a Nikita Mikhalkov. with each of elements who defines his work - humor, heroism, sacrifice, justice, melancholic crumbs. a kind of Eastern on the young Soviet Union construction. but out of political circle. because it is only a story. about duty, trust, friendship and profound truth. and not that bricks are fundamental but the manner to present it. with subtle irony, delicacy and a fine Russian style. a film about justice and a hero with has not ambition to be more than a common man. an interesting performance and few splendid images. and special atmosphere. is it enough ? is it too much ? it is just a pure Mikhalkov movie. ant this fact is only essential.

An easy-going movie that mixes black-and-white cinematography with the colour one and comedy elements with high-power drama. The only thing I feel sorry for in this film is the absence of widescreen. The film would be so much better visually in widescreen.The scenes which represent Brylov's dreaming are quite funny and strange. Brylov's manners are ridiculous and weird too: he looks like a man out of this world, a loony criminal with "refined taste".I cannot compare it to any other movie. It's done in a very unique way (hectic bizarre clipping, grainy picture mixed with fine colour scheme, freaking behaviour of the baddies and goodies, deep adult emotions flavoured by some childish spontaneity all through the film, erratic close-ups of the characters blended into the picturesque shots of wide valleys, etc.). "Beloe solntse pustyni" (1970) was completely different and to say the truth I never liked it much. As to this one, it's the only Nikita Mikhalkov's movie I really enjoy.It's a festival of human emotions without unnecessary scenes (sex, bloody brawls, endless gunfighting) so frequent in action cinema. An action film can be like this: humane, captivating, tough, and emotional. Even a small child can see it and enjoy, learning a lesson or two about life...If only it were in widescreen... Still, 10 out of 10. Thanks for attention.

There are very few films about this time in Russia - 1917 - 1922, which have no clear propaganda smack. This film, albeit made in the stuffy Soviet times 30 years ago, still sounds and looks so fresh and well. Nikita Mikhalkov managed to create a deeply adventurous and excellently tight atmosphere of a Western, but in a Russian soil. The plot is nice - after the main battles of the war, there are many regions which suffer hunger and famine. The local Soviet committee decided to send some gold to buy bread for those people. The secret group of undefeated former monarchists, so-called The White Gueard, attacks the train with this gold and kills all the people who had it. Thus, the film starts to get more and more thrilling. The main hero, a Comissar Shilov, played by the late lamented Yuri Bogatyrev, is indicted falsely for this assault, he escapes the shooting and starts his own investigation. Slowly, he gets into a gang of mountain bandits who rob the trains and there he comes across one of the White officers, played by also untimely demised Aleksnader Kaydanowski, who has the gold. You really must watch this brilliant film which is full of war romanticism, heroism and true feelings. It has none of the false patriotism or propaganda. Real must have!

One of the best Nikita Mikhalkov's pictures. A gripping, rather confusing adventurous plot, fragmentary editing, mysterious look of heroes - all this became a fresh breeze in the soviet cinematography of the 70th. The excellent crew including a big number of greatest russian actors in the beginning of their career. Beautiful and piercing main theme by Edward Artemyev thinly transfers the mood of the movie combining the romanticism of the 70th and the dramatic line of the picture. In 1974 the movie was sworn by critics. But years went by. And now it's considered to be the cult one.