An interestingly odd, if not too successful little folktale curio set in Pennsylvania (although it was shot in Norway) in the 1920s as a teenage boy Billy comes under the influence of a backwoods faith healer Dr. Reese who begins to educate him as he becomes drawn to his mystical charms. But Billy finds himself dragged into strange events which end in terrifying results as they believe the local hermit has the motive and power to cause the devastating blight affecting the small village.Sometimes being unique and incredibly offbeat just doesn't cut it, if it doesn't entirely deliver the goods. I wanted to like "Apprentice to Murder" a lot more than I did, but I felt like it came up short by not completely coming to life with its dangerous predicament. It never really balances its sensationalised mystic concepts, tending to rely on its character relationships (especially the complicated connection between the boy and the faith healer), humdrum dramatic weight and slow- winding story build-up (some episodic filler) where it can have its flat spells. The most fascinating façade I thought was that of the hermit, which comes across very secondary to everything else, but is the main piece that holds everything together. Still its premise is innovative with a lyrical script that for most part engages with its busy themes. It's low-key in its approach, which is not a problem but it never really delves into the strange happenings and vivid special effects that seem to torture the faith healer. We get the usual supernatural occurrences, that in the end all of this magic might just be that of a disillusion. But this is supposedly inspired by true events involving a pow-pow preacher and his faith in George Hohmann's "Long Lost Friend" that eventually led to murder. The performances stand up very well with Chad Lowe's responsible turn holding his own alongside a charismatically believable Donald Sutherland as the unorthodox faith healer. He does command the screen in a subtle manner emitting somewhat a creepy undertone. The gorgeous Mia Sara doesn't get all that much to do and Eddie Jones also shows up. Director R. L Thomas does a sensational job presenting strikingly authentic period details, but also the moody score along with the elegant cinematography are instrumental in crafting enticingly symbolic imagery and an effective atmosphere of a god fearing time engulfing rural communities.

Donald Sutherland plays a pseudo priest / medicine man in what is supposed to be Pennsylvania Dutch Country, but is actually Norway. Unfortunately this based on fact Devil hunt, doesn't have enough of a story to maintain interest for 97 minutes, and a romantic subplot comes across as nothing but an afterthought. The real problem with "Apprentice to Murder" however, is the fatal flaw of not playing fair with it's audience. What is presented as fact, is suddenly turned upside down, as relates to the powers of a suspected "Devil". If a movie is going to basically trick people for the sake of sensationalism, it better present the trick in a way that leaves room for actually being able to believe the outcome. - MERK

This is quite weird… "Apprentice to Murder" combines three major elements that I always deliberately seek for in horror/cult movies, but rarely ever find together. And yet, in spite of featuring this rather unique potpourri, the film sadly left me Siberian cold. For starters (1) the film is obscure and incredibly hard to find. Usually there's a good reason for this, but personally I still hope to stumble upon some genuine undiscovered gems from time to time. Then (2) the story is based, or at least loosely inspired, by true events. More than often, facts are far more astounding than fiction could ever be. And finally but foremost (3), "Apprentice to Murder" takes place in the 1920's and I personally think this is the most suitable time to narrate a tale of the macabre. The ambiance that comes with this decade is like automatically melancholic and downbeat. The people were poor, vulnerable to all sort of illnesses and petrified of God. Why there aren't any more horror movies timed in the 1920's is completely beyond me. "Apprentice to Murder" has all this, except that… well … the story, inspired by true events as they supposedly took place in Pennsylvania in 1927, honestly isn't worth telling. It's fairly dull and commonplace. Definitely not something to consider as thought-provoking or recognize as one of the darkest pages in recent history. Donald Sutherland, who couldn't look less interested in starring in this film, depicts a so- called Powwow Doctor practicing in a rural Pennsylvanian county, a few days of traveling away from Philadelphia. After his "cures" the father of a young illiterate adolescent with a drawing talent, he takes the boy under his wing as an apprentice. Dr. Reese teaches Billy to read and write and also gradually becomes convinced that he can also become a blessed healer, much against the will of Billy's girlfriend Alice. But Dr. Reese and especially his methods are unorthodox and often abased as witchery by the superstitious and deeply religious communion. When some of his cases don't end well, Billy is dragged along in a downwards spiral of accusations, curses and punishments. Director R.L. Thomas obviously treasured the best of intentions, but sadly doesn't manage to make full use of the contemporary folklore mysticism and small-town paranoia. For way too long, the screenplay exclusively focuses on the bonding sessions between the Dr. and his young acolyte. I swear, the undertones even get homosexual at certain moments, whereas the really interesting aspects of the story remain untouched. The actually disturbing ordeal our Powwow has to face (a creepy local hermit who may or not be the Devil himself) is incomprehensibly pushed to the background, like it's some kind of insignificant sub plot. The filming locations and set pieces are terrific, but apparently R.L Thomas and his crew had to travel to the beautiful region of Hordaland in Norway in order to recreate the rural Pennsylvania of 1927. "Apprentice to Murder" definitely remains a curious 80's feature, well worth checking out if you cherish cheap but ambitious cult cinema, but overall it's a missed opportunity.

This film was based loosely on a bizarre murder investigation and subsequent trial in Pennsylvania. At the time, in the 1920s, backwoods Pennsylvania had folk-medicine healers called Pow-Wows, and the film involves one. These healers relied on a book, "Long Lost Friend," written by a George Hohmann, that was full of prayers and folk remedies based on a form of sympathetic magic, that were supposed to cure ailments and the like.The Sutherland character is a Pow-Wow, and a youngster, played by Lucas Haas, becomes his apprentice. A series of bad events takes place in the community, and the Pow-Wow suspects a neighboring farmer, culminating in the murder.Significant Spoiler: The film is ambivalent on the nature of the Pow-Wow's power, and leads the viewer in one direction, and then suddenly reverses itself. This weakness could have been sidestepped easily. It would have been a better film if it had.