The film, looks, sounds, 'feels' exactly typical of its period. The colour, camera angles, use of music, are similar to other films, particularly The Strange Affair, All neat in black stockings, Fright and, as biggee writes, in another review, the brilliant, almost forgotten, I start counting.Similarly the portrayal of young girls as provocative 'sex objects' without any hint of embarrassment, discernment or question, and that's not a criticism, that's what life was like - at least certainly at my school.Reasonable acting, I do like the period fashions and behaviours and cars and would watch it just for that. There are plenty of red herrings but, slight spoiler coming, if you look with care when Suzy Kendall sees the murderer in her car's rear view mirror - you only get a split second glimpse, you can see who the murderer is.

Assault is apparently a British attempt at emulating the popular Italian Giallo sub-genre. If that is indeed what the filmmakers were aiming for, it has to be said that they've done a rather good job, as Assault incorporates many of the common Giallo trademarks. We've got a killer on the loose, a number of victims, a police investigation, an eyewitness, lots of red herrings and an unknown assailant, among other things. I'd even go as far as to say that if I didn't know better, I might have thought this was an Italian production, set in the UK. It's unfortunate, then, that director Sidney Hayers wasn't able to take the script and craft an exciting mystery out of it, as the film features far too much talking and not enough action, leaving it caught up in boredom for most of the running time. The plot follows the murder of a young girl in the woods outside of her school. When another is found dead in the same way shortly after, the police are brought in. Their only witness is a young teacher, who says the killer looks like the devil and puts herself on the line to catch the psychopath.One common element of the Italian Giallo is a silly plot, and that has been copied for this film also. The idea regarding the capture of the killer is preposterous, and the murderer would have to be a complete and utter fool to fall for it. The film doesn't seem too keen on keeping itself away from complete farce either, as the climax is very silly and it's often hard to keep a straight face while watching the film unfold, and that's not what you want from a thriller that handles themes of murder and rape. The cast is distinctly British, and Derbyshire-born Giallo star Suzy Kendall, who has also worked with the likes of Dario Argento, Sergio Martino and Umberto Lenzi on Giallo thrillers, takes the lead role and is joined by a host of tea-drinking co-stars. Sidney Hayers' direction is a little turgid at times, although scenes such as the one in which we get an early glimpse of the murderer are well shot. The conclusion to the mystery is disappointing, as the identity of the killer just sort of comes out of nowhere. Overall, this film isn't all that good; but it may appeal to Giallo fans for the fact that it's a Giallo, but it's not Italian.

I saw Saturn Productions Inc.'s video of this release, retitled The Creepers (the title doesn't make much sense).It starts with young women leaving a school in uniforms of white shirts a short pinks skirts. One of them takes a shortcut through the woods, where she is chased and then raped underneath overhead electrical lines by someone we do not see. There are several shots from the stalker's point of view.The woman is hospitalized, still ambulatory but mute and largely unresponsive. A doctor tries to nurse her back. A couple months later, another girl tries cutting through the woods, and she is chased, raped, and killed. A group of girls and an art teacher drive into the woods to look for her. They get stuck in the mud, and when the teacher looks out the back window, she catches a glimpse of someone in the red taillights. She then finds the body of the dead woman.The teacher thinks the man she caught a glimpse of looked like the devil! She paints a picture of how she saw him. She works with the police to try to identify the man. Meanwhile, the first victim is becoming more responsive, but is still mute. A plan is concocted to flush out the killer...This was an OK movie. It was hurt by the music. The action scenes all use the same piece of music, which is so inappropriate it almost makes those scenes comical, which is just wrong. While the version I saw was probably cut, I can't imagine what would have led to this movie getting an NC-17 rating. Perhaps the assaults were more graphic; little is shown of them on the video I watched.After the movie on the video, there's a listing of Saturn Productions' videos, showing the boxcovers for this one and: Circle of Fear, Castle of the Walking Dead AKA Schlangengrube und das Pendel, Die (1967), Demon of the Lake AKA Creature from Black Lake (1976), Night of Horrors (1978), Sinner's Blood (1969), Blade of the Ripper AKA Strano vizio della Signora Wardh, Lo (1970), The Devil Walks at Midnight AKA Plus longue nuit du diable, La (1971), Christmas Evil AKA You Better Watch Out (1980). Several of these are little seen today! Curiously, the illustrated cover for Blade of the Ripper is the same used for the VHS for it still available from another distributor, Alpha. I'm not sure what movie Circle of Fear is; the cover shows a few women standing around a pentagram inside a circle chalked on a floor.

I haven't seen this film in years, but from what I remember of it, it was a pretty good movie. The only thing that I think might be a little politically incorrect is the fact that the a few of the girls are pretty much seen as teases, especially in the scene in which the headmistress' husband fondles one of the girls as she stands on top of a stool. This scene is a little disturbing, especially when you consider the film was made in 1971. No wonder this film was mainly shown very late at night when the kiddies were asleep.