Down on his luck working class zhlub Jarrett (a likable portrayal by Mark Blucas) meets and falls for lovely and enticing, but dangerous and mysterious young minx Nora (a nicely sassy performance by the alluring Nicki Aycox). Nora draws Jarrett into a dark and frightening netherworld where the predatory and animalistic side of human nature gets unleashed. Complications ensue when Nora's feral and possessive lover Vic (robustly played with lip-licking nasty relish by Naveen Andrews) arrives in town looking for her. Director Douglas Aarniokoski, working from an engrossing script by Craif Spector, relates the compelling story at a snappy pace, brings a dazzling hyper-kinetic style to the entertainingly low-rent material, firmly grounds the fantastic premise in a plausibly gritty and downbeat blue collar environment, delivers a handy helping of graphic gore, and provides a substantial amount of tasty female nudity and sizzling soft-core sex that gives the picture an extra scorching erotic charge. The sound acting from the capable cast helps a lot, with especially praiseworthy work by Blucas, Aycox, and Andrews in the leads, with sturdy support from Eva Amurri as sweet and smitten barmaid Jane, Andy Comeau as amiable bar owner Jules, and Bart Johnson as Jarrett's jerky boss Vaughn. The polished cinematography by Mark Williams gives the movie an impressive glossy look. Alan Brewer's throbbing tribal score does the pulse-pounding trick. Only the shoddy CGI monster f/x leave something to be desired. Good rubbishy fun.

What's up with my favorite magazine. I have them all, from number one up to issue October 2010, talking about fangoria. They used to be the trend setter into horror but sadly they are more into reviewing Hollywood crap and other shite. But still I keep my subscription due to years of searching to have the whole collection. This flick had a two page review and was said to be the next porn flick you wished you had never seen. For one thing they were right. I indeed hoped that I never waisted 9O minutes of my life on it. What the hell was this. There is of course the nudity but what has it to do with the storyline, nothing. And if it's gratuitous than it bothers me. They said porn, well, you never ever, and I've seen the full uncut, see a kitty cat or his bouncing balls giving it to her. So porn, no way. Is there blood. Yes but maybe for only for 5 minutes. To make it all worser, when they become the so called animals it's all CGI. Just watch the last 10 minutes if you want to see the blood. Just take the cheap CGI with it. Sadly it isn't even SBIG (so bad it's good). Why o why fango are you letting me down already for a few times?

I have to say that I enjoyed this film. I relished the stunning cinematography and dynamic acting skills of both the male and female leads, as well as the many, many, many, sex scenes (none of which contributed to the plot. Hey, who doesn't love gratuitous tits every now and then?) Though I feel the ratio of tits to man-ass was greatly skewed in the wrong direction.In addition I really love how the director utilized the soundtrack to alert the audience of an impending sexual encounter. The throbbing beat really hammers home just how passionate the characters on screen really are. I also love that the viewing audience is made aware of the difference between the female villain and heroin by the differing elevator music. Nasty sex with bad girl=bow chicka bow wow. Good girl sex=bow chicka bow wow+ adult contemporary acoustic guitar. Well done.I especially enjoyed the fantastic cutting edge special effects. Blue hyena werewolf hybrids? Check. Mighty morphing mouths with sharp teeth? Check. Glowing gold and blue eyes? Check.I know what you're thinking, this movie sounds amazing. It has everything. And you're right, it does.

I finally got to see the final cut of this film and although I still think it's a good horror film, with a few fairly intense sex scenes, it's a bit less effective than I expected. It is much better than the IMDb rating indicates. Only the cartoonish digital "animals"(imagine Scooby Doo's angry ghost) weaken what could have been a well-above-average film. I find it interesting that Reno is listed first in order on locations. Nearly all of this was shot in Utah. But I know there was some controversy about the close to "soft porn" sex and the Utah Film Commission. Just filling in the long pause at the end of the first sex scene with talk I heard on set, I suspect that long cut leaves out a lot to be desired.I worked four days on this film as Bart Johnson's banker buddy, mostly in the bar scene. I loved watching the director working. Animals had a strong cast and crew and the editing and "most" of the effects are fine.It's certainly worth the price of rental from Redbox!