I was a fan of Luc Besson since 1997, when I saw "Léon". And since I saw that movie, I scoured every video store looking for his films. Some were easy to find (The Fifth Element and Nikita were broadcasted), some weren't ("Subway" and "The Big Blue" had to be imported). Atlantis was the kind of movie I never expected to get my hands on. So you can see what I looked like when a German site had the video on stock. I waited two long months, expecting to see that movie I always wanted to see. When the movie finally arrived, I turned off all the lights, covered the led of the video, covered the little light of the TV and sat in my room with the stereo real loud. And the movie was a child-like dream. I heard many people saying it was a failure, I heard many people saying it was boring... It's all lies. I can't describe the movie by writing what I thought of it. It's difficult to talk about a movie which doesn't talk to the ears but directly to the heart. Here we have the impression that there is another planet... down there. Like in the snake scene. She moves like the snakes do, but the water is so clear that it seems like she and the others around her are floating in a aetherium. And the impression I got during the movie was that sometimes we just have to open ourselves to the sheer experiences of life and let go. This movie plays in our minds like a beautiful dream, and there are few movies that can do it. The love of the director by the ocean has never been so clear. And by making this movie, he somewhat passes on his message and makes us love the ocean also. Full praise to this work of art! Besson never stopped amazing...

The photography was spectacular. This is much better seen on a large screen. The mating scenes between seals reminded me of humans, and dugongs eating a cabbage like substance was remarkably human-like too. A turtle swimming underwater looks like a bird flying through air, and the camera angles circling animals are great. Shark frenzies and teeth are shown close up. Unlike the other viewers, I thought perhaps this was not long enough, though near the beginning I had several concentration lapses (even the second time I watched it). The camera technique is better than David Attenborough's shows, and the last two scenes are some of the best in the film. Some scenes are slow-motion (the waves) and some are sped up (the seal family) but it seems to suit the atmosphere and it's hard to tell.The panning over coral (the Great Barrier Reef) really reminds me of Koyaanisqatsi, and overall it's great and better than Microcosmos. A 10 just for photography.

In the mid-1980's I spent my youth at the Palace of dreams, Valhalla. A classic art deco independent cinema in the suburb of Glebe, Sydney Australia. The doors close in late February 1999, so I decided to pay my respects and dragged the children to see this underwater visual delight. A homage to the sea creatures of the universe with no occurring theme, only stunning images and a few humorous moments from the cheeky Besson. Serra's music works a treat here. Maybe twenty minutes too long.

Watching this on a big screen one realizes how much effort must go into the "Life on Earth" and subsequent TV documentaries. This looks really mundane and unimpressive, even with the benefits of the cinematic experience. Maybe my expectations were too high, but if it had run another 30 min. I would have been asleep before the credits. There is about 15 min. of impressive footage of sharks and dugongs, but most of the rest is really repetitive and no better than a hundred other underwater wildlife documentaries.