Deep and genuine, film about human honor and loyalty. Belief and faith. Showing the futility of military conflicts, their rudeness and callousness.A film that deserves to be seen. In which we can see how important it is to be on the first human beings and secondly, supporters of any regime. A film that says a lot more about itself when viewed. Tales of sacrifice and willingness to sacrifice someone else (which I leave with absolutely no comment because of the absurdity of justifying such behavior).My blog: http://vihrenmitevmovies.blogspot.com/

A little long, but not at all bad. If you liked "Saving Private Ryan," you should like "Assembly." The director, Xiaogang Feng, has not only imitated Stephen Spielberg, he's transcended him.First of all, a viewer is going to notice the exquisite pictorialism of the titles. They're really tasteful. And the arresting quality of the images -- the composition and color -- is carried through the film itself. A finely tuned visual pageant.The story is a bit drawn out but so much of the material is unfamiliar to the West that it's acceptable. The protagonist is a soldier in the Chinese communist army, Hanyu Zhang. We're treated to battle scenes during the war with Chiang Kai-Shek's nationalists after World War II.Hanyu is in charge of a detachment ordered to hold a position at a mine until he hears "Assembly" played on the headquarters bugle. Nobody hears the bugle call and all of Hanyu's troops die except him. He's wounded and dazed, wearing an enemy uniform, and no one at headquarters believes his story. Nevertheless, he becomes part of the Chinese army and is later half blinded during the Korean war, while in the process of saving another man's life. Three or four Americans show up on screen but they're not stereotypical villains. And when the Yanks are subject to a devastating bombardment, they're killed in extreme long shot.Later, an old soldier now, unfit for duty, Hanyu spends his time trying to find evidence of the events at the mine in 1948. He's haunted by guilt.Some Chinese movies have been working their way into the ken of Western movie goers over the last decade or so, pari passu with the nation's sidling its way into the global village. They're still Chincoms to the more retrograde among us, but if you want to buy Petro China you can do it on the Hong Kong market. And they're our chief foreign debtors. If we fail, they fail. Good reason to make movies about the unforgiving brutality of war and the misunderstandings that follow.In the case of this film, that's part of the problem. Spielberg had bullets clanking off metal, terrible fighting conditions, and pointless blood-spilling. Feng has more exploding squibs -- exploding in the wrong direction -- than you can count. There's gore all over the place, along with body parts and men blown in half by explosions. It's far more graphic than "Saving Private Ryan" or "Blackhawk Down." Feng has also adopted the current directorial fad of cutting instantly during action scenes and wobbling the camera as if the photographer had imbibed too much ng ga pei. Some of the deaths are captured in slow motion. (Ho hum.) I think there's a structural problem too. I understand Hanyu loved his men and is ridden with chagrin over being responsible for their anonymous deaths, all being listed as MIA because their bodies were never recovered. And we're often reminded of it in one way or another. He and one of the soldiers' widow stand in front of the camera and there is a crane shot of a field of grave markers that seems to stretch on forever while mournful music plays on the sound track.However, the girls are pretty, and I say keep 'em coming, China, and be as innovative and original as you were in the 20s and 30s. And ding hao!

