Arthur Hailey's Detective
Arthur Hailey's Detective
PG-13 | 01 January 2005 (USA)
Arthur Hailey's Detective Trailers

Detective Sergeant Malcolm Ainslie, a Catholic priest turned distinguished investigator for the police, has agreed to hear the confession of a convicted serial killer sentenced to death in a just a matter of hours. What he promises to reveal to Ainslie is the truth behind the crimes and the reason he confessed to the one crime Ainslie doesn't even believe he committed. What unfolds between the two men is a serpentine trail into both men's pasts based on the bestseller from master storyteller Arthur Hailey.

Reviews
webmaster-1615

not a bad movie. just not a good one. it is tolerable, the kind of movie you will end up watching if you are sick in bed and can't find the remote. it's a "movie of the week" paced like a mini-series event scheduled during sweeps. Tom Berenger is good (as he always is) and Cybill Shepherd is, well, Cybill Shepherd. Annabeth Gish is totally wasted. She seems to actually be absent through most of her performance except for the occasional shrill outburst towards the end. You can't really blame the actors because the real flaw is the story line and script: back-to-back pointless and clichéd conversations that do nothing to move the plot along.

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Bjorn (ODDBear)

Tom Berenger plays Malcolm Ainslie, a former priest turned detective, and he has one big case on his hands. A madman is killing elderly residents in gruesome fashion and his actions seem to be somewhat borrowed form The Book of Revelations. As a former priest, Ainslie might just prove to be the perfect one to solve the case.Mixing in Ainslie's troubled personal life, Detective has a good story throughout it's running time. I can't help thinking this could have been even better had it not been a Hallmark presentation. There's no gore here (but plenty of opportunities) and the suspense seems to watered down somewhat, especially during the climax. It's totally got that TV feel to it, but director choirs are well handled by David Cass, a seasoned television director.The cast is mostly good. Tom Berenger is good as Ainslie, handling all aspects of the character well. Cybill Sheperd is fine as his wife but Annabeth Gish is completely stone-faced all the way through. It's fun to see Charles Durning but his role is a small one.Had this movie gotten the theatrical treatment it could have been one hell of a thriller. Sourced from a good book by Arthur Hailey, it really cries out for better production values and some bloody set pieces. Still, it's quite good all the same.

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Catherine

Tom Berenger is once again a great detective. Like his characters Michael Keegan (Someone To Watch Over Me), Harry Dobbs (Love @ Large), Clifford DeBose (A Murder of Crows), and Rem Macy (True Blue)- his wit, take-charge attitude, and Noble authority - combined with his personal side - give depth to what could have been a staid character. Most of the supporting cast were perfectly cast. I was pleased to see that the movie kept very closely to the book, except for Malcolm's turning atheist. Was even more pleased that Hallmark did not show gruesome close-ups like was shown in Tom Berenger's Eye See You. Mr. Berenger shines in Alex Haley's Detective. A great movie to watch and re-watch :)

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emin karakus

Detective Sergeant Malcolm Ainslie (Berenger), a Catholic priest turned distinguished homicide investigator for the Miami police, has been summoned to hear the confession of Elroy Doil. The convicted serial killer-who Ainslie himself was responsible for catching, is scheduled to be executed the following morning. Suspected of the string of murders but convicted on only one count, Doil wants to come clean and reveal everything he knows. Ainslie can't refuse the crimes, committed four years before, still sear his memory. The victims: the elderly. The deaths: barbaric. The killer: a self-proclaimed avenger of God. But Doil's motives are more troubling, and more baffling than just that—for his own scars cut deep. So does the whole unknown story of the crimes that Doil has promised to reveal to Ainslie. What unfolds between the two men is a serpentine trail into both their pasts—one that questions everything they think they know about each other, about crime and punishment, about truth and justice.

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