Awful writing, bad acting, and lousy directing makes this one of the worst movies I've ever seen...and I've seen a lot. "Look at me, look at me, I watched Clockwork Orange once and now I think I'm Kubrick!" is what this movie seems to say. You're not Kubrick, bro. This movie doesn't come close. It seems to have been written by a group of 12 year olds who never actually experienced adolescence who hero worship those kids who shot up Columbine. The dialogue is awful, the "roof moment" is some of the dumbest, self important baloney I've ever heard, and the kid who plays Ricky is about as believable as a talking rat. Watch this movie if you'd like to see a bunch of people in black clothing walking down the street very slowly while the camera shoots their feet because it's "soooo artistic!" Blech.

This is by far the worst movie I have seen out of 2014. I read some great reviews but I have a feeling they might have either known people in this production or saw the wrong movie. nothing makes sense about this plot. You have your typical "tough guy", who is actually a scrawny weirdo with bleach blond hair and a severely under-developed character. The main character has absolutely no individuality at all(which is the whole plot). The ending is terrible, so if you're like me and can't start a movie without finishing it...don't bother, it doesn't get better.Spoilers:Ricky and the gang are on top of a building screaming at group of people including the police who are after them. They escape down a fire escape after giving a speech about how different they are. Why did the group of 5+ policemen all go up the stairs on the inside instead of surrounding the building or even covering the fire escape?The group of idiots goes to watch a movie and get kicked out, only to drop a firework in a popcorn machine while being escorted out of the theater. My only problem with this is that the police are immediately on their heels over this. Everyone knows who did it. The next day they're at school like nothing happened. Everyone knows that every kid involved would be pulled into the police station from school. Somehow these kids keep messing up over and over without any repercussions and that seems to be the entire movie.There's a giant underground bar/rave going on 24/7 in a shack hidden away in what looks like a bad part of downtown. Of course this underground place is called "underground" (so original). In this place kids do drugs all day and rave while drinking underage. The owner of the place says that the cops called wanting to know if the group of kids who set off the cherry bomb in the movie theater "hang around here". So the police know about this giant underground place that kids do drugs all day long and drink...that makes sense. So, why is it that the police act so surprised to discover this place after being "tipped off"? Also, to top it off, they make it appear as if Ricky is dealing drugs out of the place. He gives a wad of money to the owner of the bar/rave and the guy counts it and tells Ricky he's short. He responds that he took his friends to a movie. The guy is angry but still gives him more drugs to sell even though he's short. Also, who deals drugs in paper bags? What is even being sold? He only owed him $200 for a giant paper bag. Are they selling dirt weed out of brown paper sacks? The only drug you ever see anyone doing is coke, which I assure you isn't sold in folded up brown sacks.I could go on for hours about this terrible movie, but I won't.

I've just seen this movie and the only thing i can say is please please please those people who wrote rave reviews about the film on this page stop doing things like that. You are bringing IMDb reputation to it's knees, and whatever reason you have to write those reviews is clearly wrong. The film is simply awful!!!! you know it, i know it. The acting is bad, the situations unrealistic to say the least, the direction amateurish with a guy wearing two different tops on the same scene from one second to the next. Our main character and hero of the film spends the majority of it acting like a retard when the easiest thing would be to just go home. so there you go guys save yourselves 1 hour and 45 minutes of pain and watch "a clockwork orange" an authentic masterpiece.

"With its nod to Clockwork Orange, Mischief Night, directed by Richard Zelniker, avoids every cliché and cheap trick, instead forcing us inside the pain, fear and excruciating confusion that lives inside so many people today. It doesn't look 'at' a social issue and offer a glossy solution. It demands that we feel the desperation of its trapped protagonists. Who is the hero and who is the villain? No easy answer there either. We all have a voice. A passionate, but weary English teacher (portrayed with such humanity by Moe Irvin) offers a path. Shakespeare. Poetry. But this writer, director, producers and stunning cast walk us down that path and lead the way for every kid, parent, citizen, human asking not just 'Why did another kid take a gun to school?' and 'Why did another horrific killing happen?' The pain is intolerable. The fear is constant. And the answers too quiet and too late. Mischief Night opens a much needed conversation. No. It demands it from a roof top. And about that director, Richard Zelniker found a soft-spoken boy with a volcano inside of him and put that voice on screen. Where so many filmmakers today rely on horrific violence, gore and external terror to hold our attention, Zelniker somehow makes us feel every painful moment without ever taking the easy way out. An adult film about childhood agony that reveals itself so exquisitely, you are left shaken to the core without one 'shock shot'. Like The Hurt Locker, your heart is in your mouth from the first five minutes through the final exhale. Beautifully photographed, the images are terrifying and haunting in the best way. How does a film that never jolts you with that sudden scream keep you so wrapped? Zelniker and his cast jolt us awake. Complacency is not an option. Helter Skelter, Clockwork Orange, and The Outsiders have a companion for the shelf. I really didn't want to, but Zelniker made me look. And now I can't close my eyes." Eden Bernardy Screenwriter