"Assembly" is a Chinese war movie made in collaboration with the special effects and stunt coordinators from the Korean war epic "Tae Guk Gi: The Brotherhood Of War" which is one of the greatest modern war movies along with "My Way".Despite the great war scenes, "Assembly" doesn't come close to the high quality of the aforementioned titles.The viewer is thrown too fast into the story. It's 1948 and wartime in China. We follow the fate of Captain Gu Zidi of the Ninth Company. That's where some viewers might already feel mixed up. Who is at war and why? The movie doesn't explain this issue properly. Let me tell you that we are in the middle of the second wave of the Chinese Civil War. By the end of the Second Sino-Japanese which basically was the Japanese invasion of China during World War II, Communist troops of the later People's Republic of China and nationalist troops of the Kuomintang and the later Republic of China relocated to Taiwan picked up their hostilities again that first erupted back in 1927 and that only came to an end in 1949 when the Communists won. Captain Gu Zidi is representing the Communists and is invading a small town occupied by the Nationalists. He wins the battle with severe casualties. When his political officer dies, he loses his temper and orders in vain to shoot the surviving war prisoners. This brutal attempt leads to a short punishment where Gu Zidi meets an intellectual pacifist and teacher. The two different men befriend each other. Upon Gu's request, the teacher becomes the new political officer who accompanies the Ninth Company to protect an old strategic mine at Wen River.What we see then is how the Company fights back the Kuomintang at all costs. They have to stay and fight until they hear the bugle call for assembly. The fight scenes are glorious but overlong. Some characters start getting some identity and development. Ironically, almost all of them are immediately killed which makes these script attempts useless and the story odd. When some soldiers pretend to have heard the bugle call and others don't, Gu Zidi who has become partially deaf during battle becomes desperate and orders his troop to stay. The whole situation gets tense when a third wave of attacks comes in but the promising scenes are suddenly cut in the oddest way.We are thrown a few months or years into the future. The movie fails to tell us what exactly happened and where we are. The viewers only realize that Gu Zidi is the only survivor of the Company but nobody remembers them. Treated with ignorance and struck by remorse, he decides to join the Korean War that took place from 1950 to 1953. The Chinese troops supported North Korea when South Korean and American troops invaded the northern part of the peninsula and were about to reach the Chinese frontier. We only see a few war scenes here when Gu Zidi saves the life of his platoon commander who stepped on a landmine and loses a part of his sight. We are then thrown another few years into the future. Gu Zidi looks for the battlefield where his Company died. He fights for recognition of his soldiers' glorious death on duty. He is only supported by the platoon commander of the Korean War and the widow of the intellectual political officer. Ridden by despair, Gu picks up fights with the government, tries to find the bodies of the dead and seems to lose track of reality. By lucky coincidence, he meets the bugler who was supposed to call back the Ninth Company for assembly who tells him that he never did that call and that the Ninth Company was abandoned by its superiors.Gu Zidi can't turn the page. Even though his men are honoured posthumously, he absolutely wants to find their bodies. Many years later, excavations for an irrigation project finally uncover them. A large monument is erected and formal burial performed.Gu finally remembers what happened on the battlefield back in the days. His political officer and him were the only survivors after the third wave of attacks. He ordered the officer to sacrifice himself and make the mine explode so that the bodies wouldn't fall into the hands of the Kuomintang. Gu went out on one last suicidal mission and attacked a tank of the Kuomintang. Apparently, he survived somehow as he was left for dead, hid himself in the mines and put on the uniform of a Kuomintang soldier. What exactly happened is never unveiled and the movie ends there.After all, the film has too many cuts. Only historical experts might be able to follow it properly. What starts as a gripping but one- dimensional war movie ends up being a dull personal drama. This mixture of genres isn't balanced very well. The story is sometimes hard to follow. Too many details remain obscure. The elements that save this movie are the special effects, the cinematography, the soundtrack and the solid acting, especially by main actor Zhang Hanyu.On a positive side note, this movie has no propaganda tendencies like similar films. It doesn't tell if the Communists or the Kuomintang are better or who is good or evil in the Korean War. It only tells us the tale of a desperate captain who wants to discover the truth about his soldiers. At some points, the movie even criticizes the Chinese Communist government who doesn't help the broken man and employs an ignorant attitude. This war movie has a few strengths but almost as many flaws. Only cinematic war maniacs and history experts may be rewarded. Anyone else may find this hard to sit through despite a glorious main actor. There also exists a second "Assembly" movie that doesn't relate to this one.

Assembly is a gripping film about the Chinese civil war and its aftermath, recounted through the story of a doomed company of Communist soldiers and the subsequent struggle of their commander, Gu Zidi, to win recognition for their sacrifice. Hanyu Zhang is superb in the role of Gu Zidi, carrying the memory of his lost and forgotten comrades, and is the focus for a film that is by turns brutal, moving and provocative.The opening battle scene is Assembly is startlingly violent and throughout the film the portrayal of modern weaponry and its effect upon human bodies is truly frightening. The battles are impressively staged and meticulously detailed, from the soldiers' uniforms to the networks of defensive trenches. There are some eye-opening details about the nature of warfare in the Chinese civil war, including the deployment of 'political officers' to encourage Communist troops to act in line with Party doctrine.Admittedly, much of the film's appeal stems from its foreign origins. The Chinese civil war and the subsequent war in Korea are not often portrayed in the cinema, and it is even more rare to get a Chinese perspective on these events. Certainly this makes it difficult to find a point of reference by which to assess the success of Assembly. Nevertheless, I did have some reservations, including the camera-work. The battle scenes cut frantically between different shots, unlike, for instance, the opening scenes in Saving Private Ryan, where the action relentlessly tracks the soldiers' landing on the D-Day beach. This repeated cutting and changing conveys some sense of the chaos of warfare, but I feel that the shaky camera-work was overplayed and found this a bit irksome after the first few battle scenes.A more general problem is that this film focuses almost exclusively on the actions of the Communist soldiers. It would have been interesting to learn more about the Nationalist Guomindang soldiers, but they are barely afforded any speaking roles. Although Assembly is written from the perspective of the winning side, it does not begin to examine why the Communists were at one time so short of munitions and especially men in fighting the war against the Nationalists. The story of Gu Zidi's company of men is a battle against the odds, but the film does not delve into the root causes of their desperation.But although Assembly is a portrait of one side in a long military conflict there is surprising depth to this portrait. The film does not follow a straightforward triumphalist narrative about Communist war heroes, but instead builds a complex tale of an individual (Gu Zidi) who struggles for the posthumous recognition of individual soldiers who made an individual sacrifice. These were soldiers who were scared and sometimes balked at the dangers before them – as would anyone – but they made the ultimate sacrifice and Gu Zidi strives to have their efforts recognised as a unique contribution to the war effort. That it is such a great struggle for Gu Zidi to secure a memorial for these fallen comrades is at least partly an indictment of post-war society and government in China.Assembly achieves a remarkable amount in less than two hours. It is a vivid reconstruction of struggles during and after the war and is moreover a deeply moving experience, especially in its final frames. And if part of the appeal lies in the fact that this is a foreign film about a little-known war, then that is all the more reason to seek it out.