Simple story with no twist or purpose really. Thousands of kids go missing every year and this story just reminds those families how easy it can happen. The film tells a simple tragic story with little to no entertainment value. Story line is thin, acting in most cases questionable and direction amateurish. Would we watch it again - No. Not retained for future viewing.

The power of this film depends on your perspective. Have you raised a 3-year old? Have you experienced the death of a child? Most importantly, is the story believable and can you put yourself in to it?Unfortunately, few watching this film know it mirrors the real life story of Paul Wayment and his son Gage: The following are excerpts (Spoilers) from the real story found on pulitzer.org: "Six inches of snow covered the small body. Gage lay in a fetal position, his hands clenched, his eyes wide open. His pajama legs were up to knees; his feet had worn through his thin booties. His throat was blue. In his eyes were frozen tears." Paul Wayment's statement to the court: "If I could change places with my son, I would give up my life without question. But I can't. The life that I now live in is the hell that I alone created. The pain is incomprehensible. . . . The word 'sorry' does not even begin to express the feelings I now live with. . . . I admit full responsibility for my actions and will accept whatever punishment you deem appropriate." "They found his body (the father) on a sloping ridge next to a pair of binoculars, a Pepsi Big Gulp and a Winchester .243 hunting rifle. He'd picked a spot, surrounded by quaking aspens, that provided a view of the hills where they'd searched for Gage. Julie George imagined his final afternoon. He'd sat with the binoculars, surveying where Gage died. At sunset--he would have waited for his beloved dusk--he'd put down the binoculars and picked up the rifle." "At the courthouse that afternoon, (Judge) Hilder sat dazed in his chambers. Tears filled his eyes."http://www.pulitzer.org/works/2002-Feature-Writing Knowing the real story makes this film, Angel's Crest, much, much more powerful. It's too bad Angel's Crest wasn't made to be a true story with a follow up explanation at the end telling of the ongoing lives of the people involved.Those that have rated this film poorly or written unflattering reviews might want to watch it again after reading the true-life story.

ANGELS CREST is not a perfect movie: there are so many undeveloped sidebars that keeping everyone in a place where they seem to fit into the tale is difficult. But there are some powerful performances here and some cause for reflection that makes the movie very worthwhile watching. Based on the novel by the same name written by Leslie Schwartz, adapted for the screen by Catherine Trieschmann, and directed by Gaby Dellal, the story deals with numerous interactions of a small town populated with alcoholics, drug abusers, adulterers, and other strange types and how they deal with a tragedy that makes no sense. Nate Denton (Ameko Eks Mass Carroll) is a 3 year old son of Ethan Denton (Thomas Dekkar in a breakout performance that deserves attention) who awakens one morning in his pathetic home to tell his beloved single dad that it is snowing. The father/son bond is strong and Ethan dresses them both to go out to view the beauty of the snowy countryside in their old truck. When they arrive at a perfect spot, Ethan turns to the backseat to take Nate out to make snowmen, but Nate has fallen asleep in this safety car seat. Ethan makes the truck warm, locks the truck and walks out to view the spectacle of winter, the deer, and the eloquent mountains. In a few minutes he returns - and Nate is gone! Ethan is terrified, begins shouting his son's name as he searches for him. The town is alerted and a search party begins. Nate's mother alcoholic mother Cindy (Lynn Collins) is notified of Nate's missing and begins her tirade on every person she meets. After an overnight search for Nate, Ethan discovers Nate's frozen body and is devastated. Ethan is taken into custody for a death stemming from negligence and the townspeople form sides as to Ethan's guilt. Among them is a waitress Angie (Mira Sorvino) and her small daughter Rosie (Emma Macgillivray), Ethan's friend Rusty (Joseph Morgan), a lesbian couple (Elizabeth McGovern and Kate Walsh), Cindy's preachy mother (Barbara Williams). and the local police. The town brings in the District Attorney (Jeremy Piven) who obviously has secrets of his won that mirror Ethan's crisis. The story is resolved in a strange and tragic manner, leaving many crises unsolved.Thomas Dekkar gives such a fine performance that we are able to see inside his heart and head and soul. The supporting cast conveys the small town response to a tragedy among their own - who is guilty of what and how could the incident have ever occurred. There are many ideas created by the writers and the characters that are never realized fully, but the sense of human response to an accident is staggeringly real. There is much more to this film in retrospect, after watching it, that haunts the viewer. Grady Harp

Angels Crest (2011) ** (out of 4)A small community is ripped apart when a father (Thomas Dekker) is charged with negligent homicide after his three-year-old son dies. The two were out on a trip when the father decided to go check something out and leave the kid sleeping in the truck. The son managed to get out of the vehicle, get lost and the next day he is discovered dead. After the father is charged a whole group of people act differently to the events. I'm sure director Gaby Dellal had high hopes for this film and I'm sure the subject matter was something very close to her but she should have requested a re-write because the screenplay here is a complete mess that thinks it's something deep but at the end of the picture you realize that it's nothing but one shallow character and situation after another. There's no question that 100% of the blame must go towards the screenplay because every single one of the characters are shallow, boring and it's impossible to care for them. As I watched the movie I kept wondering what emotion I was supposed to be feeling, who was I supposed to be feeling it for and there are just scenes that take place, take you down one direction and then it just cuts off and you're sitting there wondering what the entire point was. We see the father struggle over guilt. Understandable. We learn that the child's mother is a worthless piece of drunk trash. There's a restaurant owner (Mira Sorvino) who has some of her own secrets. There's a lesbian couple who can't agree whether the dad is to blame. For some reason one of the lesbian's sons shows up and of course he hates gay people. There's even the father's best friend who just happens to be sleeping with the mother. All of these characters enter, say dialogue but you're never quite sure why they're there and in the end none of their stories come together for anything. You even have Jeremy Piven playing the D.A. who has his own past that he's hiding from. I'm sure the point of the film was to try and show what one event would have on a large group of people but the film is a complete failure. I will say that the opening ten-minutes were effect but this is due mostly to the subject matter. Seeing such a young kid die isn't easy to watch so of course it's going to be disturbing. Everything that follows is just one big mess. Performances are decent at best but you can tell they're drowning as it seems none of the actors know what to do and they appear to just go around without cause. ANGELS CREST has an interesting idea but sadly it goes nowhere and the film runs out of gas even before it can get going.