Oy Vay, where to begin with this one...... first of all, the movie starts out somewhat interesting. It focuses on a guy who has a seemingly endless stream of one night stands, and it seems like the movie is going to be about him. Then there is a shift to "three years later" and the entire focus of the movie shifts to another character (Omer). I had to stop the movie and back up to see if I missed something. I didn't. This was just very poor focus by the director. The rest of the movie focuses on a group of characters and Omer seems to be the main focus, but the lines are actually pretty blurred. As others pointed out in their reviews, there were scenes that were WAY too long and needed to be cut (I got very bored) and other scenes that were way too short and should have been expanded on and focused on more. And the whole thing with the alien abduction focus.....WTF? I don't see how that had anything to do with the story. The funniest part of all of this is the movie's tag line that says "One of the steamiest movies of the year". The first 20 minutes was fairly steamy, before the focus shifted to "three years later". After that, it was damp at best (but not steamy). I can't recommend this one, unless you are SO bored that you have to watch something. And then when you end up totally disappointed, just remember, I warned you.

i always enjoy watching foreign films, it is fascinating to watch people in other countries live and love.i think that this gay film is one of the best. i saw the unrated version, so at the beginning, it felt like a hot gay porn. three years later, the film returned to "normal." unlike some other gay films with weak stories, bad actors, etc, this film has an riveting storyline, and good actors. it seems that the male actors are all gay, i wonder if they are gays in real life. because there were not afraid of doing any male to male actions.and i have never watched a gay film from israel before, very fascinating. i truly enjoyed it. so i rated it a 9.

In spite of the more negative reports here, I was rather pleased with this movie. To begin with: it has a sympathetic and genuine feel about it and the script is (for the most part) intelligent and amusing, with all these meandering story-lines that intertwine and in the end more or less come together. From one of the reviewers I learned that such is called an ensemble-movie. He apparently thought it a bit of a cinematographic cliché and in this movie not very well executed. But for me it totally worked. All characters get proper screen-time, so you can gradually learn something of their backgrounds and personalities, not too much (with so many different story-lines that's hard to do) but enough to make you care for all of them. The differences between the characters are prominent enough to keep you interested, but they never are exaggerated for the sake of cheap comedy or drama, they're mostly all simple, natural and realistic. Well, with the exception of the mother- figure; I agree with most reviewers that it was totally unnecessary (and even a let-down) to use a transvestite for that. Come-on, I can't believe that a Jewish director cannot find in Israel any Jewish actress that could play the part of the quintessential Yiddishe mama! It could be interesting to hear the view of the movie-maker on this.The acting is over-all pretty good: apart from the strange mother- impersonator everyone else acts very natural. Some of them stand out a bit more, like the promiscuous dance-teacher (very attractive to boot!), or the girl that plays Shirley (the sister of Omer), or the guy that plays Mickey as a bit of a queeny gay and who is actually very funny. Tomer Ilan is very convincing as cute Omer, exasperated by his overwhelming mother and frustrated by his marginal love-life. I also liked the musical score very much. It's linked with a few live performances in the bar where all the characters sooner or later meet. In a very subtle, almost coincidental way the director blends specific lines of the (English) lyrics with specific goings-on in the movie. You should almost watch the movie again and try to notice them. Very good!! Sure, there are some flaws to point out. The 3-year time-leap in the very beginning didn't seem to have any function. Instead it was a bit confusing, because right before the time-leap you think that Danny moves in with the promiscuous dancer, while right after the time-leap he appears to have lived together with a totally different person. The change in the appearance of Danny didn't help either: it took me some time to realize that this troubled-looking youth with the short hair-cut actually was the same person as the endearing inexperienced boy with the longer hair from the beginning of the movie. Over-all the abundance of characters was at times a bit confusing, since some of them look a bit alike and also have names that in Hebrew sound alike (like Ronen or Omer). Some of the many story-lines didn't seem necessary for the movie at all, like the woman with the alien-obsession. The final scene (again the alien-thing, now in an almost "Close Encounters"-like setting) was cinematographically beautiful, but felt a bit like a loose pebble (or maybe I missed the metaphor in this). The coupling of nerdy Omer with the obviously far more world-wise journalist was a bit far-fetched. And is Israel today really such a paradise for gay people? Where lovers can walk hand in hand in public and kiss on the sidewalks? Where all the mothers are just concerned that their gay sons and daughters find the right boy- and girlfriends, are competing with each other in gay matchmaking and all of them want their gay children to marry (!?) and have children (!?!). I thought that Holland was gay-liberated, but this beats all: I want to move there!!After viewing the movie I kept wondering what the message of the maker could be. Most characters end up with some kind of love(r) and in view of the title it seems to suggest that everyone can reach at his or her goal, however surreal or far-fetched this at times may seem. But on the other hand there are also characters who in the end stay empty-handed, like Mickey, or seem to go for a surrogate-love, like Danny. So no happy ending for all, and after the movie you're left with a smile mingled with a touch of sadness. Well, maybe there isn't a real message. It's just life.

if one forgets for a moment that love relationships shown in the movies are homosexual and not heterosexual, it is a simple film about people trying to find love and till they find one keep on trying. There is central character who is librarian and group of his friends and similar individuals they come across.in all there are 5 main male character and they are developed well given the time constraint, especially the journalist, librarian, the young boy and the Casanova. sub plot of hero's sister also being lesbian or their father being cross dresser seems unnecessary. there are comic moments though when their mother gets a new husband or one of the the character who works at a fashion store cracks jokes. Overall a good movie about love, commitment and relationship