei and Ching Li in support.

Oddball marital arts film about a demon-like rapist who sports make-up that's almost an exact replica of Gene Simmons Kiss make-up. Despite the bizarreness of that, this was a pretty good martial arts fantasy film which features a lot of atmosphere and better than average storytelling. There's lots of swordplay, comedy, mystery, melodrama, and searches for secret scrolls. It's gonzo entertainment, but it's quite entertaining. I only wish the filmmakers has excised the rape elements, which did not seem necessary.

Excellent sets are about the only thing going for this confused bit of absurdity. Aside from looking like a typical Yuen Chor production, lighting, sets, costumes, extravagant fight scenes, there's little to recommend. The story is full of holes and aside from the ridiculous appearance of the Bat (he looks almost exactly like Gene Simmons in KISS make-up) the result is unsatisfying. The effects department went out of their way to make sure the gory parts looked as stupid as possible. The Bat kidnaps and dismembers a woman and sends her body parts home. It's so clearly a store mannequin taken apart you can see the seams! Later when the heroes are fighting a gang around a toxic pond, you can see that blood is painted on the extras BEFORE they fall in the poisoned water which is supposed to make them bleed. When the end happens you'll think back and says, "Wait a minute, this doesn't all add up!"Skip it.

This is an uneven but entertaining wuxia pian film from the great director Chu Yuan ("Killer Clans," "The Magic Blade"). The title refers to the film's villain, a legendary and seemingly super-powered bandit/rapist who can swoop through the air and slay an entire group of swordsmen in less time than it takes to recount this movie's incredibly twisty plot. The so-called "Bat Without Wings," whose face is covered in makeup that would make Gene Simmons envious, was supposedly slain five years ago, but now a new killer has suddenly appeared claiming to be the infamous "Bat" himself.A benevolent swordsman (played by Derek Yee Tung-sing) teams up with the father and the fiancé of a woman who was abducted and brutally slain by the "Bat" (Ku Feng). Together they track down the mysterious killer, but, as in most films of this type, they soon discover that things are far from how they initially appeared.The movie has elements of melodrama, comedy, action, horror, mystery, and just about anything else you can think of. In fact, the movie's biggest problem is that there's so much plot to wade through and so many characters to keep track of (it seems like a new character is introduced almost every five minutes) that it's difficult to get emotionally involved in the proceedings because the players are mostly rendered in shorthand and come across as mere puppets to the convoluted plot mechanics. Yee is earnest in the lead, but there's not much substance to his character beyond his good will and his expert sword-fighting skills.For those familiar with Chu Yuan's movies, there's little here storywise that feels particularly fresh or original, save for the outlandish title character and some gruesome horror elements (a headless woman), but the film moves at a fairly quick pace and there are some decent action sequences. As usual, Chu's direction is stylish and makes fine use of the colorful studio sets. Some story elements are a bit cheesy and suggest that this movie is not to be taken as seriously as some of Chu's more dramatically compelling ventures.