Despite being from the 80's, this flick is just as pertinent today. While the black people are relegated to cheering on the white protagonist, as was necessary in that era, it presents a lot of women's issues (and consequently men's issues) in a very truthful way. If it gets bad reviews, I suspect it is because it presents a reality that challenges almost every viewer, and most viewers don't like to be challenged. Catch it while Amazon Prime is doing an 80's promo. It won't stay free long. The reality that disturbed me was the image of a Democratic Senator who cared more about photo ops and press coverage than about the real issues in their district, but this too was and is a truthful depiction, and Frank Langella played it perfectly. The only real deficit is that it was impossible in that era to involve corporate interests in the story, which made it much more difficult to portray the position of the Frank Langella character. The trite conflict with his wife pales against what a real politician would have faced from their financial backers.

Roger Vadim's remake of his own film opens with a ridiculous jail break from what appears to be a soccer mum in a mullet and tracksuit and leads to a number of other embarrassing sequences that are at least saved with an early nude scene from Rebecca DeMornay. The moment is quickly ruined by a music sequence or however else Vadim over idealises his leading lady. It turns out this scene indicates DeMornay's desire to escape from prison and pursue her realistic dream of being a famous rock and roll star. The whole experience starts getting humorous when DeMornay is sent back to prison and arranges to marry a young carpenter to beat parole on the advice of Frank Langella, a candidate running for governor of New Mexico that ran into DeMornay during her failed escape from prison. Despite the obvious predictability of the love triangle that film will pursue the film is redeemed from plenty of comedic moments thanks to the strong performances from DeMornay and a whole cast of unknown actors. It turns out irresponsible screw ups are a great source of comedy. However, plenty of embarrassing moments continue to show up in the film including a cringe worthy disrobing of some random actress who rocked up to work in granny panties and a nauseating navel gazing Langella. It is pretty depressing seeing how easily the men in this film can be led just because someone is attractive regardless what a terrible human being said person is. I think the film is meant to be a farce, it's all very light hearted with some tacky New Romantic 80s pop thrown in.

I couldn't stop laughing, this could easily become a cult classic for it's over the top writing, acting, music, everything. There were some hotter erotic scenes that were probably the only reason anyone ever watched the entire film. So predictable and ridiculous that it's one chuckle after another, so I guess I enjoyed it a little, but most likely not for the same reasons the film was made.Apparently I need to write 10 lines of text to be considered a full review, I thought I summed it up in 2 sentences. This movie has no direction, it wants to be too many things and ends up nowhere. My only comment on De Mornay is that although she had her moments, on stage and being sultry, it seems to me she has about as much talent as most strippers.This film is basically a failed attempt at anything, and a disgrace to the original.

I love this film because both the movie and Rebecca De Mornay are bright, breezy, and fun. It's a Cinderella story turned on it's ear with a blue collar Prince Charming (Billy played by Vincent Spano) barely able to stay afloat in contemporary middle income lifestyle, but stable enough to help lift a lovely jailbird Princess (Robin played by De Mornay) out of both a physical and personal prison, but this being a contemporary story she controls her own destiny and plots her own path. An evil politician (played by Frank Langella) adds to the fun as does some laughs that springs from realistic situations. At the heart is an old-fashioned romance. We know from the start that Billy and Robin are meant for each other. The language and tasteful love scenes that give the film an R-rating are overshadowed by the entire atmosphere of the film which more accurately should have been awarded a PG-13 rating (this is not Hand That Rocks the Cradle or Risky Business). Despite themes of feminism and romance, there is enough fun to keep the guys interested too, most notably the sexy but ever wholesome De Mornay.